© Jack Qin | RMA, Kaijian Lee

(李开建)

架构师提供的文本描述。古籍“幸运鹤图”记载：北宋二年元宵节第二天，首都上空突然飘起云彩，吊车飞过宫殿。他们徘徊了很长一段时间，拒绝离开。这两只鹤落在宫殿左右两个高高的吻上，吸引了皇宫的人都大吃一惊，路上的人们停下来观看。空中起重机看上去像是对人的意义的理解。它似乎是为了什么而尖叫，它不会随着时间的流逝而散开。后来它向西北飞行。

Text description provided by the architects. The ancient books”lucky crane map”had recorded: on the second ninght of Lantern Festival in the second year of Northern Song Dynasty , suddenly the sky above the capital, the clouds floated, and the cranes flew over the palace. They hovered for a long time and refused to leave. The two cranes fell on the two tall kisses on the left and right sides of the palace.The people who attracted theimperial palace were astonished and the people on the road stopped to watch.The aerial crane looks like an understanding of the meaning of the person. It seems to be screaming for something, and it does not scatter over time. Later it flies northwest.

Text description provided by the architects. The ancient books”lucky crane map”had recorded: on the second ninght of Lantern Festival in the second year of Northern Song Dynasty , suddenly the sky above the capital, the clouds floated, and the cranes flew over the palace. They hovered for a long time and refused to leave. The two cranes fell on the two tall kisses on the left and right sides of the palace.The people who attracted theimperial palace were astonished and the people on the road stopped to watch.The aerial crane looks like an understanding of the meaning of the person. It seems to be screaming for something, and it does not scatter over time. Later it flies northwest.

 © Jack Qin | RMA, Kaijian Lee

(李开建)

宋的中国菜使用现代材料和设计技术来解释中国餐馆。十万块异性恋不锈钢砖和四十万根彩色羽毛构成宋朝餐厅的基本形态，曲面的弧形打破了中餐厅的想象，创造了独特的空间体验。

Song’s Chinese Cuisine uses modern materials and design techniques to interpret Chinese restaurants. 100,000 pieces of heterosexual stainless steel bricks and 400,000 pieces of colored feathers constitute the basic form of the Song’s Restaurant.The curving shape of the surface breaks the imagination of the Chinese restaurant and creates a unique spatial experience.

Song’s Chinese Cuisine uses modern materials and design techniques to interpret Chinese restaurants. 100,000 pieces of heterosexual stainless steel bricks and 400,000 pieces of colored feathers constitute the basic form of the Song’s Restaurant.The curving shape of the surface breaks the imagination of the Chinese restaurant and creates a unique spatial experience.

 Courtesy of Republican Metropolis Architecture(RMA)

共和党大都会建筑(RMA)

 Human and Spatial Relationship

人与空间关系

当客人走过餐厅时，空间逐渐变窄，可以与羽毛紧密接触，高温下的羽毛可以滑过指尖。光滑的羽毛留下残余的温度在手中，它的触摸使我们体验到我们所经历的一切，一个柔软的，一个坚定的，聪明的和闪亮的。不锈钢砖墙，无缝，坚硬，光滑；拼贴的砖地板有多年的摩擦痕迹，而散乱的身体使内部充满活力。

As the guests walk through the restaurant, the space gradually becomes narrow ; It can be in close contact with the feathers, and the feathers that have been cast at high temperature slide over the fingertips. The smooth feathers leave the residual temperature in the hands, and its touch makes us experience everything we have experienced, one soft and one resolute, smart and shining. The stainless steel brick wall, seamless, hard, smooth; The brick floor of the collage has traces of years of friction, and the interspersed body makes the interior energetic.

As the guests walk through the restaurant, the space gradually becomes narrow ; It can be in close contact with the feathers, and the feathers that have been cast at high temperature slide over the fingertips. The smooth feathers leave the residual temperature in the hands, and its touch makes us experience everything we have experienced, one soft and one resolute, smart and shining. The stainless steel brick wall, seamless, hard, smooth; The brick floor of the collage has traces of years of friction, and the interspersed body makes the interior energetic.

 © Jack Qin | RMA, Kaijian Lee

(李开建)

宋朝餐厅所选的现代材料和细节，展现了人们对氛围和终极品位的追求，让人感受到了古景的再现，似乎人们可以立即抛弃城市浮躁的外表，心灵变得干净而专注，去欣赏古老的文化遗产。

The modern materials and details selected by Song’s Restaurant reveal the pursuit of atmosphere and ultimate taste.The people can feel the reappearance of the ancient scene, and it seems that people can immediately throw away the urban impetuous outside, and the heart becomes clean and immersed to appreciate the ancient cultural heritage.

The modern materials and details selected by Song’s Restaurant reveal the pursuit of atmosphere and ultimate taste.The people can feel the reappearance of the ancient scene, and it seems that people can immediately throw away the urban impetuous outside, and the heart becomes clean and immersed to appreciate the ancient cultural heritage.

 © Jack Qin | RMA, Kaijian Lee

(李开建)

这是一个经验者被安置在建筑里的地方，建筑变成了一种形式，创造了一个不同于室内和自然的地方。人们感受到阳光和微风，但我们又在建筑里，这是我最喜欢的感觉。

This is a place where experiencer are sheltered in the building.Building becomes a form that creates a place that is different from indoors and different from nature. People feel the sun and the breeze, but we are in the building again,this is my favorite feeling.

This is a place where experiencer are sheltered in the building.Building becomes a form that creates a place that is different from indoors and different from nature. People feel the sun and the breeze, but we are in the building again,this is my favorite feeling.

 © Jack Qin | RMA, Kaijian Lee

(李开建)

空间不再仅仅是事件顺序的副产品，动态和快速移动的空间理想上应该能够感觉到物质通过它时的状态。

The Space is no longer just a by-product of the order of events.A dynamic and fast-moving space ideally should be able to feel the state of the material as it passes through it. 

The Space is no longer just a by-product of the order of events.A dynamic and fast-moving space ideally should be able to feel the state of the material as it passes through it. 

 © Jack Qin | RMA, Kaijian Lee

(李开建)

电影的流动性给人们带来了一种叙事，建筑空间中的人流也带来了动态空间体验的连续性。在一定程度上，它也是叙事性的，形成了独特的空间体验。

The fluidity of the film brings people a narrative, and the flow of people in the architectural space also brings continuity to the dynamic space experience. To a certain extent, it is also narrative and forms a unique spatial experience.

The fluidity of the film brings people a narrative, and the flow of people in the architectural space also brings continuity to the dynamic space experience. To a certain extent, it is also narrative and forms a unique spatial experience.

 © Jack Qin | RMA, Kaijian Lee

(李开建)