Three times a year, the Vitra Design Museum's new Schaudepot space will play host to a movement, topic or designer from its permanent collection to focus on for a couple of months. The initiative kicks off with 'Radical Design'

上个月赫尔佐格开幕了。

展览探讨了意大利著名的前卫运动和大量的邪教经典，标志着设计历史上的政治、经济和社会变革。从臭名昭著的先驱盖塔诺·佩塞，阿莱桑德罗·门迪尼和超级工作室来到他们的实验概念的一个可识别和创新的传播，都集中在空间。

“激进设计”是由衡志策划的，他试图关注这场运动对社会意味着什么；此外，它还具有鲜明的流行色彩，塑料覆盖的形状，比如门迪尼的艺术和设计跨越了拉斯·阿索和超级工作室的乌托邦超曲面。

这些作品以其独特的外观，大胆的造型、色彩和材质是独一无二的，而且是可以立即识别的。“多亏了工业设计师可以获得的新材料和新技术，”智解释道，“Cactus(Guido Drocco和Franco Mello，Gufram的作品)和I Sassi(Piero Gilardi)把自然元素带入了生活空间。”

“另一个对我来说很重要的一点是今天这个历史性的运动与我们的社会之间的联系。”
在11月之前跑步，这五个片段伴随着与领先的设计激进派和保持今天运动的品牌的访谈。

The show explores a plethora of cult classics that marked a political, economical and social change in design history, from infamous pioneers like Gaetano Pesce, Alessandro Mendini and Superstudio. Pictured: 'UP 5&6, La Mamma, Donna', by Gaetano Pesce, 1969. Courtesy: Klaus Zaugg

'Radical Design' has been curated by Heng Zhi, who sought to focus on what the movement meant to society; in addition to its definitively pop-coloured, plastic-covered shapes

‘Thanks to the new materials and technologies available to the industrial designers,’ Zhi explains, ‘pieces such as the Cactus [by Guido Drocco and Franco Mello, for Gufram] and I Sassi [by Piero Gilardi] made bringing elements of nature into the living space possible.’ Pictured left: Lassù by Alessandro Mendini, 1974. Courtesy: Studio Mendini. Right: Cactus by Guido Drocco and Franco Mello, 1971

Running until November, the five pieces are accompanied by interviews with leading design radicals and brands who keep the movement alive today. Pictured: Supersurface print by Superstudio. Courtesy Zanotta SpA Italy

keywords:Herzog & de Meuron, Vitra, Gufram

关键词：Herzog