Installation view of 'Villégiature', an exhibition by French designer Pierre Charpin currently on show at Villa Noailles in Hyères, France. Photography: Lothaire Hucki. © Villa Noailles

随着Pierre Charpin去年夏天对N°50公寓的令人难忘的收购仍然萦绕在我们的脑海中，这让设计师惊心动魄的是另一个法国现代主义的目的地：Robert Mallet Stevens设计的别墅NoaLes在HyeseRes.题为“Vier-EiGies'”（FR）这次展览汇集了大约70件作品——一个对象、照片和绘画的平衡组合——在20世纪90年代早期和现在之间。

展览分为两个部分，分为“简单的二元分类标准”：游泳池包含旨在水平显示的片段，而壁球法院则将那些打算垂直呈现的片段。
“这个方法展示了我一直对物体与包围它的空间之间的关节的重要性，”设计师解释道，“这是我认为在物体的设计中具有决定性的一个关节。”

在这里，夏宾把观众塑造成“业余鸟类学家”，把他的目标塑造成候鸟，在旅途中寻求庇护。与此同时，家具和图像整齐地挂在白色砾石壁球场周围.

外面，四个黑色的混凝土形状点缀在露台上。表面上看来是抽象的，事实上，它们是从一个普通的门柱目录中发布的。

The exhibition is divided into two simple parts: the poolroom (pictured) contains pieces that are intended to be displayed horizontally, while the squash courts hosts those meant to be presented vertically. Photography: Lothaire Hucki. © Villa Noailles

The poolroom evokes a tropical island or seascape, with a glowing turquoise path leading visitors around the colourful array of products. Photography: Lothaire Hucki. © Villa Noailles

Right: Charpin casts the audience as ‘amateur ornithologists’, and his objects as migratory birds seeking sanctuary between journeys. Left: 'Ceramic 2', 2005. Right: Photography: Lothaire Hucki; Ilvio Gallo. © Villa Noailles

'Crescendo', for Galerie Kreo, 2012. Photography: Fabrice Gousset

Meanwhile, an array of furniture and images is hung around the white-gravel squash court. Photography: Lothaire Hucki. © Villa Noailles

Left: 'Vase Ruban', 2008. Right: 'Scatola 9', from Oggetti Lenti collection, 2005. Photography: Gérard Jonca; Ilvio Gallo

The exhibition brings together some 70 works – a mix of products, photographs and drawings – created between the early 1990s and now. Photography: Lothaire Hucki. © Villa Noailles

'8½', for Galerie Kreo, 2009. Photography: Fabrice Gousset

Left: 'Stump', 2009. Right: 'Ignotus Nomen', 2011. Photography: Fabrice Gousset

keywords:Pierre Charpin, exhibition, design, design exhibition, products, Villa Noailles, Hyères, Villégiature

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