University of Miami School of Architecture Arquitectonica

2018-11-26 17:00
 © Robin Hill
(罗宾·希尔)
 
架构师提供的文本描述。延长阿奎托尼察与迈阿密大学建筑学院(贝尔纳多堡-布雷西亚,劳琳达斯皮尔和他们的儿子雷蒙德福特)的长期合作关系,ThomasP.Murphy设计工作室大楼通过为下一代建筑师设计一个独一无二的实验室和协作空间,巩固了该公司对大学及其家乡的承诺。新的20,000平方英尺的LEED认证工作室提供了一个空间,支持和推进学校的教育教学.玻璃和混凝土的裸露结构作为教学工具,说明了现代建筑、建筑和可持续性的一些基本原则。“
Text description provided by the architects. Extending Arquitectonica’s longtime association with the University of Miami School of Architecture (Bernardo Fort-Brescia, Laurinda Spear and their son Raymond Fort have all served on the school’s faculty), the Thomas P. Murphy Design Studio Building cements the firm’s commitment to the University and its hometown through the design of a one-of-a-kind laboratory and collaborative space for the next generation of architects. The new 20,000-square-foot LEED-certified studio building provides a space that supports and furthers the school’s educational pedagogy. The exposed structure of glass and concrete serves as a teaching tool by illustrating some of the basic tenets of modern architecture, construction and sustainability. `
Text description provided by the architects. Extending Arquitectonica’s longtime association with the University of Miami School of Architecture (Bernardo Fort-Brescia, Laurinda Spear and their son Raymond Fort have all served on the school’s faculty), the Thomas P. Murphy Design Studio Building cements the firm’s commitment to the University and its hometown through the design of a one-of-a-kind laboratory and collaborative space for the next generation of architects. The new 20,000-square-foot LEED-certified studio building provides a space that supports and furthers the school’s educational pedagogy. The exposed structure of glass and concrete serves as a teaching tool by illustrating some of the basic tenets of modern architecture, construction and sustainability. `
 © Robin Hill
(罗宾·希尔)
位于一个十字路口的中心,该建筑创造了一个广场和毗邻的通道,连接校园和迈阿密地铁。从本质上讲,这座建筑是一个超大的棚屋,其特点是一个拱形屋顶悬挂在地板上方18英尺处,由狭窄的钢柱和几堵固定的墙组成。这种屋顶结构提供了一种开放的感觉,并使自然光渗透到建筑物。一堵弯曲的混凝土墙面对着主要的公共交通入口和豪尔赫·M·佩雷斯建筑中心(Jorge M.Perez Architecture Center),这座建筑是由建筑师利昂·克里尔(Leon Krier)设计的,这堵南面墙剥落下来,与克里尔大楼的拱形门廊和八角形礼堂对话。作为一种象征性的欢迎姿态,曲线邀请学生走上大楼,同时软化建筑物的直线规划。
Located at the center of an intersection, the building creates a plaza and adjoining pathway that links the campus to the Miami Metrorail. The building is, in essence, a single, oversized shed, featuring a vaulted roof suspended 18 feet over the floor by narrow steel columns and a few fixed walls. This roof structure provides a sense of openness and enables natural light to permeate the building. A single, curved concrete wall faces the main public transit entrance and the Jorge M. Perez Architecture Center, a building designed by architect Leon Krier, that is the heart of the architecture school. This southern wall peels away to be in dialogue with the Krier building’s arched portico and octagonal auditorium. Acting as a symbolic gesture of welcome, the curve invites students to walk up to the building while softening the building’s rectilinear plan.
Located at the center of an intersection, the building creates a plaza and adjoining pathway that links the campus to the Miami Metrorail. The building is, in essence, a single, oversized shed, featuring a vaulted roof suspended 18 feet over the floor by narrow steel columns and a few fixed walls. This roof structure provides a sense of openness and enables natural light to permeate the building. A single, curved concrete wall faces the main public transit entrance and the Jorge M. Perez Architecture Center, a building designed by architect Leon Krier, that is the heart of the architecture school. This southern wall peels away to be in dialogue with the Krier building’s arched portico and octagonal auditorium. Acting as a symbolic gesture of welcome, the curve invites students to walk up to the building while softening the building’s rectilinear plan.
 © Robin Hill
(罗宾·希尔)
屋顶本身,一个薄壳混凝土结构,是一个高度视觉戏剧性的时刻.薄板坯微微弯曲,似乎在迈阿密热火中融化,形成一个柔和的弧线,增加了结构轮廓的复杂性。除了能有效遮挡东西向的玻璃外,弯曲的屋顶还设置了设计的主要形式转弯。屋面曲线与入口处的曲线相互作用,显示混凝土的塑性。这两个手势将一个简单的盒子转化为动态的建筑表达,将核心的现代主义原则融入到将对下一代建筑师产生影响的渐进式设计中。
The roof itself, a thin-shell concrete structure, is a moment of high visual drama. The slab warps slightly, seemingly melting in the Miami heat, to form a gentle arc that adds complexity to the silhouette of the structure. Besides affording effective shading over the glazed east and west fronts, the bowed roof also sets up the design’s primary formal swerve. The curve of the roof interacts with the curve at the entrance to demonstrate the plasticity of concrete. These two gestures transform a simple box into dynamic architectural expression, incorporating core modernist principles into a progressive design that will serve as an influence for the next generation of architects.
The roof itself, a thin-shell concrete structure, is a moment of high visual drama. The slab warps slightly, seemingly melting in the Miami heat, to form a gentle arc that adds complexity to the silhouette of the structure. Besides affording effective shading over the glazed east and west fronts, the bowed roof also sets up the design’s primary formal swerve. The curve of the roof interacts with the curve at the entrance to demonstrate the plasticity of concrete. These two gestures transform a simple box into dynamic architectural expression, incorporating core modernist principles into a progressive design that will serve as an influence for the next generation of architects.
 © Robin Hill
(罗宾·希尔)
建筑物的设计、定位和战略要素涉及太阳的运动,并确保即使在最热的月份也能保持可持续的工作环境。混凝土屋顶在建筑物最南端弯曲,以遮阳室内。该建筑可以在白天运行,无需使用任何人工照明,同时具有首次使用18英尺高的抗飓风玻璃面板的特点。可操作的窗户允许更好的绝缘和消除对空调的依赖在夏季。
The design, orientation and strategic elements of the building address the movements of the sun and ensure a sustainable work environment even in the hottest months. The concrete roof warps over the southernmost point of the building to shade the interior from sunlight. The building can operate during daytime without the use of any artificial light while featuring the first ever use of 18-foot-high hurricane-resistant glass panels. Operable windows allow better insulation and eliminate dependence on air conditioning during the summer.
The design, orientation and strategic elements of the building address the movements of the sun and ensure a sustainable work environment even in the hottest months. The concrete roof warps over the southernmost point of the building to shade the interior from sunlight. The building can operate during daytime without the use of any artificial light while featuring the first ever use of 18-foot-high hurricane-resistant glass panels. Operable windows allow better insulation and eliminate dependence on air conditioning during the summer.
 © Robin Hill
(罗宾·希尔)
 Elevations

                            
工作室是每一所建筑学校的核心,也是吸引未来学生的强大磁石。工作室的设计充满了数码制作设施、展览区域和充分的社会和公共功能空间,将21世纪教学的各个方面综合成一个有说服力的整体,把它们包装成一个看似简单的薄混凝土信封。开放式工作室空间基于一个25平方英尺的工作站模块,可以容纳从90到130个工作站的各种办公桌配置。正门通向一个非正式的大厅,这个大厅就像一个在工作室里穿行的隐逸空间。中央卷的东墙和西墙都是用毛毡覆盖的,学生们可以把他们的作品钉起来,内殿有可移动的板,用于非正式的评论和展览。流通道南侧的工作室旨在设计建造课程,并可直接进入室外工作区。不同材料的散落立方体在开放的工作室空间中意味着不同的用途:陪审团区域的窗帘,研讨会和会议空间的玻璃和面板,制造实验室的混凝土。两个玻璃独立展馆作为教员和客座教授办公室,每年可由学生重新设计和重建,为创造性和协作提供了一个环境。
Studios are the heart of every architecture school and a strong magnet for prospective students. Fully stocked with digital fabrication facilities, exhibitions areas and ample room for social and public functions, the design of the studio spaces synthesizes every aspect of twenty-first-century pedagogy into a cogent whole, packing them into a deceptively simple envelope of thin concrete. The open plan studio space is based on a twenty-five-foot square workstation module that can accommodate a variety of desk configurations ranging from 90 to 130 workstations. The main entrance leads into an informal lobby that continues as a nave-like space running through the studios. The east and west walls of the central volume are clad in felt for students to pin up their work and the nave has movable boards for informal critiques and exhibitions. The studios on the south side of the circulation passage are intended for design-build courses and have direct access to the outdoor work area. Scattered cubes of different materials signify different uses within the open studio space: curtains for the jury areas, glass and panels for seminar and meeting spaces, concrete for the fabrication lab. Two glazed freestanding pavilions serve as faculty and visiting professor offices that can be redesigned and rebuilt by students each year, providing a setting for creativity and collaboration.
Studios are the heart of every architecture school and a strong magnet for prospective students. Fully stocked with digital fabrication facilities, exhibitions areas and ample room for social and public functions, the design of the studio spaces synthesizes every aspect of twenty-first-century pedagogy into a cogent whole, packing them into a deceptively simple envelope of thin concrete. The open plan studio space is based on a twenty-five-foot square workstation module that can accommodate a variety of desk configurations ranging from 90 to 130 workstations. The main entrance leads into an informal lobby that continues as a nave-like space running through the studios. The east and west walls of the central volume are clad in felt for students to pin up their work and the nave has movable boards for informal critiques and exhibitions. The studios on the south side of the circulation passage are intended for design-build courses and have direct access to the outdoor work area. Scattered cubes of different materials signify different uses within the open studio space: curtains for the jury areas, glass and panels for seminar and meeting spaces, concrete for the fabrication lab. Two glazed freestanding pavilions serve as faculty and visiting professor offices that can be redesigned and rebuilt by students each year, providing a setting for creativity and collaboration.
 © Miami In Focus
迈阿密焦点
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Arquitectonica
Location 1223 Dickinson Drive Coral Gables, Florida 33146 , United States
Partners in Charge of Design Bernardo Fort Brescia, Laurinda Spear
Project Director Sherri Gutierrez
Project Manager Rafael Guissarri
Project Designer Raymond Fort
Area 13125.0 ft2
Project Year 2018
Photographs Robin Hill, Miami In Focus
Category University

                    

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