© Reimund Braun

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架构师提供的文本描述。西北德国纺织服装业协会大楼的设计理念，旨在为所有员工提供北方风景如画的景观，并以强烈的纺织形象欢迎来自南方的人们。拉长的结构由一个完全封闭的砖面包围在三面。建筑的体积向东、南、西关闭，向北开放，是节能办公建筑的基础。

Text description provided by the architects. The design concept of the building for the Association of the Northwest German Textile and Garment Industry aims to provide all employees with a view of the picturesque landscape to the north and to welcome those arriving from the south with a strong textile image. The elongated structure is enclosed on three sides by a completely closed brick facade. The volume closed to the east, south, and west and open to the north is the basis for an energy-optimized office building.

Text description provided by the architects. The design concept of the building for the Association of the Northwest German Textile and Garment Industry aims to provide all employees with a view of the picturesque landscape to the north and to welcome those arriving from the south with a strong textile image. The elongated structure is enclosed on three sides by a completely closed brick facade. The volume closed to the east, south, and west and open to the north is the basis for an energy-optimized office building.

 © Reimund Braun

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 Ground Floor Plan

 © Reimund Braun

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砖立面的灵感来自于贝多芬雕像的Alabaster褶皱，它位于莱比锡比德博物馆。MaxKlinger在这里创造了一种矛盾的感觉。观看者在贝多芬的膝盖上看到一个看似流畅的轻便围巾，同时也意识到它由坚硬的石头组成。在这幅图像之后，BehetBondzioLinAlarchtekten采用了六个具有梯度的特殊石头，其梯度增加，产生了看起来移动的光和阴影的外观。类似于风吹起的轻布。

The inspiration for the brick facade is the alabaster fold of the Beethoven statue by Max Klinger, which is located in the Leipzig Bilder Museum. Max Klinger created a paradoxical perception here. The viewer sees a seemingly fluent light scarf over the knees of Beethoven and recognizes at the same time that it consists of solid stone. Following this image, behet bondzio lin architekten employ six special stones with a gradient that increases in gradient, creating a seemingly moving facade of light and shadow. The analogy to a light cloth over which the wind blows arises.

The inspiration for the brick facade is the alabaster fold of the Beethoven statue by Max Klinger, which is located in the Leipzig Bilder Museum. Max Klinger created a paradoxical perception here. The viewer sees a seemingly fluent light scarf over the knees of Beethoven and recognizes at the same time that it consists of solid stone. Following this image, behet bondzio lin architekten employ six special stones with a gradient that increases in gradient, creating a seemingly moving facade of light and shadow. The analogy to a light cloth over which the wind blows arises.

 © Thomas Wrede

(Thomas Wrede)

 © Reimund Braun

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建筑物体积的分离和容易移动创造了一个预区域，接收用户和访客并引导他们进入大楼。在北方，它几乎完全打开了一个玻璃立面的异常美丽的景观。由于北方向，所有房间都有充足的日光供应，不需要防晒。这样，即使在仲夏，也可以看到农村雇员的全天候景象.

The separation and easy movement of the building volume creates a pre-area that receives the users and visitors and leads them into the building. To the north, it opens almost completely over a glass facade to the exceptionally beautiful landscape. Due to the north orientation, all rooms are well supplied with daylight and do not require sun protection. This allows even in midsummer the full-time view of the employees in the countryside.

The separation and easy movement of the building volume creates a pre-area that receives the users and visitors and leads them into the building. To the north, it opens almost completely over a glass facade to the exceptionally beautiful landscape. Due to the north orientation, all rooms are well supplied with daylight and do not require sun protection. This allows even in midsummer the full-time view of the employees in the countryside.

Architects Behet Bondzio Lin Architekten

Location Münster, Germany

Area 2620.0 m2

Project Year 2018

Photographs Thomas Wrede, Reimund Braun

Category Institutional Buildings

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