© Edward Birch

爱德华·伯奇

架构师提供的文本描述。相当于纽约的褐石，这两次世界大战复式是一个人道的规模解决方案的住房在悉尼城市边缘。

Text description provided by the architects. Equivalent to the brownstones of New York, this interwar duplex is a humane scale solution to housing in the Sydney city fringes. 

与其他公寓楼齐头并进，20世纪20年代初的两层公寓被改造成一个四层楼高的大楼，其中有一个地下室停车场和地窖，一个底层花园公寓和一个两层顶层的顶层公寓。(鼓掌)

Shoulder to shoulder with other apartment buildings, the original 1920s two-storey flats were transformed into a four storey block with a basement carpark and cellar, a ground floor garden apartment and a two-storey penthouse.   

 © Justin Alexander

贾斯汀·亚历山大

只有百分之四十的现有建筑被拆除，主要是房屋后部功能失调的房间，取而代之的是一座现代化的四层结构。

Just forty-percent of the existing structure was demolished, mainly the dysfunctional rooms at the back of the property, which were replaced by a modern four-storey structure.  

 Ground Floor Plan

 1st Floor Plan

一楼图则

 2nd Floor Plan

二楼图则

这栋房子的前部有最初的安妮女王(Queen Anne)的铅灯窗，有着柔和的砖瓦和木瓦。为了保持这栋建筑与当时的街道风格保持一致，房子的正面保持完好。没人会相信，在那些精致的前厅后面，公寓会变成现代的开放式居住空间，有着宽敞的露台，让居民们可以欣赏到城市的景色。由伦佐·皮亚诺(Renzo Piano)、诺曼·福斯特爵士(Sir Norman Foster)和英根霍文建筑师(Ingenhoven Architect)设计的摩天大楼，

The front of the property, with its original Queen Anne leadlight windows, liver toned brickwork and timber shingles, was left intact to preserve the building’s consistency with the prevailing style of the street.  No one would believe that behind those refined front rooms the apartments would morph into modern open living spaces with generous terraces that allow the inhabitants to admire the views of the city, populated with skyscrapers designed by Renzo Piano, Sir Norman Foster and Ingenhoven Architects, and enjoy glimpses of Sydney Harbour beyond.

 © Justin Alexander

贾斯汀·亚历山大

这种设计的二重性也反映了居民的个性：文雅，承载着古老的世界文化和家族史，但对现代艺术、建筑和城市生活却充满激情。在这里，室内建筑比在更宽敞的郊区环境中发挥更大的作用。

The duality of the design also reflects the personalities of the residents: urbane and loaded with old world culture and family history, yet passionate about modern art, architecture and urban living.  Here the interior architecture plays greater role than in a more spacious suburban setting. 

 © Justin Alexander

贾斯汀·亚历山大

每毫米的使用都是经过精心策划的，目的是将一栋大房子的内容浓缩到这座城市的公寓里，里面有各种各样的家具和艺术；项目建筑师简·麦克尼尔(Jane McNeill)设计精巧的细木工设计，旨在为业主提供尽可能多的存储空间，同时给更衣室里的梳妆台之类的室内装饰增添优雅。

The use of every millimetre has been carefully planned to condense the content of a large house into this city pad, with an eclectic collection of furniture and art; the skilful joinery design by Project Architect, Jane McNeill aimed to provide as much storage as possible for the owners, while lending elegance to the interiors in touches such as the dressing table in the dressing room. 

 © Justin Alexander

贾斯汀·亚历山大

有教养的业主们无法舍弃他们的书，因此简为他们创建了一个图书馆和书房区，里面有一张舒适的扶手椅，坐落在雅可布梯子楼梯旁，楼梯上有一个玻璃屋顶舱口，一个美化的屋顶露台和一个带有城市天际线背景的水疗池。

The cultured owners could not part with their books, so Jane created for them a library and study area with room for a comfortable arm chair, tucked beside the Jacobs Ladder stair that climbs to a glazed roof hatch and a landscaped roof terrace and a spa pool with a city skyline backdrop.    

产品说明：JWI垂直卢浮宫系统已用于该建筑的后北延伸部分，它面向悉尼城市和海港景观，以及毗邻的类似巷道的道路。卢浮宫系统的主要目的是提供一种调节隐私和光线水平的受控方法，同时允许窥见海港和城市景观。百叶窗设置了一个水平带阳极铝配合完成窗框，并给予北部正面一个戏剧性的纹理对比。

Product Description. The JWI vertical louvre system has been used on the rear northern extension of the building which faces both Sydney city and harbour views and an adjacent laneway-like road.  The primary purpose on the louvre system is to provide a controlled method of adjusting levels of privacy and light, whilst allowing glimpses of harbour and city views. The louvres set up a horizontal band of anodised aluminium matching the finish of the window frames, and gives the northern facade a dramatic contrast of textures.

Architects Luigi Rosselli

Location Potts Point, Australia

Category Houses

Design Architect Luigi Rosselli

Project Architects Jane McNeill, Hugh Campbell

Area 250.0 m2

Project Year 2015

Photographs Edward Birch , Justin Alexander

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