秩序

温暖与时间感

Stream Eyewear 眼镜店

Stream Eyewear

如果说过去眼镜主要用于矫正视力，那么今天，它已被视为表达个人身份的小型时尚单品，并由此改变了整个眼镜市场的走向。继水原门店之后，STREAM EYEWEAR 在坡州云井开设的第二家门店，刻意跳脱传统“眼镜店”的既定形象，重新定义品牌的空间表达，并以云井独有的叙事展开新篇章。

Whereas eyewear was primarily used for vision correction in the past, today it has evolved into a compact fashion accessory that expresses personal identity, thereby reshaping the entire eyewear market. Following its Suwon location, STREAM EYEWEARs second store in Pajus Unjeong deliberately breaks away from the conventional image of an “optical shop,” redefining the brands spatial expression and launching a new chapter through Unjeongs unique narrative.

如同在雾中行走、在模糊视野中寻找清晰，空间中央布置了若干体量组合。访客在这些体量之间穿行，寻找适合自己的产品，试戴、停留，并在探索中感知空间。中央体量以略微错位、彼此咬合的方式呈现，呼应雾气所带来的不稳定与不确定性，形态上刻意保留不完美，而每一个体量又各自拥有不同的表达方式。这种非规则的空间语言也延伸至墙面，通过材质处理增强空间的深度与立体感。

Like walking through fog, seeking clarity within a blurred vision, several volumetric arrangements are positioned at the spaces center. Visitors navigate between these volumes, searching for products that suit them, trying them on, lingering, and perceiving the space through exploration. The central volumes are presented in a slightly offset, interlocking arrangement, echoing the instability and uncertainty evoked by mist. Their forms deliberately retain imperfections, while each volume possesses its own distinct expression. This irregular spatial language extends to the walls, where material treatments enhance the spaces depth and three-dimensionality.

Bazhane 精品店

Bazhane

Bazhane 精品店的建筑设计以克制与功能性为核心，强调对细节的精准把控。整体空间以统一而中性的色调构成，结构清晰而严谨，刻意摒除多余的装饰层次，使建筑本身退居幕后，成为安静而理性的背景，从而最大程度地凸显商品本身的质感与存在感。

The architectural design of Bazhane Boutique centers on restraint and functionality, emphasizing precise control over every detail. The overall space is composed of a unified, neutral color palette, featuring a clear and rigorous structure. Superfluous decorative layers are deliberately omitted, allowing the building itself to recede into the background as a quiet, rational backdrop. This approach maximizes the prominence of the merchandises inherent texture and presence.

空间呈长条形格局，依据入口位置自然划分为两个区域。进入室内，首先映入眼帘的是由木材与石灰华构成的接待台，其延展而克制的水平线条在视觉上引导着人们向空间深处行进。接待台左侧为主要展厅，集中布置了服装挂杆与等候区。等候区以内敛而精心挑选的家具完成氛围营造。

The space adopts a linear layout, naturally divided into two zones by the entrance. Upon entering, visitors are greeted by a reception desk crafted from wood and travertine. Its extended, restrained horizontal lines visually guide the eye deeper into the space. To the left of the reception desk lies the main exhibition hall, featuring concentrated arrangements of clothing racks and a waiting area. The waiting area creates its ambiance through understated, carefully selected furniture.

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