Now in its second year, Frieze Masters is the sister event to the main fair, held at the north end of Regent's Park, and focuses on the relationship between old and new art

大家的共识是，弗里泽·马斯特斯(Frieze Master)，现在已经是第二年了，是一次胜利参展商们在展馆里组织小型展览，这让弗里泽当代艺术馆感觉就像牛津街一样。有许多个展-爱德华·伯拉(Edward Burra)在勒费夫尔美术展(Lefevre Art)，在布鲁姆

弗里泽大师的目标是在当代收藏家的鼻子底下带来“老作品”（即2000前制作的作品），旧的和新的并置在各地都有证据。宗教肖像画和古老的纳瓦霍毯子与Allen Jones和Martin Kippenberger的《弗莱德》中的波普艺术作品共用过道，而青蛙则是贝儿的（十字架上的木蛙）。瑞士美术馆Koetser从1600年开始悬挂荷兰式静物，从天花板上用木制的调色板盒制作，这样你就可以在每一个周围走动。

更多信息，主要活动，弗里泽艺术博览会，伦敦，2013年

帕特里齐亚桑德雷托重新雷波登戈，意大利收藏家和新的年度Re Rebaudengo蛇形赠款的赞助人，Frieze Spotlight是最突出的。在这里，23家画廊举办了一场艺术家的个展，他们认为重新发现的时机已经成熟。Rebaudengo说：“它的布局很漂亮，你可以看到每个艺术家的作品，并发现新的作品。”“我最喜欢的是柏林画廊约翰·科尼格(Johann K Nig)，该画廊正在展出奥地利艺术家基基·科格尔尼克(Kiki Kogelnik)的一系列作品。”

像往常一样，城里的画廊也都是为了给人留下深刻印象。维多利亚·米罗(Victoria Miro)开辟了一个新的梅菲尔空间，最近有来自谷山亚伊(Yayoi Kusama)的“无限网”(Infinity Net)画作，并在其伊斯灵顿(Islington)号母舰上展示了巴西艺术家阿德里亚娜·瓦雷@@Delfina基金会正在展示土耳其艺术家asli vuşoğlu的电影，在其作品中仍在扩大空间，而蛇形画廊正在展示其新的萨克勒画廊与阿根廷艺术家阿德里安维拉尔的特定地点的作品。与此同时，布莱恩·南德(Blain Southern)从达米恩·赫斯特(Damien Hirst)和已故古巴艺术家费利克斯·冈萨雷斯·托雷斯(Félix González-Torres)推出了一款以糖果为主题的双头球。罗布和尼克·卡特(

Blum & Poe: LA gallery Blum & Poe held a solo show of the work of Japanese artist Kishio Suga, one of the leading figures of Mono-ha. Meaning 'the school of things', it was a movement in late 1960s Japan, in which a group of artists, inspired Italian Arte Povera and American minimalism and land art, created sculptural works from natural and industrial materials

Lisson Gallery: Last Saturday, when exhibitors were setting up their booths, reclusive artist Richard Long arrived with buckets of mud from Dartmoor and started recreating his 1994 work, 'Muddy Water Circle' (pictured far left). It sold within hours and was a major talking point at Frieze Masters. It was shown alongside 'White Onyx Line', an earlier work from 1990

Watch Richard Long recreate 'Muddy Water Circle' at the fair. Courtesy the artist and Lisson Gallery

Lefevre Fine Art: Alex Cocoran, director of Lefevre Fine Art decided on a solo show of late British painter Edward Burra. Says Cocoran: 'His landscapes are suddenly popular and with 60,00 people passing through Frieze Masters, it seemed good opportunity to widen his reach.' Pictured, 'Springfield, Rye (Cabbages)', c.1937

'Rocks and Seaweed, Galway', by Edward Burra, 1962-63, shown at the Lefevre Fine Arts stand at Frieze Masters

'Untitled', by Jiro Yoshihara, 1969, shown at the Axel Vervoordt stand at Frieze Masters

'Untitled (Woman with Compact)', by Richard Prince, 1982

One of the highlights among the shows around town hosted to coincide with the fair is the Serpentine's inaugural show at its new Sackler Gallery. Remodelled by Zaha Hadid, the space is a former munitions store and listed, so no works can be hung on walls. To wit, Argentinian artist Adrián Villar Rojas created a site specific installation which includes a giant elephant, red brick tiles and an imagined archive facility filled with remnants of contemporary culture. Photography: Jörg Baumann

Installation view of 'Today We Reboot The Planet', by Adrián Villar Rojas, at the Serpentine Sackler Gallery. Photography: Jörg Baumann

Installation view of 'Today We Reboot The Planet', by Adrián Villar Rojas, at the Serpentine Sackler Gallery. Photography: Jörg Baumann

Blain Southern: A critic once described Damien Hirst's Spot paintings as visual candy. Hirst's response? To create a series of canvases featuring just that. Currently on show at Blain Southern, Hirst's 'Visual Candy' paintings are accompanied by candy spills by Cuban artist Félix González-Torres, who died in 1996. All across the gallery floor, piles of French Mini Dur bonbons are laid to specifications set down by González-Torres in 1992. Visitors to the gallery are invited to help themselves to the sweets. Photography: Peter Mallet

'Happiness', by Damien Hirst, 1993-1994 © Damien Hirst and Science Ltd. Photography: Prudence Cummings

A detail of 'Untitled', by Félix González-Torres, 1992. © The Félix González-Torres Foundation, Courtesy of Andrea Rosen Gallery, New York

'Dippy Dappy Dabby', by Damien Hirst, 1993 © Damien Hirst and Science Ltd. Photography: Prudence Cummings

Victoria Miro: The eponymous London gallerist opened her new Mayfair gallery with a show of white infinity net paintings from Yayoi Kusama

Meanwhile, at its Wharf Road building in Islington, Victoria Miro is presenting ‘Polvo’, a new show by Brazlian artist Adriana Varejão. An exploration of attitudes to skin colour in Brazil, Adriana Varejão has created 11 self portraits with skin tones ranging from Branquinha (Snow White) to Moreñao (Big Black Dude), just two of 135 distinct definitions of colour produced by a 1976 survey in Brazil. The portraits are based on the ‘casta’ paintings of colonial Spaniards in Mexico who devised their own complex taxonomy of colour and racial diversity

Detail of 'Portraits II', by Adriana Varejão, 2013, shown at Victoria Miro gallery in Islington

The Fine Arts Society Contemporary: Digitally manipulated, breathing nudes and moving insects within old master backdrops, conceived by Rob and Nick Carter, were on show at the Fine Arts Society. Using the latest technology, the artist duo have created a series of 'moving' paintings with recognisable origins. Their 'Transforming Still Life', 2012 (pictured) is the first digital contemporary art work to feature in the US Frick collection. 'Two years ago the technology didn't exist to allow us to make such works, but mixing the old and new feels very relevant,' says Nick Carter. 'I accept that the technology will date, but, for us, the works are about the time in which they are made' © Rob and Nick Carter

'Transforming Nude Painting', by Rob and Nick Carter, 2013, pays tribute to Giorgione's 'The Sleeping Venus', 1510 © Rob and Nick Carter

'Sunflowers', 2013, an homage to Vincent Van Gogh's 'Sunflowers', 1888 © Rob and Nick Carter

Delfina Art Foundation: For Frieze week only, the Delfina Art Foundation opened its (unfinished) doors and put on an exhibition of three whodunit films scripted and directed by young Turkish artist Asli Çavuşoğlu. Entitled 'Murder in Three Acts' (pictured), it was filmed last year live and direct within the Frieze tent. 'I'm a big fan of forensic experts, of how they extract truth from physical artifacts,' says Çavuşoğlu. Delfina's chaotic building site, being transformed by London architects Studio Octopi and Cairo-based Shahira Fahmy, was the perfect setting. When the space opens in January, it will host up to eight artists in residence and provide studios, offices, a basement gallery a roof terrace and a charming communal dining area. Courtesy of the artist and Gallery NON, Istanbul. Photography: Taylan Mutaf

'Murder in Three Acts', by Asli Çavuşoğlu, 2012. Courtesy of the artist and Gallery NON, Istanbul. Photography: Taylan Mutaf

keywords:Frieze masters, frieze art fair

关键词：弗里兹大师、弗里泽艺术博览会