架构师提供的文本描述。山东美术馆总建筑面积52，000平方米，其中地面5层，地下1层。画廊从一楼到四楼共有12个展厅，总面积为19，700平方米，实际可用路线为1，600米。(鼓掌)

Text description provided by the architects. The total construction area of Shandong Art gallery is 52,000 square meters, including five floors on the ground, one floor underground. There are 12 exhibition halls in the art gallery from first floor to the fourth floor, total area is 19,700 square meters, the actual available route is 1,600 meters.  

作为济南市东部发展的重要空间枢纽，位于山东文化博览中心的山东新美术馆需要成为这一空间的领先者和集成商。一方面，画廊需要获得与博物馆正方形、档案室以及轴线关系的回声，才能形成“品”形结构。另一方面，画廊需要在前面与博物馆一起创造广场，以形成一定的长度。在此基础上，确定了艺术画廊的主体建筑为4层，部分建筑为6层。

In order to meet the requirement as the important space joint which is for the development toward east of Jinan city, Shandong New Art gallery which locates at Shandong Culture Expo Center needs to become the leader and integrator for this space. On one side, the art gallery needs to obtain echoes with the square shape of museum, archives room and the axis relationship, in order to form “品”shape structure. On the other side, the art gallery needs to create square in the front together with the museum, in order to take shape of a certain length. Then the design confirms the body characteristics of the art gallery as the main building for 4 floors and partial building for 6 floors.

为了呼应济南市的周边环境和地理特征，艺术画廊的建筑设计确定了山与城相互倾斜的主题。建筑主体由4层山体向6层正方形转变.在“山城互倾，春城互现”的理念下，建筑风格采用了由南向北的后退步态。地面向北逐渐增多，形状由梯形变为立方体，而天窗则反映了“春天”的形象。

With the purpose to echo the surrounding environment and geographical features of Jinan city， the architectural design of art gallery confirms the theme that the mountain and the city lean with each other. The body of the building transits from 4-floor mountain shape to 6-floor square shape. Under the concept of “mountain and city leans with each other, spring and city reflects with each other”, the style of the building utilizes backward step shape from south to north. The number of the floor gradually increases toward north, and the shape change from trapezoid to cube, while the skylight reflects the image of “spring”.

中国传统园林形象也融入了设计理念。画廊的规模和空间有限，因此他设计了南侧的梯形转弯空间，对应于建筑外部的两个缝隙，从而增强了对角线空间。此外，它还允许参与空间建设的每一个实体都可以脱臼、相互逆转、增强空间运动。

The image of Chinese traditional garden also integrates to the design concept. The scale and space of the art gallery is limited, so he designs the trapezoid turning space on the south side, corresponding to two gaps on the exterior of the building which enhances the diagonal space. In addition, it allows that every entity which participates space construction can dislocate, reverse with each other and enhance the space movement.