© Rodrigo Dávila

罗德里戈·达维拉

架构师提供的文本描述。位于波哥大北部的圣安纳东方的专属社区，这座711平方米的住宅是为满足客户的需要而设计的。它在裸露混凝土中的建筑力求净化它的元素，它的体积根据其边界的方向对其位置作出反应，形成两卷由通向后花园透明的通道区域所连接。我们设计了一个高度更高的社交区和一个单空间的拱顶-客厅和餐厅，所有这些都与主花园相连。该建筑于2013年8月完工。

Text description provided by the architects. Located in the exclusive neighborhood of Santa Ana Oriental in the north of Bogota, this 711m2 home was designed to fit the client. Its architecture in exposed concrete seeks to purify its elements and its volume responds to the siting according to the orientation of its boundaries, forming two volumes articulated by the access area transparent to the rear garden. We have designed the social area with a greater height and a vault that integrates in a single space the living and dining room, all related and connected to the main garden. The construction was completed in August 2013.

 First Floor Plan

一层平面图

入口在外面的楼梯上，从挡土墙上挑出混凝土台阶，通向用生锈的钢做的前门。室内设计是如此清晰和慷慨，它创造了一种熟悉环境的愉快感觉：从正门开始，将住宅的两个核心部分连接起来的空间是厨房、社交区和服务区域，另一边是卧室区域。

The entrance is up an exterior staircase with concrete steps cantilevered from a retaining wall, which leads to the front door made of rusty steel. The interior design is presented so clearly and generously that it creates a pleasant feeling of familiarity with the environment: from the main entrance, a space that articulates the two cores of the dwelling, is the kitchen, social area and services on one side and the bedroom area on the other.

 © Rodrigo Dávila

罗德里戈·达维拉

花园就在入口处，自然成为舞台的中心，与社交场所、主卧室和家庭空间融为一体。在第一印象之后，细节出现了，根据材料和内部的定义，引起了人们对每个角落的极大好奇。

The garden, which is right across the entrance, naturally takes center stage mixing with the social area, master bedroom and family room. After the first impression the details appear, as defined by the materials and interiors, raising a great curiosity about every corner.

 Corte Perspectivado

Corte Perspectivado

该项目包括一个双人起居室和餐厅、厨房、服务区和客人浴室，以及一个有四个卧室的私人区域，每个卧室都有自己的浴室、一个家庭房间和一个多用途的研究室，可以对社会或私人区域进行隔离或开放。这两个核心中的每一个都平行于不同的边界，这一事实带来了活力，迫使房子远离正交结构；因此，主通道成为连接两个核心的一个单一体积的连接处。

The program included a double living and dining room, kitchen, service areas and guest bathroom, and a private area with four bedrooms, each with its own bathroom, a family room and a multipurpose study that can be isolated or opened to the social or the private area. Each of these two cores are parallel to a different boundary, a fact that brings dynamism and forces the house away from an orthogonal structure; therefore the main access becomes a joint that connects the two cores in a single volume.

 © Rodrigo Dávila

罗德里戈·达维拉

木材、生锈钢和珍珠灰色混凝土是该项目的亮点。特别是，后者获得了业主所要求的一个不同寻常的角色，他们的想法与建筑师的想法非常吻合，他们想要揭露建筑结构体系，而珍珠灰色混凝土则强调了房子的外部和内部的独创性和典雅性。

Wood, rusty steel and pearl gray concrete are highlights in the project. In particular, the latter acquires an unusual role required by the owners, who in a happy coincidence of ideas with the architects wanted to expose the structural system, and the pearl gray concrete accentuates originality and elegance both to the exterior and to the interior of the house.

 © Rodrigo Dávila

罗德里戈·达维拉

在内墙上，绘画以裸露的混凝土为背景材料。在决定清楚地展示结构后，我们决定给社会空间以丰富的空间，去掉支撑元素，于是建筑师们设计了一个12米宽的拱顶，没有任何柱子或柱子，只有暴露的庙宇支撑着拱形天花板的两侧。在这个对花园完全开放的空间里，一个壁炉把餐厅和客厅分开，给了他们一个身份。为了保护室内不受阳光和雨水的影响，在裸露混凝土中精心设计的大屋檐是没有装饰元素的干净建筑的一部分。

On interior walls, paintings stand strongly with the exposed concrete as background material. After making the decision to display the structure clearly, we decided to give spatial richness to the social area and rid it of supporting elements, so the architects designed a vault with a 12 meter span without any pillars or columns, only exposed temples hold both sides of the vaulted ceiling. In this space that is fully open to the garden, a fireplace separates the dining from the living room and gives them both an identity. To protect the interior from the sun and rain, large eaves carefully designed in exposed concrete are part of a clean architecture free of ornamental elements.

Architects H+H Arquitectos

Location Bogota, Colombia

Category Houses

Project Architects Eric Halliday, Martin Halliday

Project Area 711.0 m2

Project Year 2013

Photography Rodrigo Dávila

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