架构师提供的文本描述。在木材建筑大师建造的一所房子中，ZineCaldas办公室的DeBaixo do Bloco建筑公司扮演了重新装修住宅的角色。1988年建于巴西利亚，面积为3.800平方米，在这里可以看到该国首都的主要建筑作品。

Text description provided by the architects. In a house built by the master of Architecture in wood, Zanine Caldas the office Debaixo do Bloco Architecture had the role of requalifying the residence. Built in Brasilia in 1988, with 3.800 m², it has a privileged view where it is possible to see the main architectonic works of the capital of the country.

 © Joana França

(Joana Fran A)

该项目最初的想法是保持Zanny特征的身份，以及巴西房屋的标志性元素。因此，它在木材中的明显结构得以保持，以提升对称性，成为主要的美学和建筑元素。这是屋顶设计的结果，在植物中可以清楚地看到，它的结构是以住宅的柱子、梁和屋顶之间的协调来定义的。

The initial idea of the project was to maintain the identities of Zanine's trait along with iconic elements of the Brazilian house. With that its apparent structure in wood was maintained to exalt the symmetry and to be the main aesthetic and architectonic element. It is a consequence of the design of the roof where it is clear in the plants that its structure is defined with harmony between the pillars beams and roof of the residence.

 © Joana França

(Joana Fran A)

这些干预措施出现在更多框架的开口中，以保护侵入周围环境的景观和照明，这是一种城市的逃逸，而不是视而不见。从各个角度来看，玻璃的过剩是有目的，因为它创造了建筑和自然之间的和谐，并使这些区域不断地发生变化。玻璃墙使房子有不同的颜色，随着时间的流逝，黎明，日落，杜斯克，三种可能的场景在白天。

The interventions appear in the openings of more frames to privilege the view and the lighting that invades the surroundings, an escape of the city without losing of sight of. The excess of glass from all angles is purposeful is that it creates a harmony between architecture and nature and causes the areas to undergo a constant mutation. The glass walls make the house have different colors as time passes, Dawn | Sunset | Dusk, three possible scenarios during the day.

 © Joana França

(Joana Fran A)

地板仍然是原来的绿色紫丁香，加上一种将外部带到房子内部的方法，这样当门打开时，人们就会觉得彼此之间没有任何限制，成为一个大阳台，这是葡萄牙人住宅的典型特征。

The floor remained the original green ston ardosia, plus a way to bring the exterior to the interior of the house, so that when the doors are open is the impression there is no limit between one and another becoming a large balcony, typical feature of the Portuguese house.

 © Joana França

(Joana Fran A)

木材又一次失去了由于清漆应用而失去的自然阴影，曾经固定过的框架现在作为另一种自然通风方式翻转，与屋顶屋檐一起将最佳的热舒适性带到一个完全半透明的环境中。

The timbers were once again the natural shade that had been lost with the varnish applications, frames that were once fixed now flip as another natural ventilation option that along with the roof eave brings the optimum thermal comfort to a fully translucent environment.

家具已经是一个提升，现代主义建筑和民族设计的原始色调与石头和天然织物混合。

Already the furniture is an exaltation the modernist architecture and the national design in raw tones mixed with stone and natural fabrics

由尼迈耶和莉娜博巴迪的标志性作品填补了更多的当代设计师的空间。

Iconic pieces by Niemeyer and Lina Bo Bardi fill the space with more contemporary designers.

 © Joana França

(Joana Fran A)

这种艺术是因为当地的佩德罗·伊沃(Pedro Ivo)将戏剧性的图像叠加在一起，旁边是一种色彩调色板，结合了只有液压瓷砖和裸露砖作为涂层的环境的质朴性。

The art is on account of the local Pedro Ivo that superimpose dramatic images, next to a palette of colors that marry the rusticity of the environments that only have hydraulic tiles and exposed bricks as a coating.

 © Joana França

(Joana Fran A)

已经在工作相邻的梅扎宁。一方面，它是开放的组成集体地区。如果你有了新的视野-空中-从某种意义上说，它与公共空间订购给年轻的一对顾客，他们有办法获得装修的基本要点之一。

Already the mezzanines that are in the adjacent of the work. On one side it is open to compose with collective areas. Where you have a new view - aerial - and in a sense it integrates with common space, Room | Kitchen | Dinner, the connection becomes visual and dynamic when one has meetings with friends that hour play pool while the others enjoy to dinner or kitchen. Ordered for the young couple of customers who had how to receive one of the basics points for the renovation.

 © Joana França

(Joana Fran A)

独立的阁楼是套房和办公室，它使用2.50厘米的墙壁，不接触衬里，用明显的砖块搜查。办公室留在同一部门的原因之一是，能够以土地提供的特权观点工作是一种乐趣。

In the isolated mezzanine are the suite and office, that use walls of 2.50 cm without touching the lining and searched with apparent bricks. One of the reasons the office stays in this same sector was the pleasure of being able to work with the privileged view that the land offers.

 © Joana França

(Joana Fran A)

在外部区域，巨大的喷出颜色和对比的地板之间的皮雷诺波利斯石，典型的塞拉多。

In the external area, the giant puffs give color and contrast between the floor of the pirenópolis stone, typical of the cerrado.