The web-like installation, by Berlin-based architects Barkow Leibinger, is part of the fourth Marrakech Biennale Photography: Barkow Leibinger and Johannes Foerste

马拉喀什最大的清真寺的废墟中有一个巨大的网络。这座由柏林Barkow Leibinger建筑公司建造的高棉建筑是马拉喀什第四届双年展的一部分，在此期间，该市主办了丰富的文学、电影、音乐和艺术活动。

名为“织机-双曲线”，该网站的具体工作在清真寺Koutoubiia，灵感来自摩洛哥编织工艺和马拉喀什建筑的几何学。这种结构-由当地手工剥下来的松木制成-呼应了传统木织机的形式，一旦纱线延伸到框架上，就会产生一种“双曲”效果。它的网格布局反映了附近断柱的位置。

织布机-双曲线是双年展主要视觉艺术展览的一部分，名为“更高的阿特拉斯”(Higher Atlas)，汇集了前特纳奖提名人罗杰·希恩斯(Roger Hiorns)和建筑师朱尔根·梅耶尔·H(Juergen Mayer H.)等人在中世纪背景下的熟悉和陌生的场景，白天或夜晚，都可以从废墟上方或建筑物下方，在帐篷里观看这座虚幻的建筑。

Titled ‘Loom-Hyperbolic’, the site-specific work in the grounds of Mosque Koutoubia, is inspired by the Moroccan weaving craft and the geometry of Marrakech architecture

The structure is fashioned out of local hand-peeled pinewood and echoes the form of the traditional wooden loom

Both familiar and foreign within its medieval setting, the ethereal installation can be viewed by day or night from above the ruin, or from beneath the structure, in tent-like seclusion

A sketch by Barkow Leibinger Architects shows the structure's grid arrangement, which reflects the positioning of the nearby broken-off columns

The angled wooden poles create a canopied ‘hyperbolic’ effect once the yarn has been stretched over its frames

keywords:architecture, architects, Barkow Leibinger Architects, marrakech, marrakech biennale, art

关键词：建筑，建筑师，Barkow Leibinger建筑师，马拉喀什双年展，艺术