A retrospective of the work of German father-and-son artists Dieter and Björn Roth inaugurates Hauser & Wirth's new Selldorf Architects-designed gallery. Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

如果你认为纽约的切尔西区不可能再建一个画廊，那就再想想吧。与其成立20周年之际，当代艺术画廊豪泽

测量超过24000平方英尺，巨大的仓库空间应铃铛或两个为访问者；它以前容纳传奇洛克斯迪斯科和滚轮溜冰场，直到2007年底关闭。经过一年的重建和工作由Selldorf建筑师进行-谁设计了一些豪泽

塞道夫建筑师只有一年的时间来施展他们的魔法。“当我们去年第一次看到这个空间时，就好像罗西号是在前天晚上才关闭的，”合伙人丽莎·格林和萨拉·洛佩戈说。“每件事都很精明。甚至还有一对溜冰鞋还在那里。

Selldorf建筑师花了大约四个月的时间-艺术界的超级交易商们在众多画廊背后的实践-发现了罗克西的外表下的东西：巨大的工业横梁，原始的木天花板和天窗，这些都是新豪泽的特色。

一旦他们把这些拆了回去，他们就保留了大部分空间的原始特征，只是添加了干燥的墙壁和适当的轨道照明。Hauser合伙人兼副总裁马克·佩奥特(Marc Payot)解释说，我们真的很想尊重现有的架构。

新场馆目前正在开幕，由德国父子表演艺术家迪特尔和比约恩·罗斯组成的令人印象深刻的回顾展。豪泽

The architects stripped back the layers of soundproofing left over from the space's former incarnation as Roxy disco and roller rink but left the bones of the space as they were. Its gargantuan proportions make it ideal for showcasing the duo's epic-scaled 'The Floor II' (1997-1998). Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

Installation view of the Roth New York Bar, created by Björn Roth / Oddur Roth / Einar Roth especially for the new gallery's annex. Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

The fully functioning liquor and coffee bar will remain permanently in situ after the exhibition. Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

Visitors to the gallery are greeted by 'Work No. 1461', by Martin Creed, in the entrance. Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

The Roth retrospective - organised in cooperation with the Dieter Roth Foundation - includes several works that have never been seen in the United States before, such as 'Grosse Tischruine (Large Table Ruin)' 1978-1998. Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

These untitled works by Dieter and Björn Roth (1986-1987/1997) are made up of materials like acrylic paint, spray lacquer, marker, grease crayon, staples, glue and Polaroid photographs, just to name a few. Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

Previously shown in 2004, 'Solo Szenen (Solo Scenes)' is a haunting self-portrait video diary made by Dieter Roth in the final year of his life (1997-1998). Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

Two of Roth's masterpieces, 'Shokoladeturm (Chocolate Tower)' and 'Zuckerturn (Sugar Tower)' have been recreated by Björn Roth and his sons Einnar and Oddur. Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

The 'New York Kitchen' where the chocolate and sugar components are cast and molded. Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

'Ausicht/Ansicht' (1996) - a two part painted work on metal/foam panels by Dieter and Björn Roth. Photography: Bjarni Grímsson; © Dieter Roth Estate; courtesy Hauser & Wirth

keywords:Selldorf architects, hauser & wirth, architecture, architecture practice, art

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