Port Hope House Teeple Architects
2014-10-23 01:00
© Scott Norsworthy
斯科特·诺斯沃西
架构师提供的文本描述。希望港大厦位于安大略省霍普港镇5公里外的安大略省湖畔,占地100英亩。该地产缓缓向南倾斜一公里横跨农田,短暂地被一片茂密的林地所打断,并在一座75英尺高的悬崖上一直延伸到湖中。
Text description provided by the architects. The Port Hope House is located on a hundred-acre site bordering Lake Ontario, 5 kilometers outside of the town of Port Hope, Ontario. The property gently slopes southward for a kilometer across farmland, is interrupted briefly by a dense woodlot, and terminates at a 75-foot cliff that falls into the lake.
© Scott Norsworthy
斯科特·诺斯沃西
紧邻悬崖边缘的是一条通往地球的废弃铁路通道,这条通道曾经是连接安大略省南部的第一列火车。这条15英尺深的沟渠与水平行,距离地块很远,并在这个地方产生了另一个独特的生态系统。
Adjacent to the cliff edge is an abandoned rail passage cut into the earth that once served as the first train connection to southern Ontario. This 15 foot deep trench runs parallel to the water the distance of the property and generates another unique ecosystem on the site.
© Scott Norsworthy
斯科特·诺斯沃西
项目独特的位置是设计理念中最重要的一个要素。选定这所房子的具体地点是为了利用四个关键场地条件的汇合点:地产北端一片林地的黑暗宁静;一片广阔的休憩地的开阔性;一条废弃的铁路断线意外地安静;以及一座雷鸣般的湖泊堤坝。一个接一个,这些是精心编织到建筑经验的项目,结果是一个令人愉快的编排展示令人惊讶的空间对比,平衡两个自然的极端地点-广阔的土地和广阔的水。
The project’s unique location is the single most important element in the design concept. The specific location of the house was selected to take advantage of the confluence of four key site conditions: the dark peace of a woodlot at the northern end of the property; the openness of a vast fallow field; the unexpected quiet of an abandoned rail cut; and a thunderous lake embankment. One by one, these are carefully woven into the architectural experience of the project, resulting in a delightfully orchestrated presentation of surprising spatial contrasts that balance the two natural extremes of the site – expanses of land and expanses of water.
Longitudinal Section
事实上,该项目的构造表现是基于其与地形的物理关系;逐渐上升的现浇混凝土墙镶嵌在地产的泥土中:在其最低点,巧妙地将视野与林地和热水浴结合起来,然后向上生长,将客厅、厨房和主卧室推入栏杆上方一个戏剧性的悬臂上,以捕捉湖面的无限制景色。作为一个单一的提升和弯曲的形式开始分裂成两个框架卷,允许通过一个微妙的分离,牧师照明渗透到生活领域的深处。一个倾斜的甲板连接主卧室与游泳池和田野。
Indeed, the project’s tectonic expression is based on its physical relationship to the topography; gradually rising cast-in-place concrete walls are embedded in the earth of the property: at their lowest point subtly framing both views to the woodlot and thermal baths and then growing upward, thrusting the living room, kitchen and master bedroom into a dramatic cantilever above the rail cut to capture unrestrained views of the lake. What begins as a single lifting and curving form splits into two framed volumes, allowing via a subtle separation, clerestory lighting to permeate deep into the living areas. A sloping deck connects the master bedroom with both the pool and field.
房子中包含的可持续功能使得生态足迹最小,并且名义上对电网的依赖程度很高。该项目的形式和方向,最大限度地利用有利的太阳曝光和高性能的包络是实现了以固体为主的东西正面和热镜膜玻璃。混凝土长墙产生热团,与地源加热系统协同工作,以减少对天然气的需求。
The sustainable features incorporated in the house make for a minimal ecological footprint and nominal reliance on the grid. The form and orientation of the project maximize beneficial solar exposure and a high-performance envelope is achieved with predominantly solid east-west facades and heat mirror film glazing. The long concrete walls create thermal mass which works in concert with the ground source heating system to reduce the need for natural gas.
© Scott Norsworthy
斯科特·诺斯沃西
木炭锌层流过混凝土,形成高效的建筑围护结构。当房子向南方升起时,物质的调色板和聚集物减轻了对开放和光明的特权。内部庭院和牧师有利于自然通风和采光。强调房屋与土地的有机联系,水和污水在现场处理,雨水被收集用于灌溉,房子周围的大部分土地已经重新归化,除了季节性满足客户需求的菜园。
A charcoal zinc cladding flows over the concrete, forming a highly efficient building envelope. As the house rises toward the South, the material palette and massing lighten to privilege openness and light. Internal courtyards and clerestories facilitate natural ventilation and daylighting. Emphasizing the house’s organic connection to the land, water and sewage are treated on site, rainwater is collected for irrigation and the majority of land around the house has been re-naturalized, save for vegetable gardens that seasonally supply the clients’ needs.
© Scott Norsworthy
斯科特·诺斯沃西
Architects Teeple Architects
Location Port Hope, Canada
Category Houses
Area 4450.0 ft2
Project Year 2012
Photographs Scott Norsworthy
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