© Lars Kaae

(Lars Kaae)

架构师提供的文本描述。哈夫尼霍曼的多媒体建筑是从外部量身定做的，以适应岛上的位置及其用户-CAE和ALLER媒体。这座建筑以其轻轻弯曲的三角形形状，勾勒出向哥本哈根港延伸的“哈夫尼霍门”点，两边都被水包围着。CAE和Aler Media以前在哥本哈根的另一个部分Valby有主要地址，他们选择在新的多媒体总部合并他们的许多活动和出版物，以创造一个高效和多样化的工作环境。该建筑本身创造了价值的所有媒体的品牌和营销活动，中庭经常用于外部功能和活动。该建筑经过精心设计，从整体建筑线到详细的室内设计，并于2009年被哥本哈根市政府授予。颁奖委员会称这座建筑为“艺术作品”(Gesamtkunstverk)。

Text description provided by the architects. The multimedia building on Havneholmen is tailored from outside to in to fit the island location and its users - CAE and Aller Media. With its gently curved triangular form, the building delineates the point of ‘Havneholmen’ that projects out into Copenhagen harbor, and is surrounded by water on both sides. CAE and Aller Media, which previously had their main address in Valby - another part of Copenhagen, chose to consolidate their many activities and publications in the new multimedia headquarters to create an efficient and diverse work environment. The building itself has created value for Aller Media's brand and marketing activities, and the atrium is often used for external functions and events. The building has been meticulously designed from the overall architectural lines down to the detailed interior design and it was awarded by the Copenhagen Municipality in 2009. The award committee called the building a "gesamtkunstverk" (work of art).

 © Jan Lykke

扬·利克

“该项目发表了一项很难忽视的声明。就像刀刃一样，这座建筑在拐角处的戏剧性展现出了一种极具说服力的艺术力量。

“The project makes a statement that is very difficult to ignore. Like the cutting edge of a knife, the building’s dramatic presence on the corner has an artistic power that is exceedingly convincing.

这座建筑是一座“Gesamtkunstwerk”(艺术作品)-所有的东西都经过精心设计。甚至新的能源和环境要求也得到了解决-所有的东西都是在功能上得到发展的。

The building is a ”Gesamtkunstwerk” (work of art) – everything has been carefully con­sidered. Even the new energy and environmental requirements have been addressed – everything has been functionally developed.

 © Lars Kaae

(Lars Kaae)

办公室和工作区域内的气氛柔和、诱人、温暖-非常引人注目，质量极高。这座建筑散发着斯堪的纳维亚式的性感。它的位置是完美的，所有的视觉线汇集在一起的地面计划。

The atmosphere within offices and work areas is soft, inviting and warm – very compelling and of extremely high quality. The building exudes Scandi­navian sensuality. It is situated perfectly with all visual lines coming together in the ground plan.

它是区内最令人兴奋的建筑物之一。“

It stands apart as one the most exciting buildings in the area.”

 © Brahl Fotografi

c.Brahl Fotografi

 Cross Section

 © Lars Kaae

(Lars Kaae)

北面阴影

Northern Shades

一个大的中庭一直延伸到建筑的中心，就像一个边缘柔软的峡谷。它把日光吸引到建筑物里，在明亮的日子里，白天不需要人工照明。当你往上移动的时候，楼板越退越远，形成了一个明亮的，梯级的房间，向港口和天堂敞开。这些色彩和材料受到北欧陆地景观的启发：季节变化中的森林、海洋、沼泽地。材料和表面被限制在冷静的颜色，服从主要的视觉线条，并建立一个平静的框架，日常生活在编辑组。色调在凉爽、温和温暖之间交替。起伏的栏杆朝向中庭，内衬橡木板条在温暖的辉光下，突出柔和的，漫射的灯光。穿过中庭的楼梯和走道在玻璃表面有一种清凉和通风的绿色和白色色彩。

A large atrium extends right through the center of the building like a ravine with soft edges. It pulls daylight so far into the building that on bright days there is no need for artificial lighting during daytime. The floor slabs withdraw further and further back as you move up the building, creating a bright, terraced room that opens towards the harbor and the heavens. The colors and materials are inspired by the Nordic land­scape; the fells, the forest, the sea, the moor in the changing of seasons. Materials and surfaces are restrained in sober colours that submit to the predominant visual lines and establish a calm framework for daily life in the editorial groups. The tones alternate between the cool, the mild and warm. The undulating balustrades towards the atrium are lined with oak slats in a warm glow, highlighted by soft, diffuse lighting. The stairs and walkways across the atrium have a cool and airy expression of green and white hues in the glass surfaces.

 © Lars Kaae

(Lars Kaae)

集成工作场所设计

Integrated Workplace Design

阿勒总部是专为阿勒媒体的用户从一个活动为基础和相对开放的室内设计理念，对应于组织的工作方法。同时，作为一个组织和媒体生产者，建筑的内部结构是如此的灵活，以至于布局可以随着阿勒的动态发展而改变。PLH作为工作场所设计方案的一部分所进行的全面的、交互式的用户过程为建筑物的不同内部设计提供了基础，提供了各种类型的工作空间，满足了个别编辑群体的需要。

Aller headquarters is designed for Aller Media's users from an activity-based and relatively open interior design concept that corresponds to the organizations working methods. At the same time, the building’s interior is so flexible that the layout can change in response to Aller’s dynamic development - both as an organization and media producer. The comprehensive, interactive user process which PLH conducted as part of workplace design program has provided the foundation for the building’s differentiated interior design, with varied types of workspace that meet the needs of individual editorial groups.

 © Lars Kaae

(Lars Kaae)

综合艺术

Integrated art

举行了一次艺术作品的委托竞赛，该作品可以放在中央中庭。它是由瑞典艺术家Bigert赢得的。

A competition was held for the commissioning of a work of art that could be placed in the central atrium. It was won by the Swedish artists, Bigert & Bergström with “Tomorrows Weather ". The artwork is an installation of lights that simulate atmospheric molecules and change color in accordance with the next day’s weather forecast, relayed directly from DMI (The Danish Bureau of Meteorology). The spiral-shaped installation stretches over several floors where the large, glazed atrium façade faces the water. Here it is visible from inside and outside, so that from Island Brygge on the island of Amager and from Bryggebroen (a bicycle and pedestrian bridge connecting Havneholmen and the island of Amager) one can experience the weather and Aller building’s changing color scale.

 © Kontraframe

© Kontraframe

Architects PLH Arkitekter

Location Kalvebod Brygge, København V, Denmark

Category Office Buildings

Area 18000.0 m2

Project Year 2009

Photographs Kontraframe, Lars Kaae, Brahl Fotografi, Jan Lykke

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