VC

住宅（

VC. House

）是由

Simon de Burbure

建筑事务所设计、位于比利时克诺克的一处极简风格住宅。该住宅以简约设计为基础，同时注重细节表达，通过材质的温暖感、充沛的自然光线与开阔的视野，

并融入了酒店般的舒适体验理念，

共同营造出精致的居住体验。

VC. House is a minimalist-style residence located in Knokke, Belgium, designed by Simon de Burbure Architects. Based on a minimalist design approach, the house also pays meticulous attention to detail. By integrating the warmth of materials, abundant natural light, expansive views, and the concept of hotel-like comfort, it creates an exquisite living experience.

VC

住宅的建筑设计采用独特的三段式结构，以反向逻辑呈现地质构造

以坚固的

天然石材

作为

基座将

建筑

固定在

场地

上，上方依次为木材、玻璃与陶土瓦片，营造出视觉

上的轻盈

感。这一倒置不仅是美学策略，更体现了对材料调和内外空间关系的深刻理解。

The architectural design of VC. House adopts a unique three-tiered structure that presents geological formations through reversed logic. A sturdy base of natural stone anchors the building to the site, with layers of wood, glass, and terracotta tiles above, creating a visually light and airy appearance. This inversion is not merely an aesthetic strategy but also reflects a profound understanding of how materials can harmonize the relationship between interior and exterior spaces.

以坚固的天然石材作为基座，上方依次为木材、玻璃与陶土瓦片营造出视觉上的轻盈感。/ Solid stone base topped with wood, glass, and tiles for a light look. ©Thomas De Bruyne

宽大厚实的石灰岩台阶通向客厅。/ Large, thick limestone steps lead up to the living room. ©Thomas De Bruyne

VC住宅（VC. House）的室内空间以天然石材作为主导材料，其应用远超出结构范畴，从地板、厨房岛台延伸至浴室与书房，形成统一不同功能区域的核心元素。客厅陈列着埃尔文·沃姆（Erwin Wurm）的雕塑与一幅《艺术与语言》（Art - Language）画作，后者描绘了纽约前惠特尼博物馆的野兽派建筑室内风格。

Natural stone dominates the interiors of VC. House, extending beyond the structural envelope to floors and kitchen islands, extending to the bathroom and study, forming a core element that unifies the diverse programmatic areas. The living room features a sculpture by Erwin Wurm and a painting titled Art - Language, which depicts the Brutalist interior of the former Whitney Museum in New York.

这种高度一致的材料元素，令人联想到皮埃尔·柯尼希（Pierre Koenig）等二十世纪中期现代建筑师对单一材质的深刻理解，通过纹理与应用的变化保持视觉的丰富性，同时又塑造出空间的连贯性。

This high degree of material consistency echoes the deep understanding of single materials demonstrated by mid-20th-century modern architects like Pierre Koenig. Through variations in texture and application, visual richness is maintained while ensuring spatial coherence.

在住宅中，木材从建筑外部覆层自然延伸至内部厨房台面、地板及更衣室，形成一条被设计师称为“温暖痕迹”的连续材料叙事。这种设计不仅将外部的自然质感引入室内，更通过统一的材料语言弥合了公共与私密、外部与内部的概念界限，营造出既根植于环境又流畅舒展的无缝体验。

In the residence, wood naturally extends from the exterior cladding to interior kitchen countertops, floors, and dressing rooms, forming a continuous material narrative that the designers refer to as a warm trace. This design not only brings the natural texture of the exterior indoors but also bridges the conceptual boundaries between public and private, exterior and interior, through a unified material language, creating a seamless experience that is both rooted in the environment and fluid.

木材将外部的自然质感引入室内，营造出既根植于环境又流畅的体验。/ Wood blends outdoor nature indoors for a seamless feel. ©Thomas De Bruyne

住宅通过大面积玻璃的创新应用彻底改变了室内外空间关系。两扇俯瞰高尔夫球场和游泳池的大型窗户可完全嵌入地面，这一定制升降系统使窗户在开启时仿佛消失，上方天然石材条则与石灰岩地板无缝融合。

The residence revolutionizes indoor-outdoor spatial relationships through innovative use of large-area glass. Two oversized windows overlooking the golf course and swimming pool can be fully recessed into the ground via a custom lifting system, making them seemingly disappear when open, while the overhanging natural stone slabs seamlessly blend with the limestone flooring.

窗户不仅作为采光开口，更成为框取景观的装置，反映出顺应自然的可持续设计理念。/ Windows frame views - let in light, embodying sustainable, nature-aligned design. ©Thomas De Bruyne

这些窗户不仅作为采光开口，更成为框取景观的装置，筛选并呈现周围的景观。一侧森林和一侧高尔夫球场的环境，创造出一种自然的二元对立关系，建筑则以平等姿态呼应两侧环境，进一步加强了人与自然的视觉和空间联系，反映出顺应自然的可持续设计理念。

These windows not only serve as light openings but also frame the surrounding landscape, selectively presenting views. With a forest on one side and a golf course on the other, the environment creates a natural duality, to which the building responds equally, further strengthening visual and spatial connections between humans and nature and reflecting a sustainable design philosophy in harmony with nature.

在花园里，建筑师巧妙地运用了稳重与内敛的风格，一些色彩跳跃的户外家具让人眼前一亮。

In the garden, the architect cleverly used a stable and restrained style, and some colorful outdoor furniture is eye-catching.

项目名称 |

VC. House

设计公司 |

Simon de Burbure architects

主创设计 |

Simon de Burbure

项目地点 |

Knokke

项目摄影 |

Thomas De Bruyne

西蒙于

2018

年创立个人事务所。他在现代建筑方面的才华通过大量住宅项目得以展现。这份对建筑的热爱源于他多年沉浸于古典建筑的经历，并在当代视角下重新诠释了建筑的真实性。西蒙·德·比尔比尔（

Simon de Burbure

1990

年出生于根特，能熟练使用法语、荷兰语和英语工作，具备多语言项目协作能力。对西蒙（

Simon

）而言，建筑超越任何特定风格。他将建筑定义为通透性、线条与视野的融合。

建造是一个持续互动的过程，其中大部分是与客户的互动。每一个项目都在双方对建筑的共同热情推动下不断突破。西蒙的抱负在于打造整体性项目，通过提炼最初涌现的欲望与想法，将其发展为独特且量身定制的家居。这一创作过程从核心问题开始：客户期望如何在家中生活？答案逐步塑造出一个始终由内而外的设计：从家的核心出发，再向外延展。每个项目皆为定制，因而各不相同，但都可归结为西蒙视为关键的几个元素：完美比例、干净线条、对细节的极致关注、通透性与视野。以及极简主义

——这绝非仅指“整洁”，而是在简洁的线条中融入柔和感，在纯粹低调的风格中注入温度。

家的安全感本质上源于多重特质：优美的天然材料、声学效果、围合空间的墙体、观景窗边的舒适座位、以及无声表达欢迎的入口。花园与环境一样，与住宅持续对话：车道旁绿植成行，门前树木营造私密感，灌木随季节在室内投下变幻而有趣的阴影。项目终于何处？由客户决定。一件精心挑选的家具、配饰或艺术品，可以激活、柔化甚至提升建筑元素的表现力，因此它们也占有重要位置。最重要的是，不应有任何事物抑制对生活的热情。