架构师提供的文本描述。梅特罗波利临时展馆。这个房间是一个43平方米的三角形空间，四周是4米高的墙壁。这些墙是用混凝土砌成的。墙壁的外部表面是生的，内部的是粉红的(Ral 3015)。这个房间有一个直径为2米的圆形入口，一个直径为60厘米的小门洞放置在离地面高度2，8米的地方。这两个孔都是通过预制混凝土元件来实现的，例如普通的污水井壁。如果需要的话，可以通过在房间前面放置几块实木板来关闭房间的入口。关于这个房间的设计，我们只能说这些。

Text description provided by the architects. Temporary pavilion Mextrópoli. The ROOM is a 43 m2 triangular space surrounded by 4 meters-high walls. The walls are built in concrete blocks. The external surface of the walls is raw, the internal one is painted in light pink (RAL 3015). The ROOM has one circular entrance measuring 2 meters in diameter, and a smaller porthole measuring 60 centimeters placed 2,8 meters above the ground level. Both holes are realized with precast concrete elements, such as common sewage headwalls. If needed, the entrance of the ROOM can be closed by placing a couple of solid wood panels in front of it. This is all we can say about the design of the ROOM.

 © Moritz Bernoully

莫里茨·伯努利

房间包括某些东西，不包括其他东西：它把室内和外部空间分开。它产生了一个小区域，墨西哥城的城市压力被吸收并暂时中止。外面，墙壁提供120平方米的展览总表面为节日的目的。但它们也可以被粉刷，用来存放临时建筑，上面覆盖着广告，破坏。在里面，一片寂静的“沙漠碎片”记忆着这座城市的起源。它并不意味着任何特定的活动，也不试图忘记它们。它的缓坡是慷慨的，足以接受不可预测的。

The ROOM includes certain things and excludes others: it separates an interior from an exterior space. It produces a small region where the urban pressure of Mexico City is both absorbed and provisionally suspended. Outside, the walls provide 120 m2 of total exhibition surface for the festival purposes. But they can also be painted, used to hold temporary structures, covered with advertisment, vandalized. Inside, a silent “fragment of desert” holds the memory of the origin of the city. It doesn’t suggest any specific activity, nor tries to forsee them. Its gentle slope is generous enough to accept the unpredictable.

 Axonometric in Context

语境轴测

 Axonometric

最后，这个房间可以很容易地拆除，或者更确切地说，被拆除。其普通建筑材料可回收利用。新的混凝土砌块可以从旧的混凝土砌块中生产出来。但这房间注定要留下。回收这里的展馆并不一定意味着要把它移到其他地方。面对两周的预期寿命，即使是最“短暂”的建筑作品的生产所需的努力也是毫无意义的。我们宁愿想象，也希望，这个房间的真实生活将在节日结束时开始，届时整个城市最终都会把自己的梦想和愿望投射到这件小小的艺术品上。

Finally, the ROOM can be easily dismantled or, rather, demolished. Its ordinary construction material can be collected and recycled. New concrete blocks can be produced from the old ones. But the ROOM is meant to stay. Recycling the pavilion here doesn’t necessarily mean moving it somewhere else. Confronted with an expected life-span of two weeks, the effort needed for the production of even the most “ephemeral” architectural work is simply nonsensical. We’d rather imagine, and hope, that the real life of the ROOM would begin at the very end of the festival, when the whole city will finally project its dreams and desires on this tiny artifact.

 © Moritz Bernoully

莫里茨·伯努利

 © Moritz Bernoully

莫里茨·伯努利

Architects Salottobuono, Enrico Dusi Architecture

Location Central Alameda Park, Av. Hidalgo s/n, Cuauhtémoc, Centro, 06010 Ciudad de México, CDMX, Mexico

Category Temporal Installations

Architect in Charge Salottobuono + Enrico Dusi Architecture

Design Team Matteo Ghidoni, Enrico Dust Architecture

Area 43.0 m2

Photographs Moritz Bernoully

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