Trübel L3P Architects

2014-12-28 01:00

 © Vito Stallone

.Vito Stallone

架构师提供的文本描述。在清除边界限制后，在迪尔斯多夫葡萄园的这片陡峭的小块土地上只剩下5米x9米。这片土地最多有83平方米的地面生活，长期以来一直被认为是不可建造的.这是一座古典住宅，有坚固的外墙，传统的通道楼梯和交通区域，这里没有空间。

Text description provided by the architects. After the removal of border limit clearances only 5 m x 9 m are left over in this small steep lot at the vineyard at Dielsdorf. With a maximum of 83 m2 above-ground level living, this lot has long been considered unbuildable. A classical residential house with solid outer walls, conventional access staircase and traffic area has no space on this site.

 © Vito Stallone

.Vito Stallone

房间和结构是一体的，这是建筑师和建筑工程师进行跨学科合作的结果。在黑色外露混凝土中雕刻的钢筋混凝土和钢框架无所不在：墙壁、天花板、地板甚至书架都是框架的一部分。地板床罩，隔音，地板，石膏和油漆工作，将覆盖框架不会出现。住宅被简化为裸露混凝土上的元素，通过各种手工制作的家具和包裹在玻璃斗篷中的补充。

Room and structure are one, resulting from an interdisciplinary collaboration between the architects and building engineer. The sculptured reinforced concrete and steel framework in black-coloured exposed concrete is omnipresent: walls, ceilings, floors and even the bookcase are a part of the framework. Floor beddings, sound insulation, flooring, plaster work and paint work that would cover the framework do not appear. The residence is reduced to the elementaries on naked exposed concrete, complemented through diverse handmade furniture and enveloped in a glass mantle.

 © Vito Stallone

.Vito Stallone

进入大楼的地下通道是通过车库。一个人通过高达5.44米的通道进入大楼。一间地窖和一间客房附属于中心。一间带浴室的双人卧室同样被固定在斜坡上。这些房间通过一个分为不同高度的空间和一个天窗提供光线。这间双人卧室被中间墙隔开，就像一个锚，为主墙建造静态的桥台。爬上楼梯，一个人来到混凝土书柜，它充当框架的水平支撑。从这里开始，通过平台和层次的不同区域的持续顺序开始：办公室4.6m2；餐饮10.5m2；多用途7.9m2；厨房6.7m2；存储5.2m2；阅读角和客人区4.8m2；生活15.4m2；浴缸7.5m2；穿衣3.8m2和睡觉，包括浴室11.4m2。

The subterranean access to the building is through the carport. One enters the building through an up to 5.44 m high entrée. A cellar and house services room are attached to the entrée. A double bedroom with bath is likewise entrenched into the slope. These rooms are provided with light through both a space divided into different heights and a skylight. This double bedroom is sectioned by a middle wall, which like an anchor, builds the static abutment for the main middle wall. Ascending the stairs one comes to the concrete bookcase, which acts as a horizontal bracing for the framework. From here, an ongoing sequence of diverse areas through platforms and levels begins: office 4.6m2; dining 10.5m2; multi-purpose 7.9m2; kitchen 6.7m2; storage 5.2m2; reading corner und guest area 4.8m2; living 15.4m2; bath 7.5m2; dressing 3.8m2 und sleeping including bath 11.4m2.

葡萄园斜坡上的工作复制了葡萄树的逻辑：支撑中间墙、平台和不结实的窗户遵循茎、树干和挂果的结构。

This work on the vineyard slope copies the logic of a vine: a supporting middle wall, platforms and non-bearing windows follow the structure of the stem, the trunk and the hanging fruit.

 © Vito Stallone

.Vito Stallone

引用建筑师BorisEgli的话：

Quote Architect Boris Egli:

葡萄园斜坡上的工作复制了葡萄树的逻辑：支撑中间墙、平台和不结实的窗户遵循茎、树干和挂果的结构。

This work on the vineyard slope copies the logic of a vine: a supporting middle wall, platforms and non-bearing windows follow the structure of the stem, the trunk and the hanging fruit.

 Floor Plan

报价建筑工程师Urs Oberli：

Quote Construction Engineer Urs Oberli:

以葡萄树为模型，开展了一项诚实的具体工作。中心垂直墙作为主要的支撑单元，随着建筑物高度的增加而变细，与荷载相对应。不同楼层天花板的偏移会形成肋骨，使建筑物的深度得以增长，并形成叶状天花板的悬垂。从内到外发展起来的支撑系统完全避免了外观中的静态元素。

An honest concrete work has been developed with the vine as a model. The central vertical wall as the main supporting element buttresses the building and tapers with the increasing height of the building, corresponding to the load. The offset of the ceilings in the different stories builds ribs, allowing the building to grow in depth and shape the suspension of the leave-like ceilings. The supporting system that is developed from the inside to the outside totally abstains from static elements in the façade.

 © Vito Stallone

.Vito Stallone

引用景观园丁Nils Lüpke的话：

Quote Landscape Gardener Nils Lüpke:

周围的田野，树篱和果树的景观是图画结合在一起的组成，并被无缝地引导到花园。雄伟的樱桃树伸出枝条靠近房子，并在客厅生效。房子的中心和户外休息区表现为在成长的地形上的精确切割。从房子遗留下来的水泥制成的踏脚石似乎漂浮在这上面，并在原本废弃的地形中强化了这一形象。

The surrounding landscape of fields, hedges and fruit trees are pictorially integrated in the composition and are seamlessly guided into the garden. Majestic cherry trees reach with their branches near to the house and take effect in the living room. The house entrée and outdoor sitting area express themselves as precise cuts in the grown terrain. Stepping stones made from left over concrete from the house seem to float over this and reinforce the image in an otherwise abandoned topography.

 © Vito Stallone

.Vito Stallone

引用轻型规划师托马斯·斯科奇的话：

Quote Light Planner Thomas Schoch:

该框架的主导结构是由LED照明线内置在建筑物的外壳。在古建筑中，当一个人从一个房间搬到另一个房间时，建筑灯光就像一个当代的火炬之旅。坐在窗框里的光线把一个漫射的基本光投进了里面的核心。

The dominant structure of the framework is illuminated by LED light lines built into the building’s casing. When one moves from one room to another in the archaic construction the architectural light appears like a contemporary tour of torches. The light lines sitting in the window frames throw a diffuse basic light into the inner core.

 Floor Plan

引用建筑物理学家斯蒂芬·胡伯的话：

Quote Construction Physicist Stephan Huber:

建筑缩减到最大程度是建筑物理学的一个挑战。尽管U-值很低(UG=0.60W/M2K，不透明成分在0.14W/M2K和0.20W/M2K之间)，能源效率的证据只有通过单独的结构成分才有可能。因此，与夏季保暖相比，玻璃的总能量透射率不应低于30%，而窗面相对于能源参考面140%则是进一步的挑战。

The architectural reduction to the maximum was a challenge for construction physics. Despite low U-values (UG = 0.60 W/m2K, opaque components between 0.14 W/m2K und 0.20 W/m2K) the energy efficiency evidence was only possible through separate structural components. Thus, the overall energy transmittance of the glazing should not be lower than 30% in relation to the summer warmth protection, which with a window surface in relation to the energy reference surface of 140% was a further challenge.