Kengo Kuma and OODA Win Competition to Redevelop Porto Slaughterhouse

2018-06-01 14:00
该计划旨在通过干预措施,如将工地与附近的地铁站连接起来的桥梁,将以前的重要结构与市中心重新连接起来。同时,一个横跨整个遗址的乡土屋顶将新旧结合在一起,下面是一个博物馆、图书馆、表演空间、艺术档案馆和创意实验室。
The scheme seeks to reconnect the previously important structure with the city center, through interventions such as a bridge linking the site with a nearby metro station. Meanwhile, a vernacular roof stretching across the entire site unites old and new, under which sits a museum, library, performance space, art archive, and creative laboratory. 
建筑师的项目说明:
Project description from the architects:
对于新的Matadouro(屠宰场)项目,我们感兴趣的是创建一座植根于当地历史和记忆中的建筑,并对属于每个人的公共空间进行感官翻译,而每个游客都觉得这是他们自己的空间。在繁荣时期,前Matadouro屠宰场被认为是坎潘邦地区最重要的经济和发展引擎之一,但1990年代后期关闭,此后几乎无人居住。该场址周围的主要开发项目,如FC Porto体育场或附近的高速公路和交通繁忙的城市出口路线,将该建筑群与城市分隔开来。马塔杜罗人在周围的城市中被遗忘了。有了这个建议,我们打算重新启动,重新发明,并参与当地的历史和城市的记忆。为了实现这一目标,必须建立一个结构,它将有一个强大的存在,从远处,同时也改造广场下面的社区用途和新的功能,以重新确立该网站的重要性,在城市的文化,商业和社会网络。
For the new Matadouro (Slaughterhouse) project we are interested in creating a building rooted in local history and memory and to develop a sensory translation of the public space that will belong to everyone while each visitor feels as though the space is their own. During its prosperous years, the former Matadouro Slaughterhouse was considered one of the most important economic and development engines for the Campanhã area, however, in the late 1990s it was closed and has remained virtually unoccupied since. Major developments around the site, such as the FC Porto Stadium or the nearby speedway and heavily trafficked city exit route, separated the complex from the city. The Matadouro was lost and forgotten among the surrounding urban elements. With this proposal, we intend to reactivate, reinvent, and engage the local history and memory of the city. In order to achieve this goal, it is essential to create a structure that will have a strong presence from an afar while also reinventing the square underneath for neighborhood uses and new functions to re-establish the site’s importance in the city’s cultural, business and social network.
 Courtesy of Kengo Kuma & Associates + OODA
Kengo Kuma提供
城市方法
The urban approach
 Courtesy of Kengo Kuma & Associates + OODA
Kengo Kuma提供
该简介要求一座新的桥梁来连接城市和地铁站的上部,一旦该站点位于较低的水平,并被高速公路VCI隔离。这不仅创造了机会,不仅可以进入网站本身,而且也为居住在南部地区的社区提供了方便进入城市其他地区的机会。
The brief required a new bridge to establish a connection to the upper side of the city and metro station, once the site is located at a lower level and isolated by the speedway VCI. This created the opportunity not only to access the site itself but also to the neighborhood living in the south area to access easily other parts of the city.
该地点成为一条道路的一部分,并交换了一个新的锚城市。
The site became part of a path and exchange a new anchor to the city.
在北面,通道是由建筑桥在它的顶部创造了一个隆起的广场,作为一个公共花园和观景台为整个项目和城市。在南方,在街道和当地社区的水平上,另外两个广场将产生另一个入口,任何社交活动和互动的地点。
On the north, the access is made by the building bridge on its top create the uplifted plaza that serves as a public garden and Belvedere for the whole project and the city. And on the South at the level of street and local neighborhood, two other squares would generate another entrance, spots for any social events and interactions.
团结在一起的形式-一种姿态
The Form- One Gesture that Unites
屋顶延伸到整个遗址,把下面的所有项目整合在一起,把新旧结合起来,但是要保护历史遗产。它涵盖或与现有建筑结构相结合,具有相应的必要性。它与邻近的大型基础设施建立了规模对话,并微妙地通过材料与坎潘邦的住宅进行了对话。
The roof stretches across the entire site to integrate all the program underneath, unite old and new, however preserving the historical heritage. It covers or it integrates with the existing building structures accordingly with the necessity. It establishes a dialogue of scale with the large adjacent infrastructures and, subtly blur through the material with the house of Campanhã.
 Courtesy of Kengo Kuma & Associates + OODA
Kengo Kuma提供
通过山脊突出的简单姿态,下面的特定节目被揭示并连接成两个前广场或文化节目(图书馆、博物馆、表演空间等)。或者一个新的桥梁连接到附近。
With a simple gesture of accentuating by the ridge, the specific program underneath is revealed and connected as two front plazas or cultural program (library, museum, performance space etc.) or a new bridge connection with the neighborhood.
屋顶-传统材料
The Roof- Traditional Materiality
 Courtesy of Kengo Kuma & Associates + OODA
Kengo Kuma提供
然而,我们的目标是利用当地已知的知识和材料,展示它们的新潜力。以瓷砖为主要覆盖层的屋面成员结合了具有典型邻里外观的新建筑,玻璃面板带来了光线,遮挡了雨水或阳光等环境因素,或在夜间以暖光作为灯笼,为整个地区提供了一个安全的穿越通道。此外,由于波尔图的夏季温暖,阳光暴晒,而另一个季节的雨天正好相反,新屋顶作为第二层皮肤出现,全年都可以使用,确保保护和遮阳,从而增强了风的穿过能力。
The aim for us is to use the knowledge and materials known locally, however, showing their new potential. The ceramic tiles as main covering roof members integrate the new architecture with typical neighborhood appearance and glass panels bring the light, cover from environmental factors as rain or sun or glow with warm light as a lantern the district during the night hours providing a safe cross passage. Further as Porto it renowned of the warm summers with an excessive sun and on contrary the rainy weather during the other time of the year, the new roof appears as a second skin, allows the site to be used all year round ensuring protection and shading, thus enhancing the wind to pass through.
 
虽然它是一种创新的设计,整体上既指局部建筑,也指其形式,即试图指现有的大开口结构的轻盈性,从而使大而薄的构件悬浮编织成为一种纺织。
Although it is an innovative design the whole refers to both: local construction but also its form that try to refer to the lightness of the existing big open structures, thus large thin members that levitate weaving as a textile.
Kengo Kuma建筑师
Architects Kengo Kuma & Associates, OODA Arquitetos Responsáveis (Kengo Kuma & Associates) Kengo Kuma/Yuki Ikeguchi (Partner in Charge) Rita Topa (Project architect) Jagoda Krawczyk, Andrea Toccolini, Jack Ryan, Ifan Yim Arquitetos Associados (OODA) Diogo Brito / Rodrigo Vilas-Boas / Francisco Lencastre (Partners) João Styliano, Luis Choupina, Inês Monteiro, José Pedro Maia, Jiahong Huang, Ugne Stankaityte, Ruta Simutyte, Ondrej Jezbera Joana Valinho, André Veiga, Giulia Kaiser Projeto de Engenharia Ejiri Structural Engineers Empresa construtora Mota-Engil Arquitetos Estratégia Social (ESC) Tiago Sá, Alberto Cumerlato, Filippo Lorenzi, Larissa Lira Area 20500.0 m2 Project Year 2018 Photographs Luxigon Category Office Buildings
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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