“小满”刚刚好

不早不晚，不快不慢

就像麦穗，继续饱满

就像果子，日日长大

——设计师雷刚

人是孤独的，但同时是群居动物。所以，人类需要在动静之中无限转换，在喧嚣的光影里、狂欢的热闹里，更觉察精神之需，更笃定平和柔软的生活态度。

在城市一隅，空间与人彼此被需要，这或许便是设计语言带来的契合度

Human beings are lonely, but at the same time, they are animals living in groups. Therefore, human beings need to change infinitely between motion and static, in the hustle and bustle of light and shadow, in the carnival, to be more aware of the spiritual needs, and to be more certain of a calm and soft attitude towards life. In a corner of the city, space and human beings are needed by each other, and this may be the fit brought by the design language.

设计师雷刚的新作《小满》，向我们呈现了都市之中的宁静与怡然自得，彰显了不同以往的“松弛感”

。而什么是真实的松弛感，或许从器物植物摆件到材质色彩等，是均由土壤深处浸润的岁月温度，它们在其中对话着......恰如亨利 • 马蒂斯所言，“一种音调只不过是一种颜色。两个音调是一种和弦，那就是生命。”

Designer Lei Gangs new work “Small Fullness” presents us with a sense of tranquility and contentment in the city, highlighting a different sense of “relaxation”. What is the real sense of relaxation, perhaps from the objects, plants and ornaments to the materials and colors, is the temperature of the years that are infiltrated deep in the soil, where they are in dialogue with each other. ...... As Henri Matisse said, “One tone is but one color. Two tones are a chord, and that is life.”

01

于喧嚣，寻静谧之处

空间之所以具有灵魂，离不开居者的气质彰显，如何透过设计师的视角让居者的需求得以在空间里呈现，或许这是设计必经的挑战。“感受与审美是主观的，于是聊天沟通、互动里的观点都很重要，我们需要了解并构建一个全新的独立的画像。”

The reason why the space has a soul is inseparable from the residents temperament, how to let the residents needs be presented in the space through the designers point of view, perhaps this is the challenge that design must go through. “Feelings and aesthetics are subjective, so chatting, communicating, interacting with the point of view are very important, we need to understand and build a new independent portrait.”

当居者在空间里感受到轻松舒适与闹中取静的淡然，当空间被真实的需要，彼此心照不宣的默契，在此处汇流，是简单的三口之家，亦是个人的浪漫。

When the residents in the space to feel relaxed and comfortable and quiet calm, when the space is a real need, each others unspoken tacit understanding, in this confluence, is a simple family of three, but also a personal romance.

屋瓦似的长凳立在墙角，白和深木和形体搭建一幅画面：轻轻拍打着岸边的海浪，天空清明，身在喧闹之中，回归几刻本心。

Roof tile-like bench standing in the corner, white and dark wood and form to build a picture: gently lapping at the shore of the waves, the sky is clear, in the midst of the hustle and bustle, return to a few moments of the original heart.

白与木，是简单基础的色彩、材质，奠定了“小满则已”的讯号。或许空间让人一目了然，而其中蕴藏的悠长深远也同样浸入心扉。

White and wood are simple and basic colors and materials that set the signal for “a little fullness is enough”. Perhaps the space is immediately recognizable, but the long and deep meaning of the space is also immersed in the heart.

像云朵一般轻柔的灯饰，照亮三餐四季，也随着时空漂浮。窗外光影婆娑，自然的声音掉进双耳，人们在这里静喝一杯茶，看熙熙攘攘，感受放慢的流速。

Like a cloud of gentle lighting, illuminating the three meals and four seasons, but also with the time and space to float. Window light and shadow, the sound of nature falls into the ears, people here quietly drink a cup of tea, see the bustle, feel the slowing down of the flow.

所有“风格”皆是情绪的表达，松弛感除了由心而出的生活态度外，空间的环境语言也同等重要——设计师的克制何尝不是一种“归还”，让建筑、空间、居者等保持本身的模样，从原始力量之中感受彼此的生长变化。

All “styles” are expressions of emotions, and in addition to the attitude of living from the heart, the environmental language of the space is equally important - the restraint of the designer is not a kind of “restitution”. Designers restraint is not a kind of “restitution”, letting the building, space, residents and so on keep their own appearance, and feeling each others growth and change from the original power.

“让建筑还原建筑，本真的几何形态与肌理，带去自然而然的时间痕迹。”地台处转折的窗户是原建筑留下的“趣味惊喜”；业主收藏十多年的藤编椅就在一旁沐浴着光，释放岁月痕迹的味道，又记录着新的故事。

“Let the building restore the architecture, the real geometric form and texture, bring the natural traces of time.” The twisted windows at the terrace are “interesting surprises” left by the original building; the rattan chairs collected by the owner for more than ten years are bathed in light, releasing the flavor of time traces and recording new stories.

几何是复杂的，它就像无数的无尽的生命线与时间线，纵横交错，组凑出多元图像；行走于迷宫内，而后发现线条的简单本质——沿着一条路，总能抵达终点，并能在其中发现世界的奥秘。

Geometry is complex, it is like a myriad of endless lifelines and time lines, crisscrossing and intersecting, grouping together a multifaceted image; walking within the labyrinth, and then discovering the simple nature of the lines - following a path, one can always arrive at the end, and discovering the mysteries of the world within it.

“方圆平直，都是几何的形态之一；我们的身体，是动起来的【几何体】。在家这个地方，它不会被拘束，可以尽情地敞开，尽力地开怀大笑。”

“Square and round, flat and straight, are all part of the form of geometry; our body, a moving [geometric body]. At home, a place where it is not constrained, where it can open up and do its best to be cheerful.”

02

于寂静，品尘世之音

自然松弛弥漫进主卧室，去痕设计，让人成为这里的主角。如果世界因此寂静下来，人们可以聆听到什么呢？日升月落，窗台小塌，梦境从而轻柔。

Natural relaxation pervades the master bedroom, de-marking the design and making people the protagonists of the place. If the world were to fall silent, what could one listen to? The sun rises and the moon sets, the window sill collapses, and dreams are thus softened.

床头没有多余背景装饰，原木边几和衣柜、棉麻床品，松软之意。设计用减法尽量打造一个安静的地带，让所有呆在这个空间的器物、人物产生自然流动的对话。

There is no extra background decoration on the bed, the original wooden side table and closet, cotton and linen bedding, fluffy meaning. The design uses subtraction to create a quiet zone as much as possible, so that all the artifacts and characters staying in this space produce a natural flow of conversation.

窗台小塌具有储藏功能，实用而美观。光影顺着飘窗进入室内，进入书房，进入盥洗室...自然就在眼前。

The small collapse of the bay window has a storage function that is practical and beautiful. Light and shadow follow the window into the interior, into the study, into the washroom... Nature is at hand.

卧室拥有周全的功能设计，穿插了休闲书房和写作室。低头钻入书本，体验字里行间的多种情绪；抬头是开阔的大自然，是它从不吝啬的温柔与暖意。

The bedroom has a well thought-out functional design, interspersed with a relaxing study and writing room. Head down and delve into a book to experience the many emotions between the lines; head up to the open nature, its never-so-sparing tenderness and warmth.

生活的本质是扎根，是琐碎的柴米油盐酱醋茶，如果一个空间能够令居者在平凡的世界里感受到美好和被祝愿的生命，我也将乐此不疲地走在【造梦者】的路上

Life is not designed, but design changes life. “Design is like going to meet a new friend, going into another spiritual zone, sharing similar different sorrows and joys. The essence of life is rooted, is trivial firewood, rice, oil, salt, soy, vinegar and tea, if a space can make the residents in the ordinary world feel beautiful and be wished life, I will also be happy to walk on the road of [dream maker].”

交房之日是为小满，居者喜爱并乐意呆在空间里；空间拍摄毕业照那天，业主下厨招待设计师。就让经久不衰的浪漫与热爱包裹日常。

The day of handover is a small full day, the residents love and are happy to stay in the space; the day of the graduation photo shoot in the space, the owner cooks and entertains the designer. Let the enduring romance and love wrap the daily.

平面图 原始图 ↓

案例资料

项目名称 Project Name | 小满

项目地点 Location | 重庆 渝北区

设计公司 Designer | LS DESIGN 蓝山设计

施工公司 Contractor | LS DESIGN 蓝山设计

软装公司 Soft furnishing | LS DESIGN 蓝山设计

主案设计 Project Manager | 雷刚 Ray

执行设计 Executive Designer | 唐帅

项目面积 Size | 170㎡

项目摄影 Photography | 琳琳 Linnet

完成时间 Completion | 2024年5月

Ray-雷刚

LS DESIGN 蓝山设计 合伙人

设计师雷刚

在建筑空间里，激发心灵激荡的是美的内核，美的气韵，而非表面具象。于此，设计师对空间刻画，有若自然，超越理性的虚构，赋予建筑本体空之灵的艺术气质。

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