架构师提供的文本描述。该项目的简介概述了一个场馆的概念，在阿德莱德有一条“充满活力的”车道。这个酒吧的经历与一个故事交织在一起。这个故事讲述的是户外，童年记忆中的火煮过的食物和野营在森林里。

Text description provided by the architects. The brief for the project outlined a concept for a venue, running off a 'vibrant' lane way in Adelaide. The experience of this bar was to be entwined with a narrative. This narrative was of the outdoors, a childhood memory of fire cooked food and camping in the forest.

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在整个设计过程中，这个概念演变并决定于探索荒野小屋的类型。棚屋位于偏远或孤立的地区，通常位于地理上独特的地方。一般来说，材料必须在当地采购。因此，荒野小屋的物质性和美学是多种多样的，但也有一些共同的线索。木材通常是通过在现场砍伐树木来获取的，而石头或泥土则是从附近采集的。这种方法在棚屋中创造了一种乡土风格，与特定地区或地区有着不同的元素或细微之处。

Throughout the design process the concept evolved and settled on exploring the typology of the wilderness hut. Huts are located in remote or isolated areas and often in geographically unique places. Generally speaking materials have to be sourced locally. As a result the materiality and aesthetics of the wilderness hut are varied but with a few common threads. Often timber is sourced by felling the trees on site and stone or earth is gathered from nearby. This approach creates a vernacular style amongst huts, with different elements or nuances associated with a particular region or locality.

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与粉红月亮的意图是创造自己的身份或白话，通过设计和建设的方式，一个小屋应该是。首先，了解其独特的气候。坐落在两栋低矮的办公楼之间，狭长，东西向，阳光直射有限。小屋需要拥抱周围的环境，而不是支配它们，而是美化和欣赏它们。在任何背景下创造温暖和庇护的时刻。

The intention with Pink Moon was to create its own identity or vernacular; by designing and building in the way a hut should be. Firstly, an understanding of its unique climate. Sitting between two low-rise office buildings, narrow and long, running east-west with limited access to direct sunlight. The hut needs to embrace its surroundings, not dominate them, but embellish and appreciate them. Creating a moment of warmth and shelter within whatever context.

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容积与空间规划

Volume and Spatial Planning

这个狭小的场地长3.66x28米，属于日本的方案编制方法。有一个明显的需要，光穿透空间，以及创造一个紧凑，平面图，有效地处理有限的宽度。结果是两座棚屋，中间被一个类似大小的庭院隔开，一间酒吧到街道，一间餐厅在后面。这种分层的方法允许光进入两个空间，但也突出了穿越空间、跨越多个阈值和体验三个不同空间的移动。

At 3.66 x 28 metres, the narrow site lent itself to a Japanese approach to programming. There was an obvious need for light to penetrate the space as well as create a compact, floor plan that dealt efficiently with the limited width. The result was two huts, separated in the middle by a courtyard of similar size, the bar to the street, a dining hut to the rear. This layered approach allows light to filter into both spaces, but also accentuates the movement of walking through the space, crossing multiple thresholds and experiencing three different spaces.

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 Floor Plans

平面图

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屋面内的屋面采用耙式表示60度屋面节距和木桁架结构。这试图通过强调高度和整体体积来缓解与狭小空间相关的紧绷感。前面(饮酒者)小屋是轻盈和通风的，而餐厅小屋是黑暗，昏暗的灯光和聚焦周围的火。中央庭院几乎没有自己的照明，而是允许光线进入两个棚屋白天，并由他们在夜间照明。

The internal ceilings are raked to express the 60 degree roof pitch and timber truss structure. This attempts to relieve the feeling of tightness associated with a narrow space by accentuating the height and overall volume. The front (drinkers) hut is light filled and airy whilst the dining hut is darker, dimly lit and focussed around the fire. The central courtyard has little of its own lighting, but instead allows light into the two huts during the day and is lit by them at night.

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Materiality

所有材料的选择都是基于棚屋建造的原则，并考虑到它们对生产的影响/可持续性和再利用能力。尽可能多地尝试使用熟悉的澳大利亚材料。该结构是木材框架，并使用当地的澳大利亚哈德伍德作为包层；几秒钟的斑点胶，塔斯马尼亚橡树和铁树皮。对钢材或其他原始材料的过度使用尽可能地加以限制。贝萨砖墙和铺路可以被看作是阿德莱德，我们‘当地的石头’最当地的砖石选择。喜玛拉雅山棚屋的奇特色彩组合给这些颜色带来了些许灵感，但很大程度上是粉红月亮沙龙。

All of the material selection was based around the principles of hut-construction and have been considered in relation to their impact / sustainability of production and ability for re-use. As much as possible, there was an attempt to use familiar Australian materials. The structure is timber framed and uses locally sourced Australian Hardwood as cladding; seconds of Spotted Gum, Tasmanian Oak and Ironbark. Excessive use of steel or other virgin materials was limited as much as possible. The bessa block walls and paving can be seen as the most vernacular masonry option in the Adelaide, our 'local stone'. The colours are slightly inspired by the weird colour combinations of Himalayan mountain huts, but very much the Pink Moon Saloon.

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Architects Sans-Arc Studio

Location 21 Leigh St, Adelaide SA 5000, Australia

Category Bar

Builder Brojed Construction

Area 102.48 sqm

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