© Ketsiree Wongwan

c.凯西里·王湾

架构师提供的文本描述。这座新建筑坐落在通勒的主要住宅区，是帕托姆人体护理产品的商店/陈列室，一家25个座位的小咖啡馆，通过在花园里举办的一系列作坊和农贸市场来提高生态意识和可持续生活，销售当地有机农民网络的新鲜农产品。

Text description provided by the architects. Tucked away in Thonglor’s prime residential neighbourhood, the newly constructed building serves as a shop/showroom for Patom body care products, a small 25-seat café and a place for raising ecological awareness and sustainable living through a series of workshops and farmers market held in the garden, selling fresh produce from the local network of organic farmers.

 © Ketsiree Wongwan

c.凯西里·王湾

这座小木框玻璃建筑坐落在一座略微凸起的土墩上，上面覆盖着野草和蕨类植物，自然地软化了它的长方形脚印，同时小心地保留了现存的果树系列。这座建筑的透明度和适度的大小，使得它周围的繁茂花园和它的体积之外，展现了广阔的空间。这反过来又创造了一个环境，在这里，路人可以清晰地瞥见花园自然环境旁边的玻璃围栏内的生计。

The small wood-framed glass building sits on a slightly raised mound covered by wild grass and ferns that naturally soften its rectangular footprint while carefully preserving an existing line of fruit trees.  The building's transparency and its modest size set out to unveil the expanse of the lush garden around and beyond its volume, which in turn create a setting where passersby can catch a clear glimpse of the livelihood inside the glass enclosure alongside the garden’s natural surroundings.

 © Ketsiree Wongwan

c.凯西里·王湾

在设计中，曲率的使用促进了矩形外壳的物理和视觉流动，并在概念上将室内设计语言与其景观重新连接起来。藤条缠绕的螺旋楼梯和相应的弯曲阁楼增加了整体的内部，一个高架的旅行，一个特权的视野，暗示亲密和嬉戏。

The use of curvature in the design facilitates both the physical and the visual flow of the rectangular enclosure and conceptually reconnects the interior design language with its landscape. The rattan wrapped spiral staircase and the corresponding curved mezzanine add to the overall interior, an elevated getaway with a privileged view, a hint of intimacy and playfulness.

 © Ketsiree Wongwan

c.凯西里·王湾

木柱和天花板图案的构成，其视觉参照是帕托姆有机农场的椰子树和棕榈树景观，其高大细长的树干和枝条在树顶周围辐射着，形成了一个鼓舞人心的姿态，开始了屋顶结构布局的设计和建筑物中央木柱的设计。

The composition of wood posts and ceiling pattern owe its visual reference to the scenic view of coconut trees and palm trees at Patom’s Organic farm where their tall slender trunks with branches that radiate around the trees’ zenith form an inspiring gesture which initiates the design of the ceiling’s structural layout and the central wood post of the building.

 © Ketsiree Wongwan

c.凯西里·王湾

 © Ketsiree Wongwan

c.凯西里·王湾

由于高度重视木材作为可再生和可持续的建筑材料，所有结构柱和横梁都有意识地由回收的红木和塔巴克木从船主的旧和废弃的游艇中回收。构成黄铜陈列台底座的树干是从主人农场的倒下的树木中收集的。咖啡厅的桌子和椅子是从业主未使用的柚木家具收藏品中翻新的。一种有机和现代的方法来平衡自然和建筑环境。

With high regard for wood as a renewable and sustainable building material, all structural posts and beams are consciously made of reclaimed Redwood and Tabak wood recovered from the owner's old and abandoned houseboat. Tree trunks that form the base of the brass display tables were collected from fallen trees at the owner’s farm. Café tables and chairs were refurbished from the owner’s unused teak furniture collection. An organic and modern approach in balancing the natural and the constructed environment.

 © Ketsiree Wongwan

c.凯西里·王湾

 First floor plan

一楼平面图

Architects NITAPROW

Location 17/13 Soi Sukhumvit 49/6, Khwaeng Khlong Tan Nuea, Khet Watthana, Krung Thep Maha Nakhon 10110, Thailand

Category Store

Design Team Nita Yuvaboon, Prow Puttorngul

Area 110.0 m2

Project Year 2016

Photographs Ketsiree Wongwan

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