The way through the Forest VAUMM

2018-02-21 13:00

 © Aitor Ortiz / Aitor Estévez

c Aitor Ortiz/Aitor Estévez

架构师提供的文本描述。尽管乍一看，有些项目重叠于不同的规模，但表面上看似乎是不共轭的；那些影响到城市的尺度，却使城市的建筑在建筑方面更加紧密。

Text description provided by the architects. There are projects that overlap different scales, despite at first sight seem inconjugable; scales that impact the city but that fasten its architecture in constructive matter.

城市是城市的形态，城市的网格，公共和私人，甚至是居住在城市的人口。人口老龄化确实是一个不可否认的现实。在我们的社会中，900万人超过65岁。到2050年，人口增长将达到1 500万，也就是说，每3名公民中就有1名年龄在65岁以上。对健康、经济或社会学的影响和影响。这是非常明显的，但是，这对我们的城市会产生怎样的影响呢？

City is urban form, urban mesh, public and private, even the population who inhabits the city. The aging of the population is an undeniable reality indeed. In our society, 9 million people are over 65 years old. In 2050, its growth could make reach 15 million, that is, 1 out of 3 citizens could be over 65 years old. Impacts and effects on health, economy or sociology.. are more than evident, but, how will be the impact on our cities?

 © Aitor Ortiz / Aitor Estévez

c Aitor Ortiz/Aitor Estévez

Alaberga四分位数器建于60年代的Gipuzkoa的Errenteria，在整个工业发展中，以最快的方式容纳大量的人。陡峭的地形把定居点划分成两个不同的区域：一个是在教堂周围组织起来的较低层次的地区，一个是形成街区和街道的线性街区；另一个区域是散布在山坡上的建筑物，使最陡峭的地区空无一人。现在，艾伦蒂亚已经延伸到最高点，围绕着这片空旷的空间，作为一个城市绿地，把城镇隔开，两者之间的差距超过了40米。

Alaberga quartier in Errenteria, Gipuzkoa, was built in the 60s, in full industrial development, to accommodate a large number of people the fastest way possible. The pitched topography divided the settlement into two different areas: one in the lower level organized around the church, with linear blocks that generate blocks and streets; and another area with disseminated buildings that climb the hillsides, leaving the steepest areas empty. Nowadays Errenteria has extended to the highest point, surrounding that empty space as an urban green area that divides the township, with a difference of level of more than 40 meters between them.

 © Aitor Ortiz / Aitor Estévez

c Aitor Ortiz/Aitor Estévez

 © Aitor Ortiz / Aitor Estévez

c Aitor Ortiz/Aitor Estévez

一个分裂的城镇，可以通过两部城市电梯为行人重新连接，这些电梯连接所有重要的楼层、中间道路、通往教堂的通道或近距离的住宅。以及一条新的道路，它可以进入由6个入口和42个公寓组成的街区，在同一水平的门口，而不必爬一个狭窄和10米的楼梯到门口。这种干预只能从城市的角度来解释，因为它直接解决了过去为另一位居民设计的过时的城市方案。如今，这已成为大多数公民所不能接受的。

A split town, which can be reconnected for the pedestrians through two urban lifts, which are linking all important levels, intermediate roads, accesses to the Church or close residences. As well as that of a new path that lets get in a block of 6 portals and 42 flats at the same level of the doorway, without having to climb a narrow and 10-meter stairs to the doorway. This intervention can only be explained from the urban point of view, as a direct solution to the obsolescent city scheme that was designed in the past for another profile of inhabitant. Nowadays it becomes unacceptable for a large majority of citizens.

 © Aitor Ortiz / Aitor Estévez

c Aitor Ortiz/Aitor Estévez

另一方面，提案必须具体说明，并对其所在地作出答复。该项目将重点和强度放在控制跨越山坡的这两个基础设施的感知上。由于其极端的建筑条件而给予自然的残馀空间是一个城市的物理屏障，但也是一个非常有价值的绿色肺，必须加以保护。一种广泛的落叶森林，其外观在夏季和冬季之间发生了根本性的变化，形成了对一个新地方的不同看法。

On the other hand the proposal must be specified and respond to the place where it is located. The project puts the focus and intensity on controlling the perception of these two infrastructures that cross the hillside. That residual space, given to nature due to its extreme conditions for building, is an urban physical barrier but also a green lung of great value that must be preserved. An extensive deciduous forest whose appearance radically changes from summer to winter, creating different perceptions of a new place.

这两种结构的面和镜面抛光铝包层，声称与这种变化的环境有直接的关系。有趣地玩控制观众感知的机制，假定建筑师有可能组织一个充满惊喜或不平衡的新世界，挑战以前世界知识的安全性。最后，感知只不过是我们的大脑解释它通过感官接收到的不同刺激的方式，从而形成一种对我们活动的环境中的现实的有意识的印象。屋顶、云层、树枝和树叶的倒影和覆盖，成为塔楼和人行桥本身的物质。不知何故，景观似乎流动，占据了建造的体积，模糊了它的边界，改变了它的质量。我们不确定洛杉矶的景观是否已经重新吸收了建筑，或者相反，正是被建造的建筑占据了自然。

The faceted planes of both structures and their mirror polished aluminum cladding, claims a direct relationship with that changing environment. To play with fun with the mechanisms that govern the perception of the spectator supposes for the architects the possibility of organizing a new world of surprises or imbalances that challenges the security of the previous knowledge of the world. In the end, perception is nothing but the way in which our brain interprets the different stimuli it receives through the senses, to form an aware impression of the reality of the context through which we move. The reflections and overlays of roofs, clouds, branches and leaves become the material itself of towers and footbridges. Somehow the landscape seems to flow, taking possession of the built volume, blurring its boundaries, varying its mass. We don´t know for sure la if the landscape has reabsorbed the architecture, or on the contrary, it´s the constructed architecture which has appropriated the nature.