Courtesy of NL Architects

nl建筑师提供

架构师提供的文本描述。所谓的穆齐克古希腊是一项壮观的事业。当我们第一次了解到这个项目时，我们简直不敢相信它的激进性。这个项目是车站区域改造的一部分。这个想法是要建造一座音乐建筑，在现有的Vredenburg音乐厅顶上有4个音乐厅。这意味着部分摧毁赫茨伯格大师！它还将把完全不同的目标群体聚集在一座建筑中：除了交响乐厅外，这个建筑群还将有一个2000人大厅，专门为流行音乐服务，一个爵士音乐厅，一个室内音乐室，以及所谓的克罗斯索尔扎尔(Crossurzaal)。这些“生物群落”将由4位不同的建筑师在建筑工作室HH的总体规划范围内开发。在某种程度上，它是一个超大的“橱窗”，里面堆满了“建筑物”：3D城市主义！

Text description provided by the architects. The so-called Muziekpaleis is a spectacular endeavour. When we first learnt about the project we could hardly believe its radicality. The project is part of the renovation of the station area. The idea was to construct a music building with 4 halls on top of the existing concert hall Vredenburg. That would mean to partly demolish the Hertzberger Masterpiece! It also would bring together totally different target groups in one building: in addition to the symphony hall, the complex will feature a 2000 people hall dedicated to pop music, a jazz hall, a room for chamber music and the so-called Crossoverzaal. These ‘Biotopes’ will be developed by 4 different architects within the master plan by Architectuurstudio HH. In a way it is a super-sized ‘showcase’ containing stacked ‘buildings’: 3D Urbanism!

克洛斯索尔扎尔将作为一个独立的大厅，可用于广泛的表演。可用于舞蹈晚会、脱口秀、时装秀、产品展示、大会等.但它也可以作为一个“安全阀”，当其他房间缺乏容量的某些活动。这一生态环境包括一个宽敞的门厅和一个带有平地板的灵活大厅。它没有固定的舞台或固定的座位。基本配置可容纳400个座位，但最多可容纳600人。更衣室和后台区域邻近，可以进行许多安排。

The Crossoverzaal will serve as an independent hall that can be used for a wide range of performances. It can be used for dance parties, stand-up comedy, fashion shows, product presentations, congresses. But it can also function as a ‘safety valve’, when other rooms lack capacity for certain events. This biotope includes a spacious foyer and a flexible hall with a flat floor. It doesn’t have a fixed stage or fixed seating. The basic configuration holds 400 seats, but it can contain up to a maximum of 600 people. The proximity of dressing rooms and back stage areas allows for numerous arrangements.

 Courtesy of NL Architects

nl建筑师提供

大厅本身就是一个盒子。阳台和“Loggias”以一种不规则的方式连接到它上，从主体积中凸出。因此，邀请一个‘动态’使用的生物圈，创造了一个冒险的路线和‘皇家’排他性。门厅悬挂在它下面。

The Hall itself is a Box. Balconies and ‘loggias’ are connected to it in an irregular way, bulging out of the main volume. As such inviting a ‘dynamic’ use of the biotope, creating an adventurous routing and ‘royal’ exclusivity. The foyer is suspended under it.

出发点是盒装原则.内、外层之间的声腔局部放大，以适应建筑物、基础设施和附加程序。

The starting point is the box-in-box principle. The acoustic cavity in-between the inner and outer layer is locally enlarged to fit the buildings infrastructure and additional program.   

 Courtesy of NL Architects

nl建筑师提供

中心思想是连接。克洛斯索尔扎尔人正在向其他大厅伸出手，向四面八方伸展，创造出一种星型。正门在流行音乐的顶部。其中一个阳台直接连接到爵士音乐厅。交叉厅和室内乐厅的门厅可以连接成一个空间。一个触手连接到屋顶，允许在大厅的日光，这可以是一个真正的质量，在白天使用。另外两个，包括一个酒吧和一个阳台，触摸正面和开放的壮观的景色城市。

The central idea is to connect. The Crossoverzaal is reaching out to the other halls, stretching out in all directions, creating a kind of star shape. The main entrance is on top of the Pop. One of the balconies creates a direct link to the Jazz Hall. The foyer of Crossover and Chamber music hall can be connected into one space. One tentacle connects to the roof to allow daylight in the hall that can be a real quality during day time usage. Two others, containing a bar and a balcony, touch the facades and open up to spectacular views over the city.

 Courtesy of NL Architects

nl建筑师提供

 Courtesy of NL Architects

nl建筑师提供

Architects NL Architects

Location Vredenburg, 3511 Utrecht, The Netherlands

Category Nightlife

Architect in Charge Pieter Bannenberg, Walter van Dijk, Kamiel Klaasse

Design Team Sören Grünert, Kirsten Hüsig, Thomas Scherzer, Marc Dahmen, Gerbrand van Oostveen, Michael Schoner, Wim Sjerps, Martijn Stoffels, Michael Schoner, Bobby de Graaf, Stephan Schuelecke, Florent Le Corre, Jung-Hwa Cho, Michael Schoner, Bobby de Graaf, Lorena Valero Miñano, Inés Quinteiro Antolin

Project Year 2014