Richard Prince's 'Vanishing Point (The Artist Cut)', 2012-13 - incorporating a 2012 Dodge Challenger R/T - is one of a series of art cars parked up inside Miami's 1111 Lincoln Road multi-storey car park as part of the 'Piston Head: Artists Engage the Automobile' exhibition

汽车和艺术之间的联系一直很紧密。尽管意大利未来主义者-或许是第一次真正参与世界快速机动化的运动-称赞了汽车承诺的速度、混乱、灰尘和破坏的愿景，但其他人却出于纯粹空洞的原因欣然接受了这一愿景；快车是名利双收的福利之一，也是一种非传统的生活方式。

迈阿密的1111林肯路是一个完美的场所，在艺术巴塞尔迈阿密海滩和设计迈阿密艺术展的艺术汽车的终极收藏。探索汽车艺术的历史，活塞头：艺术家参与汽车安排了一个令人眼花缭乱的选择当代艺术汽车周围的坡道和抵消柱的赫尔佐格。

罗恩阿拉德也曾在破碎机，他的煎饼菲亚特500唤起感情和沮丧，在同等程度上，而美国艺术家卢西安史密斯一直与衰败的主题。“引擎还在运转的声音，最后一次锁定了他们的眼睛，最后又在一起了”是一辆卡车转向射击目标的可怜的尸体。

艺术中的汽车要么是性爱的管道，要么是死亡的管道。布鲁克伦艺术团体布鲁斯优质基金会(BruceHighQualityFoundation)将两只年迈的甲虫放在彼此的喉咙上，将熟悉的形式拟人化为一场生物机械的争斗。丹·科伦和内特·洛曼已经把一辆破旧的老捷豹变成了一个混乱的死去和垂死技术的容器，创造出一种嬉皮士诱饵的‘福利母亲们做更好的情人’。在所有的展品中，已故的塞尔瓦托·斯卡皮塔的厄尼·特里普莱特特辑是最吸引人的作品之一，它是艺术家在宾夕法尼亚州自己的冲刺车队使用的一款功能齐全的赛车。

理查德·普林斯(RichardPrince)也是一位汽车迷，喜欢上世纪70年代的肌肉车。他的“消失点(艺术家剪辑)”是一个当代更新的早期作品，引用标志性的道路电影和威胁形式的道奇的新旧。理查德·菲利普斯是另一个肌肉车崇拜的订户。“花花公子充电器”是菲利普斯公司最近推出的“花花公子马法”装置中的一款功能齐全的产品。其他知名艺术家包括汤姆·萨克斯(Tom Sachs)、弗兰兹·韦斯特(Franz West)、维吉尼亚·奥弗顿(Virginia Overton)、肯尼·沙夫(Kenny Scharf)、奥利维尔·莫塞特(Olivier Mosset)和约书亚·卡拉汉(Joshua Callaghan)，他们使用的是一辆拉费拉里，这是该剧的最新车型。由金星在曼哈顿上空策划的展览特别利用了1111的空间，实现了它作为公园和展示艺术的地方的最初作用。

'Welfare Mothers Make Better Lovers', by Dan Colen and Nate Lowman, 2008, comprises a refashioned 1973 Jaguar. The car park itself was designed by architects Herzog & de Meuron

The artists have have turned the battered old Jaguar into a chaotic receptacle of dead and dying technology

The car overflows with wires, monitors, DVD players, GPS devices, amplifiers, power converters, stereos and a Christmas tree

'Focus', by Joshua Callaghan, 2013, is a new work produced specifically for the Piston Head exhibit. The artist has used the LaFerrari - the show sponsor's latest model - as the basis for a life-size charcoal rubbing

'Compression Voiture Venise', by César, 1995

'Untitled (Car)', by Keith Haring, 1986, features a 1963 Buick Special

'Panhead', by Olivier Mosset, 2007, features a 1965 Harley Davidson FLH

'Ernie Triplett Special (S.A.L. Ernie Triplett Spl)', by Salvatore Scarpitta, 1968-69. The fully-functional race car was used by the artist's own sprint car team in Pennsylvania

'The sound of the engine still running and for the last time they locked eyes, together again in the end', by Lucien Smith, 2013

The remains of the rusted pick-up truck was turned into a shooting target

'Untitled (Spot Mini)', by Damien Hirst, 2000, incorporates a Mini Cooper

Colourful painted polka dots cover this Hirst-branded Mini

'Playboy Charger', by Richard Phillips, 2013, features a 1972 Dodge Charger

The car is a fully functional spin-off from Phillips' recent 'Playboy Marfa' installation

'Art History with Passion', by The Bruce High Quality Foundation, 2013, comprises two Volkswagen Beetles set at each other's throats. The familiar forms are anthropomorphised into a bio-mechanical brawl

The Beetles' windscreens also integrate a video installation

Untitled (1989 Chevy Caprice), by Tom Sachs, 2007, features a 1989 Chevrolet Caprice

The dashboard of Sach's Caprice is lined with added switches

'Truck', by Virginia Overton, 2013, takes a 1993 Dodge Ram 150 as its base

'Ford Galaxie', by Olivier Mosset, Jacob Kassay and Servane Mary, 2013, features a 1964 Ford Galaxie

'Suprema Ultima Deluxa Van Chrome Cadillac', by Kenny Scharf, 1984, features a 1961 Cadillac

Scharf used acrylic, spray paint and found objects to update the wildy vibrant vehicle

'Pressed Flower (Baby You Can)', by Ron Arad, 2013, is made from a Fiat 500, squashed by a hydraulic press

The flattened Fiat evokes affection and dismay in equal measure

keywords:art, cars, installation art, Tom Sachs, Franz West, Virginia Overton, Kenny Scharf, Olivier Mosset, Joshua Callaghan

关键词：艺术、汽车、装置艺术、汤姆·萨克斯、弗兰兹·西德、维吉尼亚·奥弗顿、肯尼·沙夫、奥利维尔·莫塞特、约书亚·卡拉汉