Copper House in Sibiu Radu Teacă
2015-03-12 16:00
© Peter Marx
彼得·马克思
架构师提供的文本描述。一个重要的方面是在自己的地盘上实现建筑的和谐整合。锡比乌是一座古老的城市,有着明确的中世纪建筑中心,可以追溯到文艺复兴和巴洛克时期。因此,双斜屋顶,窗户的比例和它们之间的空间是一种尝试,以适应现有的原型。所有这些元素都为建筑增添了一种“哥特式”的精神,确保了网站的更好整合。
Text description provided by the architects. An important aspect was to achive a harmonious integration of the building on its own site. Sibiu is an old city with a well-defined center of medieval buildings, dating from the Renaissance and Baroque period. Therefore, the double pitched roof, the proportions of windows and the spaces between them were an attempt to adjust to existing archetypes. All these elements add a “gothic” spirit to the building, ensuring a better integration on the site.
© Peter Marx
彼得·马克思
这个项目的另一个目的是在极简的关键上获得形式的本质。为了达到这个目的,我们在屋顶和立面上都使用了相同的材料。屋顶如何规定垂直高度的材料也是可以理解的。这就是全铜溶液如何结晶,铜是一种材料,老化美丽和多样化。
Another purpose of this project was to obtain the essence of form on a minimalist key. In order to accomplish this, we used the same material for both roof and facade. It is understandable how the roof dictated the material for the vertical elevations as well. This is how the all-copper solution crystallised, copper being a material that ages beautifully and diversely.
房子的简单体积被分成两部分,由一个空隙来照亮室内,在作品的中间带来光。在里面,一个流畅和连续的空间是由这个中庭的存在,代表了建筑的核心,创造了一个内向的空间,尽管场地很小。半层增加了建筑的活力,它们之间的连接,除了干净的白色楼梯外,都是通过电梯连接起来的。
The simple volume of the house is divided in two, by a void that illuminates the interior, bringing the light right in the middle of the composition. Inside, a fluent and continuous space is created by the presence of this atrium, representing the core of the building, creating an introverted space despite the small size of the site. Half levels add dynamism to the construction and their connection is made, besides the immaculate white stairs, by an elevator.
© Peter Marx
彼得·马克思
为了突出壮观的内部体积,我们主要使用白色,所以颜色感知不会干扰空间本身的感知。通过这种方式,我们成功地将“公共”功能面向街道(大厅、客厅)和面向后院的“私人”功能(卧室)。
To highlight the spectacular interior volume we used mostly white, so the color perception does not interfere with the perception of space itself. In this way we have managed to place the “public” functions facing the street (hall, living room) and the “private” ones facing the backyard (bedrooms).
出于隐私的考虑,家庭影院位于半地下室,面对着一个宽敞的英国庭院。为了让半地下室成为白天区域的一部分,英式庭院被铺满了绿色植物的露台勾勒出来,而家庭影院窗户的透明度代表着房间朝着这个放松的庭院延伸。
Also for reasons of privacy the home cinema is located in the semi-basement, facing a generous english courtyard. In order to make the semi-basement, part of the daytime area, the english courtyard was outlined by stepped rowes filled with greenery/vegetation and the transparency of the home cinema windows represents an extension of the room towards this relaxing courtyard.
© Peter Marx
彼得·马克思
舞台设计的阶梯行确保了一个谨慎的夜间照明和不受周围环境的保护。陈年铜的形象给建筑带来了生机,但也与体积的简单性发生了冲突,在这种背景下,这是非常有益的。
The stage design of the plants with the stepped rows ensures a discreet nightime lighting and protection from the surroundings. The image of the aging copper brings life to the building, but also clashes with the simplicity of the volume, something highly beneficiary in this context.
Ground Floor Plan
本着统一的精神,栅栏和大门都是用氧化钢做的,用无色的清漆保护着。厨房,技术室和家庭影院都放在半地下室,一楼有一个入口大厅和通向餐厅的楼梯;然后我们发现客厅在一楼,相关的楼梯到达睡觉区域-主卧室和最后一层的其他卧室,面向后院。
In the spirit of unity of expression both the fence and the gate were made of oxidized steel, protected with a colorless varnish. The kitchen, the technical room and the home cinema are placed in the semi-basement, the ground floor has an entry hall and the stairs leading to the dining area; then we find the living room placed on the first floor with the related stairs that arrive to the sleeping areas – the master bedrooms and the other bedrooms on the last floor, facing the backyard.
© Peter Marx
彼得·马克思
从正面给出的充分和中空区域的节奏有利于室内设计。受益人是一位艺术收藏家,通过这种方式,绘画可以被组织起来并有节奏地放置在窗户之间。立面是很好的隔离和通风,也有一个健康恢复系统,放置在屋顶附近。
The rhythm given by the full and hollow areas from the facade benefits the interior design. The beneficiary is an art collector and this way the paintings can be placed organized and rhythmically between the windows. The facade is well isolated and ventilated, also granted with a heath recovery system, placed near the roof.
First Floor Plan
一层平面图
Architects Radu Teacă
Location Sibiu, Romania
Category Houses
Area 375.0 sqm
Photographs Peter Marx
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