© Murray Fredericks

穆雷·弗雷德里克斯

架构师提供的文本描述。威拉馆是一个米利西亚启发玻璃展馆，位于一个充满活力和肥沃的乡村景观设置，没有不同的描绘在克劳德莫奈的绘画。

Text description provided by the architects. The Wirra Willa Pavilion is a Miesian inspired glass pavilion situated in a vibrant and fertile, rural landscape setting not dissimilar to that portrayed in a Claude Monet painting.

 © Murray Fredericks

穆雷·弗雷德里克斯

其目的是创造一个多功能的空间，为游客提供体验机会，使他们能够充分地欣赏景观的内在美。具体地点位于一个私人地产上，面积达80英亩，最初是作为一块石头和柑橘园建立起来的。自始至终，都有许多久负盛名的花园交织在一起。

The aim was to create a multifunctional space that provided an experiential opportunityfor the visitor so they could appreciate, to the full extent, the inherent beauty of the landscape. The specific site is situated remotely on a private property that totals 80 acres and was originally established as a stone and citrus fruit orchard. There are well established gardens intertwined throughout.

这座亭子悬挑在天然泉水上，将居民与一个充满生命和自然美景的崇高环境连接起来。它本质上被用作私人和偏远的水疗中心和客人休息室，这是对现有住宅的恭维。

The pavilion cantilevers over the natural spring fed dam to connect the inhabitant to a sublime environment that is pulsing with an abundance of life and natural beauty. It is essentially used as a private and remote spa house and guest retreat that compliments the existing residence on the property.

 © Murray Fredericks

穆雷·弗雷德里克斯

简单是项目成功的关键。其方法是在设计过程的每一个阶段保持简单，以便在景观环境中创造一个优雅的、不引人注目的切口，既允许前景，也允许避难。

Simplicity is essential to the success of the project. The approach was to maintain simplicity through each stage of the design process in order to create an elegant, unobtrusive incision into the landscape setting that allows for both prospect and refuge.

 Floor Plan

展馆的用途是多功能的。该设计需要灵活和适应性，以适应各种用途，在变化的季节，通过一年。

The use of the pavilion is multifunctional. The design needed to be flexible and adaptable to accommodate for various uses during the changing seasons through out the year.

 © Murray Fredericks

穆雷·弗雷德里克斯

选址和选址至关重要。选择这个地点是因为它地理位置偏远，前景广阔，而且能适应太阳风和盛行的风。

Site selection and siting was crucial. The location was selected for it's remoteness, opportunity for prospect, and orientation to the sun and prevailing winds.

 © Murray Fredericks

穆雷·弗雷德里克斯

展馆向东北方向的方向捕捉太阳，并响应盛行的风。在较温暖的夏季，滑动玻璃板可以打开，允许自然交叉通风，邀请盛行的微风，而在较凉爽的冬天，热质量的材料传递热量从太阳，以允许一个相对稳定的内部气候。

The orientation of the pavilion to the north-east captures the sun and responds to prevailing winds. In the warmer summer months the sliding glass panels can open up to allow for natural cross ventilation by inviting the prevailing breezes, while in the cooler winter, thermal mass of materials conduct heat from the sun to allow for a relatively constant internal climate.

 © Murray Fredericks

穆雷·弗雷德里克斯

物质性是为了使建筑与自然环境相协调而选择的固有的大地特征。

The materiality was selected for the inherent tellurian characteristics to harmonise the building to the natural setting.

 © Murray Fredericks

穆雷·弗雷德里克斯

几何本身很简单。这座建筑本质上是两个平分的矩形棱镜，一个是由复合钢、混凝土和玻璃制成的，另一个是由砂岩包裹的核心。结构解决方案来自于一个合理化的“网格”系统。这是一个特殊的地方，一个人可以逃避，找到和平和孤独。

The geometry itself is simple. The building is essentially two bisecting rectangular prisms, one created from composite steel, concrete and glass, and the other a sandstone cladded core. The structural solution was derived from a rationalised ‘grid’system. It is a special place that one can escape to find peace and solitude.

 © Murray Fredericks

穆雷·弗雷德里克斯

Architects Matthew Woodward Architecture

Location Somersby NSW, Australia

Category Pavillion

Project Team Matthew Woodward, Benjamin White

Project Year 2013

Photographs Murray Fredericks

Manufacturers Loading...