© Lorena Darquea

洛丽娜·达奎亚

架构师提供的文本描述。将社会领域，无论是私人的还是公共的，围绕在一个水元素周围，是与现有挖掘有关的基本前提，现在地形图上空空如也；由于缺乏经验，而且显然与用户的实际兴趣相去甚远，一个以前的项目的产品一旦开始建设就被废弃了。水元素围绕着建筑，让用户每天从互动的主要角度来思考它。

Text description provided by the architects. To have the social area, either its private or public, around a water element, was the fundamental premise to give relevance to the existing excavation, now empty in the topography; product of a previous project discarded once its construction started, due to its inexperience and clearly far from the user’s real interest. The water element surrounds the construction which allows its users to contemplate it from the main points of interaction on their every day. 

 © Lorena Darquea

洛丽娜·达奎亚

 Planta Baja

普兰塔巴哈

当你进入住宅时，你可以观察到垂直环流“漂浮”在水面上，同时滋养小岛屿的植被，它们与主要的社会区域直接相关，比如：位于顶层的厨房和家庭房间。将私人区域与楼梯结合起来的水平循环也从这一宜人的景色中得到了享受，在离地面3米的地方给水元素以新的视角，住宅非常开放，有着将室内与外部融为一体的明确意图，消除了自身的物理限制。

You can observe how the vertical circulation “floats” over the water when accessing the residence, while nourishing small islets of vegetation which emerge from it and are directly related with the main social areas like: the kitchen and the family room located on the top floor. The horizontal circulation that unifies the private areas with the stairs also enjoys from this pleasant view and gives a new perspective to the water element by being 3 meters above the ground.  The residence is very open and has a clear intention of merging the interior with the exterior, disappearing the physic limit itself. 

 © Lorena Darquea

洛丽娜·达奎亚

该材料托盘非常简单，石材和木材对比，并与玻璃和钢。在这几乎是基本的材料范围之间，希望给它的使用、格式和纹理带来多样性，例如，石材可以作为一种大形式的地板，作为一块大版块，用于实现公共区域的连续性，但同时，它也可以被切割成一个薄薄的墙壁，以在双高度庆祝露台，它也可以最小化到极致，因为它获得了一个坚固的字符，并被用作某些对象的视觉结尾，以强调方向性。家具的选择、装饰和环境都是这项任务的一部分，它试图通过简单而冷静的方式来突出物体的线条，有时还会提到外观，强调它的重要性，一个明显的例子就是客厅里的大立体框架，它把不同类型的木头和三角镜结合起来，很少让我们从外部窥见。

The material pallete is very simple, Stone and Wood contrast and harmonize with Glass and Steel. Between this almost basic material range, looking to give variety to its use, format and texture, in a way that, for example, the Stone can be used as the floor in a big format used as plaques to achieve continuity in the public area, but at the same time it can be cut as a thin stave to celebrate the terrace at a double height, it can also be minimized to the extreme where it acquires a rugged character and be used as a visual ending to certain objects to emphasize directionality. The furniture election, decorations and ambience were a part of the assignment, and it tries by its simplicity and sobriety to highlight the object lines, to the point where it sometimes refers to the exterior, emphasizing its importance, a clear example of this is the big tridimensional frame in the living room, which combines different types of wood with triangular mirrors that give us little outside glimpses.

 © Lorena Darquea

洛丽娜·达奎亚

Architects R79

Location Mérida, Mexico

Author Architects Roberto Ramírez, Gerardo Trejo, Fernanda González

Construction Angel Alpuche

Area 600.0 m2

Project Year 2018

Photography Lorena Darquea

Category Houses

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