有人问过我：“你介意“暗黑”这个标签吗？好像很多设计师都很介意被贴标签.”

我回答：“完全不会，如果这个标签能表达自我，那么我会很开心能有机会可以做自己. 在我看来，暗与黑并不是代表着负面与消极，而是性格和力量.”

从业的这几年一直在为客户做设计，这次的设计却是为自己. 开始重新审视自我.

根据自身喜好，空间色调陈旧阴翳，软饰复古暗黑. 粗粝的艺术漆打底，四处淘来的中古家具作为灵魂，搭配一点点哥特感装饰. 整个过程中不断与自己对话.

希望这个空间是当下自我内核最大程度的表达，希望它既是工作室也像一个家，希望能与它一起成长.

Someone once asked me, Do you mind being labeled dark? A lot of designers seem to mind being labeled.

I replied, “Not at all. If this label can express myself, then I would be happy to have the opportunity to be myself. In my opinion, dark and black do not represent negative and gloomy, but personality and strength.”

In the past few years, I have been designing for clients, and this design is for myself. I began to reassess myself.

According to my own preference, the space tones are old and cloudy, and the soft decoration is retro and dark. I used a rough art paint as the base, scavenged around the vintage furniture as the soul, with a little gothic decoration. I kept talking to myself the whole time.

I hope that this space is the maximum expression of the current self-core. I hope it to feel like a home as well as a studio. I hope to grow with it.

工作室由四个板块组成.

1. 会客区：进入空间后的第一场景，以壁炉为中心设计的围合式“客厅”.

2. 选材区: 位于会客区左侧，又细分为三个模块：中岛、展示架、小圆桌.

3. 工作区：位于整个空间最北侧，以软隔断与选材区划分.

4. 洽谈区：位于会客区右侧，轻松惬意的“会议室”

整个区域内没有设置一道门，空间彼此连通、流动，人的视线也能随之自由延伸.

The studio consists of four sections.

1. Reception area: The first scene after entering the space, the enclosed living room designed with the fireplace as the center.

2. Material selection area: located on the left side of the reception area, it is subdivided into three modules: central island, display rack and small round table.

3. Work area: Located in the northernmost part of the whole space, it is divided with the material area by soft partition.

4. Meeting area: A relaxing meeting room located on the right side of the reception area

There is no door in the whole area, and the space is connected and flowing with each other, and peoples sight can also extend freely.

会客区

Reception Area

整个外墙涂满了不均匀的暗褐色墙漆，只保留了顶部的原始红砖. 粗粝的质感和自由生长的小院相得益彰.

古典门头搭配黑色老钢窗，一间神秘的复古小屋，就这样静静地矗立在沙石和草丛之中.

The entire exterior wall is covered with uneven dark brown wall paint, leaving only the original red brick at the top. The rough texture and the free-growing courtyard complement each other.

The exterior uses a classical door with old black steel windows. A mysterious vintage cottage stands quietly among the sand and grass.

在为自己设计之初，也像是拿到了一份试卷，只是这次出题人和答题人都是自己.

位于整个空间中央的会客厅其实是我最在意的一处. 设想中，踏进房子来访者就像身处家中，而不是严肃的工作氛围. 基于这样的想法，围绕壁炉设计了围合式客厅.

客厅以暗棕色壁炉墙为中轴线展开，两侧对称分布壁灯、沙发软饰、复古老钢窗. 粗粝的墙面包裹着敦厚的皮沙发、形制轻便但材质厚重的中古折叠椅，围绕着刻满图腾的古铜色圆几，构成微妙的平衡.

壁炉经过黑色混合油的反复打磨，在暗色的空间中散发出隐隐光华. 壁炉内部镶嵌了暗黄色手工砖，凹凸不平的釉面反射出斑驳的光芒，让整个空间显得更加深邃有故事感.

是想象中“客厅的样子”.

At the beginning of the design for myself, it was like getting a test paper, only this time the questioner and the responder were myself.

The living room in the center of the whole space is actually the one I care about most. In my vision, I want visitors to feel like they are at home when they enter the house, rather than in a serious work atmosphere. Based on this idea, the enclosed living room was designed around the fireplace.

The living room is spread out on the central axis of the dark brown fireplace wall, symmetrically distributed on both sides of the wall lamp, sofa soft decoration, and antique steel Windows. The thick leather sofa, and the light shape but heavy material vintage folding chair are wrapped by the rough wall, around the bronze round coffee table engraved with totems, forming a delicate balance.

The fireplace has been repeatedly polished with black mix oil, which gives off a faint glow in the dark space. The interior of the fireplace is inlaid with dark yellow handmade bricks, and the uneven glaze reflects the dappled light, making the whole space more profound and story-like.

Its a living room in imaginary.

从这个角度，可以更仔细地看到壁炉的细节.

介于棕色、绿色之间的手工砖色颜色并不统一，却像极了青苔，或者铁锈，让壁炉仿佛布满了时间的刻痕. 角落的中古木雕屏风，给空间更增添了一丝神秘.

老木材、油漆、金属、皮革、亚麻、陶瓷，各种材质以最朴素的形态汇聚于这个小厅，碰撞出和谐又自然的美，像一本散发着潮湿油墨香气的古书.

From this angle, you can see the details of the fireplace more closely.

Between brown and green, the handmade bricks are different colors, but they look like moss or rust, making the fireplace seem to be covered with time marks. The vintage carved wooden screen in the corner adds a hint of mystery to the space.

Old wood, paint, metal, leather, linen, ceramics, all kinds of materials in the simplest form gathered in this small hall, collision a harmonious and natural beauty, like an ancient book emitting the wet aroma of ink.

微微拱起的弧形天花之下，暖灰色的天然石灰涂料布满墙面，触感温和.

大部分软装都是淘来的中古家具. 很喜欢中古家具使用过的痕迹，像是时间传回的礼物.

Under the slightly arched, curved ceiling, a warm grey natural lime paint covers the walls, giving them a gentle touch.

Most of the furniture is vintage. I like the traces of the use of vintage furniture, like a gift from time.

舒展的植物和蜷伏的雕塑仿佛原本就长在这里. 疏密间，搭建一幅古典又生动的画面.

The unfurling plants and crouching sculptures seem to have been there all along. Loose and dense combine to create a classical and vivid picture.

安静又有生命力的角落.

A quiet, living corner.

选材区紧邻会客区，从门洞一直延伸到办公区.

The material selection area is adjacent to the reception area, extending from the door to the office area.

选材区

Material Selection Area

整个空间使用两种颜色的艺术漆碰撞. 介于米色与棕色之间的坚果壳颜色，蕴含了果壳的质朴与树木的生机. 融合深棕和姜黄的暖色调，充满包裹感.

深棕色的木质地板上，以黑色小圆桌为节点的区域，沿着储物柜一直延伸至黑色工作台，秩序中亦有层次的渐进. 阳光将老钢窗的轮廓铺洒在上面，整个空间好像散发着一层油画般的光晕. 午后的阳光照进屋内，美好又治愈.

The entire space uses two colors of artistic paint collision. The color of the nutshell, between beige and brown, embodies the rusticity of the shell and the vitality of the tree. At the same time, the warm tones of deep brown and turmeric combine to make the space feel wrapped.

On the dark brown wooden floor, the area with small black round tables as nodes extends along the locker to the black workbench, so that there is also a gradual hierarchy in the order. The sun spread the outline of the old steel window on it, making the whole space radiate a layer of oil painting halo. The afternoon sun shone into the room. The atmosphere is beautiful and healing.

选材区的另一侧则是由中岛和展示架构成.

一般来说，不锈钢、金属等较为“冰冷”的材质可能很难和“陈旧”的复古风融合，但我并不这么认为. 对新与旧结合的喜爱，让我在设计工作室时反而希望融合金属材质.

最终将金属材质运用到了这里，设计了一座黄铜色的中岛，效果复古又特别. 厚重中带着精致未来感的味道，成为了工作室的亮点之一. 与身后鸡翅木置物架组合，碰撞出不一样的火花.

The other side of the material selection area is composed of the middle island and display rack.

Generally speaking, stainless steel, metal and other “cold” materials may be difficult to integrate with the old retro style, but I dont think so. My love for the combination of old and new made me want to incorporate metal materials when designing the studio.

Finally, the metal material is applied here, a brassy middle island. The effect is retro and special. It is heavy with a refined sense of the future style, became one of the highlights of the studio. Combined with the wenge shelving behind them, the two collide to create a different spark.

它的工艺并不复杂. 只需要在普通岛台的面板表面，附着一层做旧的黄铜不锈钢，复古的感觉立刻拉满.

当阳光慢慢透过老钢窗爬上岛台，黄铜的金属感此时才反射出时间的光，明亮却不刺眼，在质朴墙面和木质展架的衬托下熠熠生辉.

The process is not complicated. Just attach a layer of old brass stainless steel to the surface of the panel of the ordinary island, and the retro feeling is immediately filled.

When the sun slowly climbed through the old steel windows on the island, the brass metal began to reflect the light of time at this moment, bright but not dazzling, shining under the background of the rustic walls and wooden shelves.

选材区的百宝箱.

Treasure box in the material selection area.

门洞和窗洞促成不同空间的视线交流.

Door and window openings allow for visual communication between different spaces.

连通的两个空间中间使用软隔断分开，拉上时可以保证客户选材与员工办公互不打扰. 拉开后又是一个完全敞开的宽阔空间，工作时也丝毫不会感到压抑.

The two connected spaces are separated by a soft partition in the middle, which can ensure that clients material selection and employees office do not disturb each other when closed. When opened, it is a wide space of complete freedom, and you will not feel depressed when working.

工作区

Work Area

四扇老钢窗和一张厚重的黑色办公桌，围坐出设计魔法师们日常办公的地方. 简洁、稳固又不失细节的氛围，身处其中，让人很难继续浮躁.

办公桌中央悬挂的上海老式挂钟是我特意淘来的. 我的童年是在姥姥家度过. 当时的客厅里也有个挂钟，每天都能听到走钟的声音. 午后或者清晨醒来，走钟声会不停在脑海里，那是属于我童年的声音. 而多年后的现在，一样的挂钟不一样的时间，每次抬头都可以想起童年美好的记忆和亲人，就像他们陪在身旁.

Four old steel windows and a thick black desk form the daily workspace of the design wizards. The atmosphere is simple, solid and sophisticated. Being in the middle of it, its hard to stay restless.

The old Shanghai wall clock hanging in the center of my desk is a special purchase. My childhood was spent in my grandmothers house. At that time, there was a wall clock in the living room, and I could hear the sound of the clock every day. When I wake up in the afternoon or early morning, the ticking will keep ringing in my mind, which is the sound of my childhood. And now, many years later, I have the same wall clock but not the same time, and every time I look up, I can think of my childhood memories and loved ones, just like they are with me.

角落里的吊灯来自野口勇. 这样的尺寸常常被用来悬挂在别墅、复式等大挑空的区域，现代感的设计和复古的风格也十分反差. 但其实不用拘泥于风格、材质甚至是尺寸，只要它是合适这个空间的，都可以拥有属于它的位置.

高2米7的吊灯在角落被点亮后，金色的光芒透过和纸从地面一直蔓延到屋顶，并不会觉得太过明亮，反而给这个暗黑的空间带来意想不到的色彩与层次.

The chandelier in the corner is from Noguchi. This size is often used to hang in villas, duplexes and other large empty areas. Modern design and retro style are also very contrasting. But in fact, there is no need to stick to the style, material or even size, as long as it is suitable for this space, it can have its position.

When the 2.7m high chandelier is lit in the corner, the golden light spreads from the ground to the roof through the paper, which does not feel too bright, but brings unexpected colors and layers to this dark space.

洽谈区

Meeting Room

穿过会客区右边的门洞，便来到专门为接待客户预留的洽谈区.

窗下，触感温润的长桌来自NORHOR. 质朴的胡桃木纹配合现代感设计，黄铜圆钉强化了混搭的碰撞感. 五把高低错落的椅子装点四周，原本应是严肃氛围的空间顿时变得松弛，更像是等待一群朋友围坐在桌旁聊聊天.

靠墙的位置打造了一整面复古拼色收纳柜，储物量惊人. 外漆黑内暗棕的设计，仿佛给洽谈的氛围增加了张旧信笺作为背景.

Through the door on the right of the reception area, you will come to the negotiation area specially planned for the reception of clients.

Under the window, the long table with warm touch comes from NORHOR. The rustic walnut grain matches the modern design, and the embellishing of brass round nails enhances the collision sense of mixing and matching. Five high and low chairs decorate the surroundings, making what should be a serious space suddenly become relaxed, more like waiting for a group of friends to sit around the table and talk.

Next to the wall, we created a whole retro two-tone storage cabinet with an amazing amount of storage. The design of black outside and brown inside seems to add an old letterhead as the background to the atmosphere of negotiation.

区别于传统悬挂装饰物的做法，在洽谈区与会客区的隔墙上，开了扇长条状的横窗. 并没有用任何隔断加以封闭，就这样通透地、自然地，将客人的目光引向空间的另一端.

像一幅最和谐的装饰画，也像一只老电影播放器.

Different from the traditional practice of hanging decorations, we opened a long horizontal window on the partition wall between the negotiation area and the reception area. The window is not blocked by any partition, so it is transparent and natural, and leads the guests eyes to the other end of the space.

Like a most harmonious decorative painting, also like an old movie player.

卫生间

Washroom

卫生间紧邻着办公区，方便日常使用.

区域使用深棕色打底，半墙高的黑色手工珍珠砖，是对全屋暗黑风格统一又有设计感地延续. 每片珍珠砖的纹路都不一样，在光的映射下，仿佛波光粼粼的湖面.

地面的复古黑白马赛克，给这个小角落增添了上海老洋房般的气质.

The bathroom is adjacent to the office area for daily use.

This area has a dark brown base and a half-wall height of black handmade pearl tiles, which is a uniform and design continuation of the dark style of the whole house. The grain of each pearl brick is different, and under the map of light, the half-wall is like a sparkling lake.

The retro black and white mosaic on the floor gives this small corner the quality of an old Shanghai house.

前院

Courtyard

因为喜欢沙漠、戈壁的感觉，工作室门前的三角形小院被我们用石块、砂砾填满，栽种上一簇簇灌木绿植. 看似随意不羁，实则暗藏巧思. 与周围郁郁葱葱的绿色“格格不入”景色，使人置身于小屋的门前，就仿佛已经穿越到另一个异域空间. 粗糙、原始又充满生机的感受扑面而来，让人忍不住驻足、张望.

Because we like the feeling of desert, we filled the triangular courtyard in front of the studio with stones and gravel, and planted clusters of shrubs and green plants. This area may seem random, but theres a lot going on. This incongruous scenery with the surrounding lush landscape makes people feel as if they have crossed into another exotic space when they are in front of the door. Rough, raw and full of vitality, the scene makes people passing by stop and look.

工作室落成之后，记得第一个到来的朋友进门说：“这就是你本人”.

这对我来说便是最好的评价，努力的意义在这一刻得到了完美的反馈.

这里是独属自己的暗黑小屋.

是可以有很多可能性，可以被定义也可以不被定义的空间.

是每日看到都会心动、会反复爱上的地方.

是正在与之一起慢慢成长.

正如我一直坚持的那样，“家是最大程度表达一个人精神内核的地方”. 也由衷地希望，每个业主都能拥有专属于自己的家.

After the studio was completed, I remember the friend who came in firstly said, This is you.

This is the best comment for me, and the meaning of hard work got perfect feedback at this moment.

This is my very own dark cabin.

Its a space that can have many possibilities, that can be defined or not defined.

It is a place that will make me be enchanted and fall in love with repeatedly every day.

Its a studio Im growing up with.

As I have always insisted, Home is the place where ones spiritual core is expressed to the greatest extent. I also sincerely hope that every owner can have their very own home.

平面布局

Plane Layout

建筑面积：140㎡

位置：北京朝阳

设计：诃子

摄影：立明

做可以沉淀下来不过时的设计

我们认为，一个舒适的家，是主人过去、现在和未来的集合.它让人可以站在当下，注视着自己的过去同时又期望未来。

家是最大程度表达一个人精神内核的地方,好的设计是实用、美与主人侧写的结合,注重人与空间的关联，在复古基础上以屋主为核延伸。

不做重复的设计，不从众，不随波逐流。