接近自然(现场调查)

Close to nature (site survey)

也许作为一个景观人，更多的对自然的崇敬感，希望更接近自然。当最初的勘察现场，它被天然的深湖环绕，平静的湖面，起伏的小山，绵延的雾气，一切都是如此的融合，就像一张毛毯在形状上的山水画，到了内心的一片平静。景观是一个场所情感的场所，地域设计是根本，如何将场地和氛围的气氛充分表现出来，成为一种难以理解的、自然的语言与现代的表达方式。此时思想，苏州园林，想到IM培的苏州博物馆，这是最好的诠释，小场馆通过园林的手法，通过渗漏、借阅、隐秘的设计手法来借来背景、空间的隐秘、自然风格的渗漏。考虑到尺度、色彩、材质如何与环境协调，设计师“深耕”已久。

Perhaps as a landscape man, a more sense of reverence for nature, want to be closer to nature. When the initial survey site, it was surrounded by the natural deep, calm lake, rolling hills, fog stretches, everything is so fusion, like a blanket in the shape of the landscape painting, to the heart of a calm. Landscape is a place to place emotions, regional design is the fundamental, how to the venue and the atmosphere of the atmosphere fully demonstrated to become a difficult, natural interpretation of the language with a modern out. At this time thought, Suzhou garden, think of IM Pei's Suzhou Museum, which is the best interpretation of the small venues through the garden approach, through the leakage, borrow, hidden design techniques to borrow the background , The space hidden, leakage of natural style. In consideration of the scale, color, material how to coordinate with the environment, the designer "deep plowing" for a long time.

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在昆曲中，“镜花月光梦”给了我设计灵感，如何把周围的环境和周围的环境结合起来，像一面镜子，还是一个展示场，展现一切美好的事物。水可以反射太湖的蓝天，玻璃可以映射到太湖的山水，粉红的墙壁可以印上光和影子。

In the Kunqu opera, "Mirror Flower Moonlight Dream" gave me the inspiration of design, how to combine the surrounding environment with the surrounding environment, like a mirror, or a show field, show all the good things. Water can reflect the blue sky Of Taihu Lake, the glass can be mapped to the mountains and rivers of Taihu Lake, pink walls can be printed with light and shadow.

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用景观讲述故事(设计过程)

With landscape tell the story (the design process)

有人说，好的风景是从地面上生长出来的，自然的融合。空间如酒的创造，在大湖区公园的设计中，许多故事与景观一起慢慢酝酿出来。在广场的建筑中，空间被慢慢地建造出来，就像一个“月中的镜子，水花”的梦。这个网站有着特殊的氛围，很多人都有共同的感觉，一到那里，无论大人还是孩子，整个人都安静下来。公园湖的宁静与喧嚣的红色成了鲜明的对比，这是太湖带给人们的感觉，远离喧嚣的城市，变成了宁静的自然，这是一个精神的地方。这个地方有一个特别的东西，不只是混凝土，砖块，石头，那里明显的感觉甚至空气，云是不一样的。水景走廊石景.。有确切的表达方式。当太湖的天空、湖水和湖景融为一体，风吹雨打，水中的涟漪一丝不苟，站在旁边的树也在摇动，风用树枝摇动着水和光的声音。

Some people say that good scenery is grown from the ground, the integration in nature. The creation of space as wine, in the design of the Great Lakes Park, many stories together with the landscape slowly brewed out. In the construction of the square, the space was slowly built out, like a "mirror in the month, the water flower" dream. This site has a special atmosphere, a lot of people have a common feeling after, one to there, whether adults or children, the whole people are quiet down. Park Lake quiet and the hustle and bustle of the red has become a sharp contrast, which is Taihu Lake to bring people feel, away from the hustle and bustle of the city, into a quiet nature, which is a place of spirit. This place has a special thing, not just concrete, brick, stone, where obviously feel even the air, the clouds are not the same. Water features, corridors, stone scene ... with the exact expression. Lake Taihu Lake when the sky, the lake and the landscape of the lake into the water, the wind and shaking water and shaking, the ripples in the water with the meticulous, standing with the next tree also shook, the wind with the branches swaying the sound swaying Water and light.

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生命展示场的解释(最后展示)

Interpretation of life show field (final presentation)

公园里充满了一种克制和安静的姿态。设计师采用粉红墙，门的传统园林的文脉，利用景观和走廊融合表达当前的意识形态。绵延的白色走廊构成了原有的空间形态，具有传统苏州园林秩序的美。墙面通过艺术创造的感官感质感，也通过有条不紊地将光线和阴影分割成空间，赋予空间丰富的层次和变化，形成一种优雅而灵动的运动。

The park is filled with a restrained and quiet posture. Designers use the pink wall, the door of the traditional garden of the context, the use of landscape and corridor fusion expression of the current ideology. The continuous white corridors constitute the original form of space, with the traditional Suzhou garden order beauty. Facade of the wall through the artistic creation of the sensory sense of texture, but also through the orderly division of light and shadow into the space, giving space-rich level and change, the formation of an elegant and Smart movement.

4.2米高的走廊空间，垂直尺度的空间将是一种完美的线性表达感。半透性U-玻璃定义了空间，渗透了光和空间，将线性光的语言描绘为载体。2.4米宽的小径，利用水渍像地石一样具有山形水势质感，与平原墙的正面相互融合。在边境线上使用一个轻型的立面格栅，导致空间的延续，栅格的阴影衍生到远端，从而产生了空间的连续性感。

4.2 meters high corridor space, the vertical scale of the space will be a perfect sense of linear expression. The semi-permeable U-glass defines the space, permeating the light and the space, and portraying the language of the linear light as a carrier. 2.4 meters wide trail, the use of water stains like the ground stone with a mountain-shaped water potential texture, and the facade of the plain wall of mutual integration. In the border using a light facade grille, resulting in the continuation of space, the grid of the shadow derived to the far end, resulting in a sense of continuity of space.

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第一个进入空间的光线是柔软的，它不是雕刻的。自然光倾泻到整个场地，墙壁、绿色植物经过时间的变化，勾勒出一片朦胧的灯光秀场。

The first into the space of the light is soft, it is not carved. Natural light pouring to the whole site, the wall, green plant through the time of change, sketched out a hazy light show field.

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第二个进入空间的白色走廊与黑色砾石构成的地面形成了较大的对比，就像戏剧中的花朵和小丑一样，以如此强大的力度和绿色的修养来调和中间的对比，光已经成为音乐的象征，与整个空间串联在一起，并通过时间的变化，诠释出不同的旋律。

The second into the space of the white corridors and black gravel composition of the ground to form a larger contrast, like the drama of the flowers and clown to the so strong, and green cultivation to reconcile the middle of the contrast, light has become a musical symbol, In series with the entire space, and through the changes in time, the interpretation of a different melody.

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二元空间和三进空间以一种戏剧性的方式相互关联.进入第三个空间，走廊界定整个会场的边界，清晰而简单，光线透过U形玻璃，将周围的绿色变成它们。

The binary space and the three-in space are interconnected in a dramatic way. Into the third space, the corridor to define the boundaries of the entire venue, clear and simple, light through the U glass, the surrounding green into them.

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镜子般的水景延伸到白色大理石的尽头，与山川相连，犹如水池中的水通向天堂。墨韵在空白，白色外。非常干净的墙壁对应着门廊休息区，樱桃林下休息区与灯光结合在钟摆外，在空间上实现平衡，在森林下窥视光线和阴影协奏曲。

Mirror of the water landscape extends to the end of the white marble with the mountains and rivers linked together, like the water in the pool to heaven. Ink rhyme in the blank, white outside. Very clean wall corresponds to the door rest area, cherry forest under the rest area combined with light outside the pendulum, in the space to achieve a balance in the forest peep under the light and shadow concerto.

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入口处从入口，整体正面到白色界面，层层延续着白色、黑色和朦胧的暮色，在模糊的走廊和自然的边界上。空间模糊地捕捉了东方的影子，也像山水画一样，将被带入现代性的重塑之中。光影的顺序与白色空间的整合与自然，似乎是对传统园林的重新诠释。

Entrance from the entrance, the overall facade to the white interface of the continuation of the continuation of layers of white, black and hazy twilight in the blur of the corridor and natural boundaries. Space vaguely capture the shadow of the East, but also like landscape painting, will be brought into the remodeling of modernity. Light and shadow of the sequence and white space integration and nature, it seems to re-interpretation of the traditional garden.

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白色的门廊，穿过明亮而黑暗，朝气蓬勃的迎宾高台和入口处，一丝绿色的痕迹卡住了，你可以窥视一个角落，这就像一场演出的序曲，带来了一种恍惚和美丽的感觉。

White entrance porch, across the bright and dark, vigorous welcoming lofty and entrance side, a trace of green stuck, you can peep into one corner, this is like a prelude to the show, bring a Kind of trance and beautiful feeling.

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混凝土，石头，油漆，U形玻璃，金属.。..这些表达空间载体，多层次依附于它，空气和光波呈现空间的流动，可观的游览，定制的艺术家园，使空间生动有趣，几何图形点线，平衡着形式的张力和自然的平静适配。空间具有清晰的秩序和对称性，视线通过引导和暗示，通过占有和通过，隐藏和意义，在这种丰富的空间互锁感的诠释中，感受到了苏联风格在变化中的艺术性。

Concrete, stone, paint, U glass, metal ... ... these expression space carrier, multi-level attached to it, the flow of air and light wavelength rendering space, considerable tour, custom art home so that space is vivid and interesting, Geometric point and line, the balance of the relationship between the form of tension and natural calm fit.The space has a clear order and symmetry, the line of sight through the guidance and implied, through the possession and through, hidden and significant, in this rich sense of interpretation of the space interlocking, feel in the variation of the flow of the Soviet style artistically.

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设计阶段图

Design stage drawings

我们希望继续推进区域文化的现代化肌理，体现公园风格的渗透，与自然的生活方式紧密联系。营造生态、人文、品质的工程形象。我们认为，景观是最接近自然的产物，它是一种温和的载体，是人类活动与自然空间规律的协调与平衡，而景观设计布局、色彩与语言，应从情节本身、整体环境因素、共同成长等方面进行解读，才能解读出一种合理的生活语言。

We hope to continue the modernization of the regional culture texture, reflecting the infiltration of park-style, close contact with the natural way of life. To create a ecological, humanistic, quality of the project image. We think that the landscape is closest to the product of nature, it is a gentle carrier, coordination and balance of human activities and natural space law, and landscape design layout, color and language, should be from the plot itself, the overall environment Factors, common growth, in order to interpret a reasonable living language.