House in Toyonaka Tato Architects

2015-11-02 17:00

 © Shinkenchiku Sha

(三)沙田新干线

架构师提供的文本描述。动态抽象

Text description provided by the architects. Dynamic Abstractness.

很难处理与主要体系结构组成没有直接关系的建筑元素，如楼梯和扶手。

It is difficult to deal with architectural elements such as stairs and handrails that don’t have direct relation to the main architectural composition.

 © Shinkenchiku Sha

(三)沙田新干线

这可能是我的偏见，但建筑空间逐渐变成静态的，当附加的元素被简化为抽象的。它也影响到各种人类活动和家具生动地出现在前面，但有时它们似乎被剥夺了。

It might be my prejudice, but architectural space gradually becomes static, when additive elements are reduced to be abstract. It also has an effect on various human activities and furniture to vividly come to front, but sometimes it appears as if they are being denied.

 © Shinkenchiku Sha

(三)沙田新干线

我试图实现一种设计，其中主要的建筑构图，如楼板之间的关系，在突出的同时，上述的次要元素也成为设计中的一个生动的问题。(鼓掌)

I have tried to achieve a design, in which the main architectural composition, such as relation between slabs, stands out but at the same time secondary elements as mentioned above are also become a vivid issue of the design.

 Perspective Section

透视科

我的问题是找出是否有可能创造出具有动态抽象性的空间，当活动和事物与空间和物体被淹没时，使空间更加稳定。

My query was to find out whether it is possible to create space that has quality of, so to speak, dynamic abstractness, enabling space to all the more get settled when activities and things are mixed with the space and objects are flooded there.

 © Shinkenchiku Sha

(三)沙田新干线

有一个遗留下来的，未建的三角形地块在其邻近的土地和一个农业用地对面的街道，该地点是相对开放的。客户要求在那里住一套房子，这样他们就可以舒适地生活，适当地保护自己的隐私。

Having a left over, unbuilt triangular plot in its neighboring landand an agricultural land across the street, the site was relatively open. The client requested a house there, in which they can live comfortably protecting their privacy appropriately.

 © Shinkenchiku Sha

(三)沙田新干线

场地狭长，形状不规则，倾斜.该地区实行严格的墙挫折限制，也有影子管制.在这些限制下，我们考虑通过减轻允许甲板和屋檐突出在挫折线上的规则来创造空间的延伸。免去阴影的管制，屋檐的高度决定不超过7米。

The site is narrow and long, irregular-shaped and sloped. The area is enforced with strict wall-setback restriction and also had a shadow regulation. Under the limitations, we considered creating stretch of space by using mitigation of the regulation that permits decks and eaves to protrude over setback lines. Exempted from the shadow regulation, the eaves height was decided to be less than 7 meters.

 © Shinkenchiku Sha

(三)沙田新干线

这卷书产生了地上两层楼和地下一层.地面上方的部分被分成七层，移动，堆叠和消除，以创造深褶皱外观。这种操控方式类似于松下宫(GA House 140)，这是在同一时期设计的。

The volume resulted in two-storiesabove the ground and one underground story. The part above the ground is sliced into seven layers, shifted, stacked and eliminated to create deep pleated exterior appearance. The manipulation is similar to House in Matsunoki (GA HOUSES 140), which was being designed around the same period.

在松下的房子里，不同的材料被用来连接部分，但是在这个住宅里，所有的都是用白色的FRPso完成的，在里面和外面都可以做更深的褶皱。以这种方式，我们试图建立与外部空间的关系，同时用包带式的空间来保护内部。

In House in Matsunoki, different materials were used to articulate segments, but in this residence, all are finished with white FRPso that pleats can be made deeper both inside and outside. In this way, we tried to make relation with exterior space, while protecting the inside with wrapping belt-like space.

 © Shinkenchiku Sha

(三)沙田新干线

转换后的空间起到阳台、屋檐和窗户的作用，而轮班所产生的水平缺口就像桌子、楼梯和架子一样在里面工作。从在条纹之间的窗户，附近的灌木丛，一系列的瓷砖屋顶是横向的框架。

The shifted volumes function as balconies, eaves and windows outside, while the level gaps generated by the shift work as a desk, landings and shelves inside. From the windows created in-between stripes, nearby bushes, a series of tiled roofs are framed horizontally.

 © Shinkenchiku Sha

(三)沙田新干线

这样，我们的目标是实现动态抽象，其中的建筑设计，居民的属性，周围的景观和堆叠移位的体积是混合的。

In this way, we aimed to achieve dynamic abstractness, in which the architectural design, residents’ properties, surrounding landscape and the stacked shifted volumes are mixed.