架构师提供的文本描述。门廊亭是一座实验建筑，由安东尼奥？纳多齐(Antonio Nardozzi)设计。

Text description provided by the architects. The PortHole pavilion is an experimental architecture, designed by Antonio Nardozzi & María Dolores del Sol Ontalba [TOMA!] for the tenth edition of the FAV at La Grande-Motte, decerned with the Jury and the Public awards.

 © Photoarchitecture

© Photoarchitecture

这个展馆的实验因素是透视本地化技术的实施方式：整个宜居雕塑变成了平面标志，在拉格兰德-莫特海岸上形成了一个虚拟的门廊。不断演变，安装改变了自己的特点与观点，以扁平，创造，由于它的变形性质，一个完美的圆圈。

The experimental factor of this pavilion is the way the perspective localized technique is performed: the whole habitable sculpture becomes a flat sign, a virtual porthole on the seafront of La Grande-Motte. Continually evolving, the installation changes its own features with respect to the points of view up to flatten, creating, thanks to its anamorphic nature, a perfect circle.

 Courtesy of TOMA!

托马的好意！

变形图案是通过创建特殊的光学和数学过程来设计的，这些过程从一个立方体开始，能够重新创建圆的纯几何学-一个围绕着正方形的练习！

The anamorphic pattern has been designed by creating ad hoc optical and mathematical processes which, starting from a cube, enable to recreate the pure geometry of the circle – A circling the square exercise!

组成该装置的面板的轮廓，通过回收建筑师让·巴拉杜尔和码头周围船只的有机形状，重新诠释了城市全景。它起伏不定的形状，造型和雕刻就像被风蚀雕刻的一样，允许漫步、躲在下面或坐在上面。一种适宜的城市元素，它邀请人们在观众踏来走去的节奏中发现意想不到的视觉幻象。

The contours of the panels composing the installation reinterpret the city panorama by recycling the organic shapes of the buildings of the architect Jean Balladur and the boats surrounding the quay. Its fluctuant shapes, modeled and sculpted as if carved by wind erosion, allow to stroll through, shelter under or sit on. A confortable urban element that invites to discover unexpected optical illusions at the rhythm the spectator tread around.

 © Photoarchitecture

© Photoarchitecture

展馆的体积由120个中密度纤维板组成，刻在一面3米，占地9平方米的立方体中。由于切割板边缘松开保护膜，油漆是用来保护被削弱的表面。粉红色是对父亲的敬意。

The volume of the pavilion, inscribed in a cube whose side is 3 meters occupying a footprint of 9 m2, is made of 120 MDF boards. Since cutting boards the edges loose the protective film, paint is applied to protect the weakened surface. The pink colour is homage to the FAV.

虚幻的外观是通过在板之间创建空隙和在一个角网格中处理垂直结构来实现的，该网格允许从特定的有利位置看到最少数量的金属片。然后使用1500枚金属螺钉将各层装在另一层上。

Ethereal appearance is accomplished by creating gaps between the boards and disposing the vertical structure in an angular grid that allows to see the minimal number of metallic pieces from the specific vantage point of view. Layers are then mounted one on another using 1500 metallic screws between them.

 © Photoarchitecture

© Photoarchitecture

金属结构支撑，连接和分隔木板。中密度纤维板有孔，使插入垂直结构和螺丝被钉在一起，以创造一个单一的结构：稳定和支持。螺丝钉和木板一起工作，把荷载从一个传递到另一个，这样展馆就变成了一个单独的物体，停在港口的地板上。

Metallic structure support, join and separate the wood panels. The MDF boards have holes that let insert the vertical structure and screws are screwed into each other to create a single structure: stable and supportive. The screws and the boards work together transmitting loads from one to another so the pavilion becomes a single object resting on the floor of the port.

 © Tiziano Zannordo

c.Tiziano Zannordo

此外，展馆的特殊构形遵循风的通道，不产生垂直的反差面。

Moreover, the particular conformation of the pavilion follows the passage of the wind and does not generate vertical surfaces of contrast.

 Courtesy of TOMA!

托马的好意！

因此，门廊提供了一种完全专注于在欣赏海岸微风和被海浪、凉亭波浪吸引的同时观照风景所带来的乐趣的体验。一个地方，建议放慢，互动，给自己一个时刻的反思，一定会持续很长时间，超越短暂。

The PortHole therefore provides an experience completely devoted to the pleasure given by contemplating the landscape while enjoying the coastal breeze and lulled by the waves, the pavilion waves. A place that suggests to slow, interact and confer yourself a moment of reflection bound to last a long time, beyond the ephemeral.

 Courtesy of TOMA!

托马的好意！

Architects TOMA!

Location La Grande-Motte, France

Category Temporal Installations

Architects in Charge Antonio Nardozzi, María Dolores Del Sol Ontalba [TOMA! – team of manufacturers architects]

Area 9.0 sqm

Project Year 2015

Photographs Tiziano Zannordo, Photoarchitecture