Lodève Museum Projectiles

2018-10-17 03:00

 © Vincent Fillon

文森·菲永

架构师提供的文本描述。在这个复杂的场地上，一系列的建筑是很难破译的。除了霍特尔·弗勒里(H Tel Flury)，这些建筑中没有一座真正出类拔萃。我们选择了一个当代的立面作为博物馆的新入口。该项目的明显“矿物”性质，无论是外部还是内部，都将不同时期的建筑结合在一起：可以说，无论是象征性的还是结构性的，都是把它们结合在一起的。

Text description provided by the architects. On this complex site, the series of constructions is hard to decipher. Except perhaps for the Hôtel Fleury, none of the buildings really stands out. We chose to insert a contemporary facade as the new entrance to the museum. The pronounced “mineral” nature of the project, both outside and inside, unites the different periods of construction: it binds them together, so to speak, both symbolically and structurally.

Text description provided by the architects. On this complex site, the series of constructions is hard to decipher. Except perhaps for the Hôtel Fleury, none of the buildings really stands out. We chose to insert a contemporary facade as the new entrance to the museum. The pronounced “mineral” nature of the project, both outside and inside, unites the different periods of construction: it binds them together, so to speak, both symbolically and structurally.

 © Vincent Fillon

文森·菲永

 © Vincent Fillon

文森·菲永

在République街，H tel Flury现在是可见的，不受任何外来建筑的影响。它起着信号的作用。该项目是与前院所有外部空间的重新开发一起进行的。

From Rue de la République, the Hôtel Fleury is now visible and free from all extraneous construction. It acts as a signal. The patrimonial enhancement was carried out together with a redevelopment of all the external spaces of the forecourt.

From Rue de la République, the Hôtel Fleury is now visible and free from all extraneous construction. It acts as a signal. The patrimonial enhancement was carried out together with a redevelopment of all the external spaces of the forecourt.

 © Vincent Fillon

文森·菲永

 Ground floor plan

 © Vincent Fillon

文森·菲永

在内部，历史与当代建筑之间的材料对话产生了不同的展览布局形式，在这些形式中，有几个层次的方法开始发挥作用，产生细微的视觉感知。由于重新开发了真正可识别的博物馆布局序列，而不仅仅是装饰，其目的是提出一个争论的、敏感的，但不是纯粹的描述性阅读。

Inside, the material dialogue between historical and contemporary architecture gives rise to varied exhibition layout forms, in which several levels of approach come into play, resulting in finely nuanced visual perceptions. The aim is to present an argued, sensitive, but not purely descriptive reading, thanks to the redevelopment of real identifiable museum layout sequences, which go well beyond the merely decorative.

Inside, the material dialogue between historical and contemporary architecture gives rise to varied exhibition layout forms, in which several levels of approach come into play, resulting in finely nuanced visual perceptions. The aim is to present an argued, sensitive, but not purely descriptive reading, thanks to the redevelopment of real identifiable museum layout sequences, which go well beyond the merely decorative.