Sujiva Living Somia Design Studio

2016-08-25 19:00

 © Mario Wibowo

马里奥·维博沃

架构师提供的文本描述。意义

Text description provided by the architects. MEANING

“sujiva”(Sujiva)指舒适的生活。

 “sujiva” (Sanskrit) means a comfortable life.

 © Mario Wibowo

马里奥·维博沃

INSPIRATION

住宅设计原则受巴厘岛民居原则-阿斯塔·科萨拉·科萨利(Asta Kosala Kosali)和热带当代建筑风格的影响。

The abode design principle is influenced by the Balinese house principle—Asta Kosala Kosali and the tropical contemporary architecture style.

 © Mario Wibowo

马里奥·维博沃

Asta Kosala Kosali是巴厘岛传统房屋的组织原则，其基础是“Nawa Sanga”-围绕湿婆中心点的九个主要方向-以及山-海轴和日出-日落轴，根据这一原则，将遗址划分为九个区域，每个区域都有不同的功能。最神圣的祈祷场所是“桑加·凯特兰”，而“灵陵”或入口门作为最脏的地方位于南部(凯洛德：海向)。在巴厘岛的每一个地方，“卡贾-凯洛德”或“北-南”将是不同的，因为它以神圣的山为中心，被认为是神灵和神灵的居住地，阿贡山位于巴厘岛的东部。

Asta Kosala Kosali is the organizing principle for traditional houses in Bali based on the “Nawa Sanga”—nine cardinal directions around the center point of Siva—and the mountain-sea axis and sunrise-sunset axis, whereby dividing the site into nine areas, which serves a different function each. The “Sanggah Kemulan” or main temple area as the most sacred places for praying is located in the north-east (kaja: mountain direction), whereas “aling-aling” or the entrance gate as the dirtiest place is located in the south (kelod: sea direction). The “kaja-kelod” or north-southwill be different in every part of Bali because it is centered in the sacred mountain that is believed as the dwelling place for the gods and derities, Mount Agung, which is located in the East of the Bali island.

虽然在设计中不太可能采用Asta Kosala Kosali-因为它需要几座分开的建筑物，因此需要更大的场地面积-但建筑设计仍然遵循不同的实施原则。例如，寺庙地区的位置位于东部(康英)，入口在南部(凯洛德)，而大门的入口方向是从西向东，这是由当地信仰中的专门知识-牧师(Pandande)考虑的。

Although it’s rather unlikely to apply Asta Kosala Kosali in the design—since it requires several separated buildings, thus demands a larger site area—the building design still honors the principle in a different implementation. For instance, the position of the temple area is located in the east (kangin) and the entrance gate is in the south (kelod), while the entrance direction through the main door is from the west to the east, whereby this consideration is given by the priest (pedande), the expertise in the local belief.

 © Mario Wibowo

马里奥·维博沃

此外，随着热带气候条件的影响，建筑形态呈现出现代的建筑风格。

Furthermore, responding to the tropical climate condition, the building configuration embraces the modern contemporary architecture style & details. In which, the building configuration is simplified, by replacing the ornaments which are existed in traditional style to a carefully chosen building material selection, which simultaneously minimizes the budget for both construction and maintenance.

 © Mario Wibowo

马里奥·维博沃

这座房子的主人是设计工作室的首席建筑师，他想为他的家庭拥有一个理想的房子，为他的建筑办公室提供一个小型的工作室，而他的妻子则是印度尼西亚客户体验服务领域的先驱。两者的结合，使设计达到一个水平，在那里，它拥有一个难得和无与伦比的空间经验，为每个居住者。

The man of the house is a principal architect for a design studio, who wants to have an ideal house for his family and a small studio for his architecture office, while his wife is a pioneer in the customer experience service field in Indonesia. The combination of both brings the design to a level, where it possesses a rare and incomparable space experience for each occupant.

 © Mario Wibowo

马里奥·维博沃

建筑面积和绿地的40：60比例是为了珍惜室内和室外的关系而建立起来的，由此产生了更多的外部活动和间接的活动，为每个人创造了更多的流动和灵活的工作空间。

The 40:60 ratios for the built-up area and the green area are established to cherish the indoor and outdoor relationship, subsequently resulting in more activities outside and indirectly forming more mobile and flexible working space for everyone.

 © Mario Wibowo

马里奥·维博沃

同样的比例也适用于公共和私人区域，其中公众作为办公区域，私人作为生活区域。为了划定两边，形成隔墙，在两个对比的功能空间之间产生一个重要的约束。

The same ratio is also applied for the public and private zone, where the public serves as the office area and the private as the living area. To delineate both sides, a divider wall is formed to produce a significant constraint between the two contrastive functional spaces.

 © Mario Wibowo

马里奥·维博沃

作为一个面向设计的建筑顾问，工作室的设计是为了保留最多8人在他的监督下工作。工作室所希望的氛围是一个友好而温暖的工作氛围，以支持建筑行业的创造力，这并不排除在网站周围提供的空间工作的可能性。隔壁开发了一间小会议室，欣赏花园的景色，最后向花园开放。

Serving as a design-oriented architecture consultant, the studio is designed to preserve a maximum number of 8 people to work under his supervision. The desired ambience for the studio is a friendly and warm working atmosphere to support the creativity in the architecture industry, whereby it doesn’t rule out the possibility for working mobile at the provided space around the site. A small meeting room is developed next door, admiring the garden view with the ultimate opening towards the garden & deck area.

 © Mario Wibowo

马里奥·维博沃

在巨大的隔墙之间，一个2.85x2.85米的中心枢轴门被制作成连接公共和私人区域，同时也保持了住宅建筑群的隐私。就在门旋转后，舒适的感觉用热带现代景观设计欢迎您。土壤上覆盖着松散的鹅卵石，伴随着一排木甲板和一个漂浮的混凝土长凳，作为室外聚集空间。

Between the massive the divider wall, a 2.85 x 2.85 meter center-pivot door is fabricated to connect the public and private area, yet maintaining the privacy of the house complex. Right after the door rotates, the comfortable feeling welcomed you with the tropical contemporary landscape design. The soil is covered with the loose pebbles, accompanied with a row of timber deck with a floating concrete bench, functioning as the outdoor gathering space.

尽管有宽敞的景观，但这所房子的设计是为了满足住户的理想和符合人体工程学的需要。从黑色木架滑动玻璃门进入房屋，由客厅和餐区组成的开放式起居室，以一种独特的红砖墙的非凡组成，以一种愉快的心情迎接着居住者。公园附近的边界布满了玻璃门和玻璃窗，使居住者更容易在每个角落都有一个内部体验。

Despite the spacious landscape, the house is, however, designed to meet the ideal and ergonomic needs of the householders. Entering the house from the black timber frame sliding glass doors, the open living area, which consists of the living and the dining area, greets the occupant with a pleasant mood with a remarkable composition of specialized red brick wall. The border adjacent to the park is filled with glass doors and windows, making it easier for the occupant to have an inside-out experience from every corner.

 © Mario Wibowo

马里奥·维博沃

主卧室位于东侧，紧靠青草覆盖的花园台阶，让房间拥有令人惊叹的花园景观，同时也让阳光和蔼可亲地进入房间。在这间紧凑型和舒适的房间旁边是主浴室，它为淋浴区和壁橱区提供了一个单独的范围，前面还有一个梳妆台。

The master bedroom is located on the east side, next to the grass-covered steps towards the garden, letting the room to have the amazing view of the garden, as well as enabling the sunlight to enters the room graciously. Next to this compact and cozy room is the master bathroom, where it provides an individual scope for the shower area and the closet area, along with the vanity counter at front.

 © Mario Wibowo

马里奥·维博沃

在上层，为即将到来的家庭成员准备了两间公共卧室，有一个共用浴室和一个小的家庭休息室，充当孩子们的聚集空间。

On the upper floor, two common bedrooms are prepared for the upcoming members of the family, facilitated with a share bathroom and a small family lounge area, to act as the gathering space for the kids.

 © Mario Wibowo

马里奥·维博沃

DETAIL & MATERIAL

为了产生一致的设计语言，选择了三种装饰材料的颜色。在口音方面，选用暴露红砖，因为它是一种具有自然特征的当地产品，也是巴厘岛传统建筑经常使用的材料之一。相比之下，黑色的颜色也被插入，以产生优雅和男性化的感觉在建筑物中。为了平衡砖与黑的结合，选用水泥外露色作为中性色均衡器。

To generate a consistent design language, three finishing material colors are chosen. For the accent, exposed red brick is selected, as it is a local product which occupies the natural character, as it is also one of the material that are regularly used in Bali traditional buildings. In contrast, the color black is also inserted to produce an elegant and masculine feel in the building. To balance out the combination of the brick and the black, cement exposed color is picked to act as the neutral color balancer.