Clifton Hill House Field Office Architecture
2018-12-30 19:00
© Kristoffer Paulsen
c.克里斯托·保尔森
架构师提供的文本描述。克利夫顿山Noone街一个维多利亚式小露台的增建和改建。
Text description provided by the architects. Additions and alterations to a small Victorian terrace in Noone Street, Clifton Hill.
Text description provided by the architects. Additions and alterations to a small Victorian terrace in Noone Street, Clifton Hill.
坐在类似的19世纪末的一排梯田的末尾,这个项目的场地是足够幸运的,因为隔壁有一个小的变电所,它的背面有两倍宽的比例。这开辟了许多机会,在我们如何接近简报,这是一个新的简单,现代,轻盈的生活,膳食和厨房区域,以及主卧室和工作室。
Sitting at the end of a row of similar late 19th century terraces, the site for this project was fortunate enough to sit on block that had double-width proportions to the back due to a small electrical substation next door. This opened up a number of opportunities in terms of how we approached the brief which was for a new simple, modern, light-filled living, meals and kitchen area, along with master bedroom and studio.
Sitting at the end of a row of similar late 19th century terraces, the site for this project was fortunate enough to sit on block that had double-width proportions to the back due to a small electrical substation next door. This opened up a number of opportunities in terms of how we approached the brief which was for a new simple, modern, light-filled living, meals and kitchen area, along with master bedroom and studio.
© Kristoffer Paulsen
c.克里斯托·保尔森
这是一个遗产住宅,多年来进行了多次临时翻新,很早就决定,所有增加的建筑都将被拆除,原来的前两间卧室是房子唯一保留的部分。
Being a heritage dwelling which had had many ad-hoc renovations over the years, it was decided very early that all of the additions were to be stripped back, with the original front 2 bedrooms the only retained aspect of the house.
Being a heritage dwelling which had had many ad-hoc renovations over the years, it was decided very early that all of the additions were to be stripped back, with the original front 2 bedrooms the only retained aspect of the house.
© Kristoffer Paulsen
c.克里斯托·保尔森
街区的宽度一旦超过住宅的原始部分就会迅速扩大,这是在这一地区创建一个大的、朝北的庭院的理想配置,它将餐饮和居住空间直接连接在一起。毗邻庭院的就餐区也是一种“画廊”,顾客坐在附近庭院的自然光中,上面有一系列的天窗,其中有许多原作。
The width of the block once past the original part of the dwelling expands rapidly, and it was the ideal configuration to create a large, north facing courtyard in this area with both the dining and living space connected directly. The dining area which sits adjacent the courtyard also acts as the “gallery” of sorts with a number of original paintings by the client sitting bathed in the natural light from the nearby courtyard, and series of skylights above.
The width of the block once past the original part of the dwelling expands rapidly, and it was the ideal configuration to create a large, north facing courtyard in this area with both the dining and living space connected directly. The dining area which sits adjacent the courtyard also acts as the “gallery” of sorts with a number of original paintings by the client sitting bathed in the natural light from the nearby courtyard, and series of skylights above.
© Kristoffer Paulsen
c.克里斯托·保尔森
客厅两边都是全高3.0m的双层木滑块,从北到新庭院,南到后花园,后面有一个大草坪区和一棵乡土树。
The living room is wrapped either side with full height 3.0m double glazed timber sliders which look both northwards to the new courtyard and south to the rear garden which is served by a large lawn area and native trees.
The living room is wrapped either side with full height 3.0m double glazed timber sliders which look both northwards to the new courtyard and south to the rear garden which is served by a large lawn area and native trees.
Ground floor plan
外地办公建筑还为该项目提供了景观设计,其中包括四合院,四周有座位高度可回收的砖头种植园,以及一棵独特的日本枫树,它提供了一个优雅的焦点,可以从厨房、膳食、生活和楼上的房间中看到。
Field Office Architecture also provided the landscape design for the project, which included the courtyard which is perimeter lined with seat-height recycled brick planters, and a singular Japanese maple tree which provides an elegant focal point, visible from kitchen, meals, living, and the rooms upstairs.
Field Office Architecture also provided the landscape design for the project, which included the courtyard which is perimeter lined with seat-height recycled brick planters, and a singular Japanese maple tree which provides an elegant focal point, visible from kitchen, meals, living, and the rooms upstairs.
© Kristoffer Paulsen
c.克里斯托·保尔森
第一层是主卧室和步入式长袍,以及为客户设计的工作室,正如前面提到的,他是一位热情的艺术家。对房主和他的工作来说,受控制的北面灯光对房主和他的工作都至关重要。卧室的朱丽叶阳台(Juliette阳台)在炎热的夜晚可以完全开放,可以让他们躺在床上,看到晨光从树木和屋顶流过。
Level 1 houses the master bedroom and walk-in robe, along with studio for the client, who, as previously mentioned is a passionate artist. The controlled north facing light to these rooms was critical for the owner and his work, as was the juliette balcony to the bedroom which can be left fully open during hot nights, and allows them to lie in bed and see the morning light trickle past the trees and rooftops.
Level 1 houses the master bedroom and walk-in robe, along with studio for the client, who, as previously mentioned is a passionate artist. The controlled north facing light to these rooms was critical for the owner and his work, as was the juliette balcony to the bedroom which can be left fully open during hot nights, and allows them to lie in bed and see the morning light trickle past the trees and rooftops.
© Kristoffer Paulsen
c.克里斯托·保尔森
深色的木结构与海洋等级的铺设结合在一起,使再生砖成为外部的主要材料调色板,这是一个简单、负担得起、但又有力的选择系列,与住宅现有部分的遗产性质完美地并列在一起。
A combination of dark feature timber framing along with marine grade ply and rendered recycled brickwork make up the primary material palette externally, a simple, affordable and yet robust series of selections that juxtapose elegantly against the heritage nature of the existing part of the dwelling.
A combination of dark feature timber framing along with marine grade ply and rendered recycled brickwork make up the primary material palette externally, a simple, affordable and yet robust series of selections that juxtapose elegantly against the heritage nature of the existing part of the dwelling.
© Kristoffer Paulsen
c.克里斯托·保尔森
在内部,这些选择同样是为了提供一种柔和的低调,让艺术作品和自然光占据舞台的中心。这就是为什么像马特抛光混凝土和柔软的白色瓷砖只在很小程度上被厨房的深色木材贴面或黑色特色照明和固定装置分开的原因。整个刷过的钢陶器包括质量和触觉,而不是任何标点符号的空间。
Internally, the selections were similarly made to provide a soft understatedness that allows for the artwork and the natural light to take centre stage. That’s why materials such as the matt polished concrete along with soft white tiles are broken up only in small part by the dark timber veneer of the kitchen or the black feature lighting and fixtures. Brushed steel tapware throughout are included for quality and tactility rather than any punctuation of the space.
Internally, the selections were similarly made to provide a soft understatedness that allows for the artwork and the natural light to take centre stage. That’s why materials such as the matt polished concrete along with soft white tiles are broken up only in small part by the dark timber veneer of the kitchen or the black feature lighting and fixtures. Brushed steel tapware throughout are included for quality and tactility rather than any punctuation of the space.
© Kristoffer Paulsen
c.克里斯托·保尔森
该住宅是很好的绝缘与紧密的建筑织物和双层玻璃贯穿。空调已被尽可能避免,并在整个窗户的放置意味着所有的起居空间和主卧室可以有显著的交叉流动通风时,需要夜间净化。在滑块上全高度凹陷的昆虫屏幕意味着房子的使用者可以在一天中的所有时间继续这样做。在平板水热服务的生活和餐饮空间,更多的面板位于整个住宅的其余部分。
The dwelling is well insulated with a tight building fabric and double glazing throughout. AC has been avoided as much as possible, and placement of windows throughout means that all living spaces and the master bedroom can have significant cross flow ventilation when required for night time purging. Full height recessed insect screens to the sliders means that the users of the house can continue this throughout all times of the day. In slab hydronic heating services the living and dining spaces, additional panels are located throughout the rest of the dwelling.
The dwelling is well insulated with a tight building fabric and double glazing throughout. AC has been avoided as much as possible, and placement of windows throughout means that all living spaces and the master bedroom can have significant cross flow ventilation when required for night time purging. Full height recessed insect screens to the sliders means that the users of the house can continue this throughout all times of the day. In slab hydronic heating services the living and dining spaces, additional panels are located throughout the rest of the dwelling.
Architects Field Office Architecture
Location Melbourne, Australia
Area 180.0 m2
Project Year 2018
Photographs Kristoffer Paulsen
Category Renovation
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