© Marcello Mariana

马塞洛·马里亚纳

架构师提供的文本描述。客户的要求是，一个展馆连接到主要的历史建筑，造成最少的视觉干扰周围的公园。展馆是一个室内游泳池，在一个由气候控制的空间里提供一些健身、服务和租赁的空间。

Text description provided by the architects. The client's requirement was for a pavilion to be connected to the main historic house causing the least visual interference with the surrounding parkland. The pavilion was for an indoor pool, and some space for fitness, service and leasure in a climate controlled space.

 © Marcello Mariana

马塞洛·马里亚纳

主楼是1900年初的一座自由大厦，十年前，客户就对它进行了翻修。主住宅的底层位于地面上方100厘米处，因此与周围的公园几乎没有联系，客户还想要一个附在主房子上的玻璃围封空间，以欣赏其自然环境的景色。

The main house, an early 1900  liberty building had been renovated by the clients ten years previously. The main house ground floor sat 100 cm above the external ground and as such had little connection to the surrounding parkland.The client also desired a glass enclosed space attached to the main house to enjoy the view of  its natural surroundings.

 © Marcello Mariana

马塞洛·马里亚纳

这所房子以前的装修包括景观美化和在公园南角增加一个小人工湖。

The previous renovation of the house included landscaping and the addition of a small artificial lake in the south corner of the parkland.

 © Marcello Mariana

马塞洛·马里亚纳

在此基础上，经过精确的地形测量，采用以下原则来创造最小的视觉冲击力，将展馆的体积埋在地下。

On this basis and after an accurate topographic survey the following principles were adopted to create minimal visual impact, place the pavilion volume underground.

 © Marcello Mariana

马塞洛·马里亚纳

根据公园的自然地形所知的位置。使用不同的地面层来捕捉内部的光线，不是用天象灯，而是用窗户直接连接到外部景观和湖泊。从视觉上将地下亭子与人工湖连接起来。

Location informed by the natural topography of the parkland. Use the different ground levels to capture light inside, not with zenithale light but with windows directly connected to the outside landscape and lake. Visually connect the  underground pavilion to the artificial lake.

 © Marcello Mariana

马塞洛·马里亚纳

将展馆定位在远离主楼的战略位置上，通过一条强调隐私感的路径，创造一个全新的、独立的空间。在离房子很远的地方，地下展馆的位置会在这两个空间之间创造出一种有趣和动态的关系。

Locate the pavilion far away from the main house in a strategic position, to create a totally new and independent space reached by a path that emphasizes the sense of privacy. The location of the underground pavilion far away from the house would then create an interesting and dynamic relationship between the two spaces.

 Floor Plan

通过隧道将主楼与地下亭子和游泳池连接起来。一条不规则的小径是由要保护的树木决定的。

Connect the main house to the underground pavilion and pool via a tunnel. An irregular path was determined by the established trees which were to be protected.

 © Marcello Mariana

马塞洛·马里亚纳

隧道还通过几步连接到第二个小玻璃封闭温室，完全开放周围的公园。一座玻璃围封的窄桥连接着温室和主楼。

The tunnel also connects via a few steps to a second small glass enclosed conservatory totally open to the surrounding parkland. A glass enclosed narrow bridge connects the conservatory to the main house.

 © Marcello Mariana

马塞洛·马里亚纳

结构钢的具体设计放置在玻璃周边之外。这是为了对内部空间进行深度和强调，同时又使窗框设计次要。主楼南侧的温室石基使周围花园水平发生变化，使花园与内部空间直接联系起来。包含室内游泳池、健身区和小厨房的展馆空间是以一系列简单的几何体积为基础的，无论是木材还是水泥，都包含着各种功能。

The specific design of the structural steel was placed outside the glass perimeter. This was to give depth and emphasis to the internal volume and at the same time make the window frame design secondary.Stone footings of the conservatory on the south side of the main house enabled changes in the surrounding garden level, to give a direct connection between the garden and the internal space. The pavilion space containing the indoor pool, fitness area and small kitchen is based on a sequence of simple geometric volumes in either wood or cement to contain the various functions.

 © Marcello Mariana

马塞洛·马里亚纳

通风、气候控制、自动池盖等的所有技术要求在总体设计中尽可能离散。

All technical requirements for ventilation, climate control, automated pool cover etc were designed to be as discrete as possible within the overall design.

 © Marcello Mariana

马塞洛·马里亚纳

泳池内衬和周围路面材料的选择需要耐用，而且颜色要中性。它还需要能够覆盖台阶、石阶和曲面(路面、墙壁和泳池内衬)。其目的是实现池内外卷内的连续性感。选用白色小瓷砖。

Choice of material for the pool lining and surrounding pavement needed to be durable and, neutral in colour. It also needed to be able to cover steps, ledges and curved surfaces ( pavement, walls and pool lining). The aim was to achieve a sense of continuity within the volume inside and outside the pool. A small white ceramic mosaic tile was chosen.

对材料连续性的选择产生了一种效果：大量的水找到了它的自然休息状态，并停留在体积的最低部分，由一种动态的同时也是温和的形式持有，然后慢慢地沿着它的路线走下去，静静地在水池中安顿下来。

The choice of continuity of material creates an effect: a mass of water finds its natural resting state and settles in the lowest part of the volume, held by a dynamic and at the same time gentle form before it slowly follows its course down to quietly settle in the pool.

 © Marcello Mariana

马塞洛·马里亚纳

展馆的西侧(前)有一扇滑动门。门完全消失在一个结构腔，以最大限度地连接周围的人工湖和公园。在夏天，室内和室外空间成为一体，两个水面(游泳池和湖泊)之间的无缝对话…

The west side of the pavilion (front) houses a sliding door. The door totally disappears into a structural cavity to maximize the connection with the surrounding artificial lake and parkland. In summer the indoor and outdoor spaces become one, a seamless  conversation between both water surfaces (pool and lake) .....

 © Marcello Mariana

马塞洛·马里亚纳

池和湖的表面水平是一样的。一个比这个低40厘米的小天井/日光室创造了一个入口。低矮的空间，遮住了房子的视野，调和了自然环境和亭子之间的关系，而亭台楼阁则是简单的几何图形。

The surface level of the pool and lake are  the same. A small patio/ solarium 40 cm lower than this creates an entrance. The lowered space, obscured from the view of the house mediates the relationship of the natural surroundings and the pavilions simple geometry.