‘Gravity’ is a new show of sculptural design from Fredikson Stallard at David Gill Gallery. Pictured: 'Manhattan' firedogs

总部位于伦敦的设计师弗雷德里克森·斯塔拉德(FredriksonStallard)的作品处于许多对立世界之间的平衡之中：模拟与数字、设计与雕塑、创作与毁灭、控制与混乱。因此，他们在大卫吉尔画廊的新展览被命名为“地心引力”，这似乎是恰当的。

除了一些重要的早期作品，如“玻璃单元”表(这是工作室随后的大部分作品)，展览还引入了新的家具，比如雄心勃勃的新透明树脂“重力”表。这些桌子采用了一种新的数字技术，用高分辨率扫描薄片，然后用来塑造固体丙烯酸。这些桌子是去年伦敦设计节(London Design Festival)期间由融化的冰雕刻而成的工作室临时“北极星”(Polaris)桌子的永久娱乐。这两张桌子是去年伦敦设计节(London Design Festival)举办的，由融化的冰块雕刻而成。

在九月的展览之后，还有一套雕塑般的，天鹅绒的泡沫扶手椅。看起来像从火星表面采掘的岩石，“物种”是手工雕刻的合成泡沫，然后被罗斯科启发的红色天鹅绒。在昨天的预演中，宣布这把“物种II”扶手椅已被购买用于旧金山现代博物馆的永久收藏，该博物馆将于5月开门。

除了工作室最著名的不朽作品外，展览还介绍了一系列更小、更容易接触的设计对象，包括一个新系列的青铜“后果”烛台，这些烛台是从工作室废料堆中发现的残渣碎金属块中铸造出来的，还有一套铸造的青铜“曼哈顿”热狗。用数码扫描，然后镜像碎金属片。伊恩·斯塔拉德(IanStallard)说，这种轻松感在我们的工作中非常重要。“我们喜欢在这些野蛮的形式中找到美。”

The work of the London-based designers sits in equilibrium between many opposing worlds; analogue and digital, design and sculpture, control and chaos. Pictured: 'Gravity' table

The exhibition also features important early pieces like the 'Glass Unit' tables, which went on to inform much of the studio’s subsequent work

The ambitious 'Gravity' tables are produced using a new digital technique where thin fragments of ice are scanned in high resolution and then used to shape solid acrylic. Pictured: 'Gueridon Gravity' table

Appearing like rocks quarried from the surface of Mars, the ‘Species’ armchairs (pictured) are hand carved from synthetic foam before being covered in Rothko-inspired red velvet

The show also introduces a collection of smaller, more ‘accessible’ design objects including a new series of bronze ‘Consequence’ candlestick holders (pictured) that were cast from pieces of leftover crushed metal found in the studio scrap pile

‘That feeling of effortlessness is really important in our work. We like finding a beauty in these brutalist forms,’ Ian Stallard told W*

keywords:Galleries, Fredrikson Stallard, David Gill Gallery, London design

关键词：画廊，弗雷德里克森斯塔拉德，大卫吉尔画廊，伦敦设计