项目以“艺术筒仓（Kunstsilo）”为核心理念，旨在充分尊重并强化原有筒仓建筑独有的形态与自然存在感，将其转化为一个极具造型表现力的空间体系，使之成为工业区域内的标志性构筑物。在城市尺度上，文化综合体以公共广场为核心进行组织——音乐学校、创新孵化器以及新建的Kunstsilo博物馆环聚于广场周边。公共空间的尺度把握旨在营造一种充满活力、和谐有序且层次丰富、多元复合的城市氛围。

Kunstsilo. The concept attempts to recover, quite simply, the natural presence that the existing silo construction already possesses, a space system of a great singular plastic quality, as icon of the industrial zone. With regards to urban space, the cultural complex is organised through a públic square that defines the arrangement of the music school, the incubator and new Kunstsilo Museum. The scale of the public space favours an urban dynamic full of life, harmony, scale and variety.

改造修复后的美术馆

©Alan Williams

沿海一

侧视角 ©Alan Wi

lliams

在筒仓主体后方，一个比例协调的小体量建筑以优雅而谦逊的姿态与之并置，共同围合出一个激发建筑群活力的小型城市庭院。这一简洁的处理方式，既强调了现有建筑的历史重要性，亦将当代功能需求巧妙融入整体。

With elegance and respect, a small volume of similar proportions is added to the silo construction, placed at the back of the building to one side, to define one of the small urban spaces that gives life to the complex. With this simple action, and in order to emphasize the importance of the existing building, it is possible to incorporate the substantial programmatic requirements within the building.

建筑细部

©Alan Williams

海上望向建筑主体

©Alan Williams

顶层玻璃房

©Alan Williams

为增强博物馆的都市特质与个性，其首层采取完全开放的设计，与公共空间无缝衔接，形成友好而便捷的入口体验。屋顶平台四周以玻璃幕墙围合，犹如一座温室与城市灯塔，未来可作为观景台及公共活动场所，进一步突显艺术筒仓在环境中的标志性地位。

To give the greater urban feel and character that the museum requires, the ground floor opens in full to provide continuity to the public space and create a friendly and straightforward access. On the roof deck, everything is within a glass enclosure which, as a sort of greenhouse and urban beacon, welcomes a future lookout point and space for public events that strengthens even more the presence of the Kunstsilo in the environment.

建筑入口

©Alan Williams

通高大厅与入口闸机

©Alan William

为提升既有建筑的立体层次感，并使参观者更深融入其独特的空间氛围，筒仓内部被解放出来，形成一个跨越三层的挑空中庭，作为博物馆的核心枢纽。展览空间围绕此中庭展开，并顺应筒仓内部原有的圆柱形结构进行布局，形成一条丰富而流畅的观展流线。不同尺度与高度的展厅穿插设置，赋予展览序列以恰当的节奏感。此外，项目还利用较小体量的屋顶打造了一处可俯瞰大海的户外展台，扩展了展览的维度。

To enhance the plastic quality of the existing construction and make the museum visitors participants in its spatial singularity, the silo interiors are emptied, to accommodate a large triple height foyer functioning as the heart of the museum. The exhibition areas are organized around this space, and alternate a rich and fluid path around the cylindrical structures, that manifest in different ways along the museum space. There is a wide variety of spaces, in size and height, that give the exhibitions the dimension they deserve. The proposal also uses the smaller size volume’s roof to create a terrace for outdoor exhibits overlooking the sea.

室内圆柱体量与建筑形成呼应 ©Alan Williams

二层走廊

©Alan Williams

圆形几何之美

Alan William

展览现场

©Alan Williams

在结构策略上，筒仓结构被视作整体性的连续悬臂体系，依靠与地面接触的周边构件实现自支撑。基于这一理念，仅需对局部开口区域进行结构加固即可满足新的空间需求。

Structurally, the silo construction is understood as a single element, a continuous cantilever that manages to sustain itself through the perimeter elements that touch the ground. With this procedure, it is only necessary to reinforce the compression of the elements in the cut-out areas.

楼梯

©Alan Williams

展览现场

©Alan Williams

咖啡厅

© Alan Williams

咖啡厅座位区

©Alan Williams

平面圖

Floor Pla

n © Mendoza Partida

项目名称 |

Kunstsilo Art Gallery

项目地点 |

Kristiansand, Norway

项目客户 |

Kristiansand City Council

项目类型 |

当代艺术博物馆、展览馆、图书馆、档案馆、教室、多功能空间、办公室

建筑面积 |

8850㎡

Mestres Wåge Arquitectes 是一家总部位于巴塞罗那和奥斯陆的建筑设计事务所，由 Maria Mestres 与 Magnus Wåge 于 2005 年共同创立。Mestres Wåge 涉足多种建筑类型与不同规模的项目，并在众多国内外设计竞赛中获奖并受到广泛认可。该事务所致力于将建筑、景观与城市空间相融合，旨在创造出开放而富有亲和力的建筑环境。

Mendoza Partida是一家位于巴塞罗那的国际建筑事务所，由Hector Mendoza和Mara Partida两位专业人士共同创立，他们独特的敏锐度体现在对各种背景和情况的质疑和解读，以及对新方法的不断探索，这都为他们的项目提供了支持。

Mendoza Partida的业务主要集中在文化设施和住宅的设计上，其解决方案不仅完美契合这些领域，更能带来卓越的福祉。基于常识和一致性的实验、探索和创新，赋予了门多萨·帕蒂达的建筑以几何、材质和情感的精准平衡。

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