Breland Harper丨现代语境下空间的诗意表达

2024-12-11 21:34
   
Breland-Harper 是一家总部位于洛杉矶的多学科设计工作室,由 Michael Breland 和 Peter Harper 创立,专注于建筑、室内和景观设计。以适应性再利用和历史保护为特长,他们致力于通过细腻过渡和精湛工艺打造持久设计,强调对地点精神、文化和自然的深刻理解。Breland-Harper 的实践以人为核心,通过敏感且具有远见的设计增强空间体验,为住宅、商业和酒店等项目注入文化深度与日常美学。
Mid-Century
Pavilion
美国,洛杉矶,帕萨迪纳

                            
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在帕萨迪纳,一座1965年建造的被遗弃的住宅,在设计工作室 Breland-Harper 的妙手下焕发新生。
An abandoned 1965 home in Pasadena has been given a new lease of life by design studio Breland Harper.

                            
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这一项目由 Michael Breland 和 Peter Harper 主导,通过建筑、室内设计和景观设计的整合,重新定义了这片住宅和花园的空间格局。Harper 表示,他们的灵感来源于建筑师 Vladimir Ossipoff 独特的热带现代主义风格,旨在打造一座充满中世纪美感的展馆。
Led by Michael Breland and Peter Harper, the project redefines the spatial pattern of the house and garden through the integration of architecture, interior design and landscape design. Harper said they were inspired by architect Vladimir Ossipoffs unique tropical modernist style and aimed to create a pavilion with a medieval aesthetic.

                            
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项目充分利用了场地内现有的成熟树木,将其视为景观设计中的“poles”。植物以自然漂流的方式排列,形成一系列动态而丰富的体验。
The project makes full use of the existing mature trees on the site, which are considered as poles in the landscape design. The plants are arranged in a way that naturally drifts, forming a series of dynamic and rich experiences.

                            
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The addition of SLATE floors and natural wooden ceilings to the interior echoes the terraces and balconies, blurring the line between interior and exterior and enhancing visual and functional coherence.

                            
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空间中的家具设计是一场设计大师的对话——Charles 和 Ray Eames、Eero Saarinen、Hans Wegner 等人的经典作品,与复古铜色和柔和纹理交织,共同营造了一个富有机理的居住环境。同时,装饰中融入了18至20世纪东亚艺术品的精致之美,例如楼梯平台上的日本 kiri-wood tansu 箱子,以及餐厅中保留原始纸浆的复古日本屏风,这些细节巧妙地将建筑与自然连接起来。
The furniture in the space is a dialogue of design masters - classic works by Charles and Ray Eames, Eero Saarinen, Hans Wegner and others, interwoven with bronzes and soft textures to create a mechanistic living environment. At the same time, the exquisite beauty of 18th - to 20th-century East Asian art is incorporated into the decor, such as Japanese kiri-wood tansu boxes on the staircase landing, and vintage Japanese screens in the dining room that retain the original papier-mache, details that subtly connect the building with nature.

                            
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Breland and Harpers love of history and craft is rooted in childhood memories. Harpers mother decorated the family with Chippendale dining tables and 19th century antiques, while Breland grew up in a simple Frank Lloyd Wright home influenced by Persian rugs and ethnic art. These cultural deposits became the source of inspiration for their design practice.

                            
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下书写了一首关于空间与时间的抒情诗,每一笔都镌刻着岁月的温度与人文的深度。
The house is a concrete expression of a way of life. The candlelight flickers, reflecting the outline of the vintage furniture, and the earth tones create a calm and warm undertone. The designer duo uses the home as a medium to convey the concept of openness and kindness. Whether it is reverence for nature or respect for history, Breland Harpers Mid-Century Pavilion writes a lyric poem about space and time in a modern context, and each stroke is engraved with the temperature of the years and the depth of humanity.

                            
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信息 | information
编辑 EDITOR
撰文 WRITER :L·xue 校改 CORRECTION :
W·zi
设计版权DESIGN COPYRIGHT : Breland-Harper

                            
  

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