Oukikyo Atsumasa Tamura Design Office

2018-10-01 22:00
从一幅画开始。这种传统的日本风格绘画被称为"YokakuraGekka"(由HiroshiSenju),它的特点是月光灿烂的绽放的樱桃树。对于这幅画来说,主人希望有一个私人空间来欣赏--在那里他可以安静地度过他的时光,感受到飘落的花瓣的美丽。他想创造一个简单但优雅的氛围,就像豪华的酒店,因为他的客厅/书房和卧室。
It began with one painting. This traditional Japanese style painting is called "Yozakura Gekka" (by Hiroshi Senju), featuring an exquisite weeping cherry tree in blossom lit by the moon light. It was for this painting that the owner wished to have a private space to admire - where he could spend his time quietly and feel the beauty of falling petals. He wanted to create simple but elegant atmosphere like luxurious hotel for his living room/study and bedroom.
It began with one painting. This traditional Japanese style painting is called "Yozakura Gekka" (by Hiroshi Senju), featuring an exquisite weeping cherry tree in blossom lit by the moon light. It was for this painting that the owner wished to have a private space to admire - where he could spend his time quietly and feel the beauty of falling petals. He wanted to create simple but elegant atmosphere like luxurious hotel for his living room/study and bedroom.
 
 © Sohei Terui
3.Sohei Terui
这座建筑是一座一层的木结构,占地66平方米,建于40多年前。这次装修后,原来的主楼保持不变,但西侧却变成了一间宽敞的大单人房,里面有客厅/书房和卧室面积。这两个区域之间的存储单元隔开房间,但不关闭空间,留下开放。厨房和浴室都放在东边。
The building was a one-story wooden structure of 66 square meters that was build more than 40 years ago. Upon this renovation, the original main structure was kept unchanged but the west side of the house was made into a large spacious single room containing the living room/ study and the bedroom area. Storage unit between those two areas separates the room but does not close off the space, leaving openness. Kitchen and a bathroom are placed in the east side.
The building was a one-story wooden structure of 66 square meters that was build more than 40 years ago. Upon this renovation, the original main structure was kept unchanged but the west side of the house was made into a large spacious single room containing the living room/ study and the bedroom area. Storage unit between those two areas separates the room but does not close off the space, leaving openness. Kitchen and a bathroom are placed in the east side.
为了融入业主对绘画和樱花的热爱,这个项目的理念是把绘画变成房子的中心,而不是创造一个空间来展示它。
To incorporate the owner’s love for the painting and cherry blossoms, the concept for this project was proposed that the painting was to become the center of the house, rather than creating a space to exhibit it.
To incorporate the owner’s love for the painting and cherry blossoms, the concept for this project was proposed that the painting was to become the center of the house, rather than creating a space to exhibit it.
 © Sohei Terui
3.Sohei Terui
“四季”自然
“Four Seasons” Nature & Four seasons are introduced. The painting is Spring. Summer: Hemp leaf pattern on sliding doors. Light would come softly through patterned paper screen. Autumn: Maple leaves on the lacquered panel. Winter: Pine-needle pattern woven into silk on the ceiling. Cherry buds would endure cold until the blossom. Winter was essential to complement the painting. Flowing pattern on side door represents water, suggesting bathroom facilities behind. Hinoki was used for furniture & the interior, and Italian marble stones for the floor, providing the mixture of modern and traditional.
“Four Seasons” Nature & Four seasons are introduced. The painting is Spring. Summer: Hemp leaf pattern on sliding doors. Light would come softly through patterned paper screen. Autumn: Maple leaves on the lacquered panel. Winter: Pine-needle pattern woven into silk on the ceiling. Cherry buds would endure cold until the blossom. Winter was essential to complement the painting. Flowing pattern on side door represents water, suggesting bathroom facilities behind. Hinoki was used for furniture & the interior, and Italian marble stones for the floor, providing the mixture of modern and traditional.
 
 Floor plan

                            
 © Sohei Terui
3.Sohei Terui
“弯曲天花板”现有梁的高度为2600毫米。它被要求制造一个高天花板,给书房/卧室一个宽敞的感觉。因此,应用数学家Piet Hein的“(x/a)^M(y/b)^M=1M=2.5”的公式给出了这条自然而优雅的曲线。通过将此与较低的天花板相结合,它将在视觉上产生效果,即这个弯曲的天花板比实际的要高。
“Curved Ceiling” Existing beam was 2600 mm in height. It was requested to produce a high ceiling to give a spacious feeling to the study/ bedroom. Therefore the formula for the Super Ellipse “(x/a)^M + (y/b)^M = 1 M=2.5” by Piet Hein (Mathematician) was applied to give this natural and elegant curve. By combining this with the lower ceiling, it would give the effect in visual that this curved ceiling is higher than the actual.
“Curved Ceiling” Existing beam was 2600 mm in height. It was requested to produce a high ceiling to give a spacious feeling to the study/ bedroom. Therefore the formula for the Super Ellipse “(x/a)^M + (y/b)^M = 1 M=2.5” by Piet Hein (Mathematician) was applied to give this natural and elegant curve. By combining this with the lower ceiling, it would give the effect in visual that this curved ceiling is higher than the actual.
 © Sohei Terui
3.Sohei Terui
黄昏时的“杜斯克”,灯笼会轻轻地照亮鹅卵石般的小径。朝房子走来时,当沿着这条鹅卵石的小路与尼泊尔的老冬青(Mochi No Ki)一起指引路的时候,从入口处出来的亮光会邀请房主到房子里去。新装修的空间现在被改造成一个可以“欢迎”主人回到他心爱的绘画之地
“At Dusk” At dusk the lantern would illuminate cobbled path softly. Coming towards the house, when following this cobbled path with the old Nepal holly (Mochi no Ki) to guide the way, bright light from the entrance screen would invite the owner to the house. Newly renovated space is now transformed into the place that would “welcome” the owner back to the place where his beloved painting, "Yozakura Gekka" awaits him.
“At Dusk” At dusk the lantern would illuminate cobbled path softly. Coming towards the house, when following this cobbled path with the old Nepal holly (Mochi no Ki) to guide the way, bright light from the entrance screen would invite the owner to the house. Newly renovated space is now transformed into the place that would “welcome” the owner back to the place where his beloved painting, "Yozakura Gekka" awaits him.
 © Sohei Terui
3.Sohei Terui
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Atsumasa Tamura Design Office
Location Wakayama, Japan
Lead Architects Atsumasa Tamura
Area 66.0 m2
Project Year 2018
Photographs Sohei Terui
Category Houses Interiors
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