建筑师Luisa Castiglioni的匠心独运之作，不仅是一处建筑实体，更是对无界自由精神的深刻诠释。其设计精妙绝伦，巧妙地将壮阔海景与葱郁的松林融为一体，创造出一个充满诗意与哲思的空间。

The masterpiece crafted by architect Luisa Castiglioni is not only a physical building, but a profound interpretation of the unbounded spirit of freedom. Her design is exquisite and remarkable, skillfully integrating the magnificent sea view with lush pine forests, creating a space filled with poetry and philosophy.

Luisa Castiglioni与Hans Deichmann设计的第二座建筑，野兽派风格的海景房，露台宽阔，拥抱绿地与大海。

自然与建筑和谐共生，形成独特整体。

摄影©De Pasquale Maffini

在广泛的网络搜索中，关于Luisa Castiglioni（1922-2015）的详尽信息显得尤为稀缺。然而，这位米兰设计师的杰出作品无疑已在建筑与设计领域留下了深刻的印记。她的每一项作品，无论是QT8社区的革新设计，还是在三年展上展示的家具佳作，抑或是她参与的私人建筑项目，以及为Riva 1920所创造的产品，均曾在《Domus》、《Casabella》等权威出版物上获得详尽的报道，甚至包括已停刊的《Metron》杂志。

In the vast online search, detailed information about Luisa Castiglioni (1922-2015) remains scarce. However, the Milanese designers outstanding works have undoubtedly left a profound mark in the field of architecture and design. Each of her projects, from the innovative design of the QT8 community, to her furniture masterpieces showcased at the Triennale, as well as her involvement in private architectural projects and creations for Riva 1920, have been extensively reported in authoritative publications such as Domus, Casabella, and even the defunct Metron magazine.

Luisa Castiglioni女士与业内诸多杰出人物如Franco Albini、Giancarlo De Carlo和Gae Aulenti等人有过密切的合作，但她的代表作——位于Bocca di Magra的住所，无疑是她艺术生涯中的巅峰之作。这座宅邸不仅是她毕生心血的结晶，更是一个超越现实的宣言，它隐匿于松树、栎树、樟树、杨梅树、迷迭香和夹竹桃的茂密丛林中，将利古里亚海的蔚蓝与阿尔卑斯山的洁白巧妙地融入同一视野。这片茂密的森林不仅遮蔽了她的居所，也巧妙地隐藏了她的传奇故事，使其免受外界轻浮的好奇心的侵扰。

Ms. Castiglioni collaborated closely with many prominent figures in the industry, including Franco Albini, Giancarlo De Carlo, and Gae Aulenti. However, her signature work, the residence in Bocca di Magra, stands as the pinnacle of her artistic career. This residence is not only the culmination of her lifelong efforts, but also a transcendent declaration. Nestled amidst a lush forest of pine, oak, camphor, bayberry, rosemary, and oleander, it seamlessly integrates the azure hues of the Ligurian Sea with the pristine whites of the Alps into a single vista. This dense forest not only shelters her abode, but also artfully conceals her legendary story, safeguarding it from intrusive, superficial curiosity.

然而，2023年初Castiglioni的孙女Maddalena Scarzella与其丈夫Matteo Petrucci——两位均为建筑学专业毕业，做出了一个非凡的决定：他们选择改变生活轨迹，迁往Bocca di Magra，致力于为这个被遗忘的角落及其背后的历史注入新的活力与生命力。这一决定无疑是对Castiglioni女士精神遗产的尊重与传承，同时也为未来的建筑与设计领域注入了新的期待与可能。

However, in early 2023, Maddalena Scarzella, the granddaughter of Castiglioni, and her husband, Matteo Petrucci, both graduates of architecture, made an extraordinary decision. They chose to diverge from their original life trajectories and relocate to Bocca di Magra, committing to breathe new energy and vitality into this forgotten corner and its historical backdrop. This decision is undoubtedly a testament to their respect and continuation of Ms. Castiglionis spiritual legacy, while also injecting fresh anticipation and possibilities into the future of architecture and design.

这栋房子坐落于一片风景如画的区域，其窗外便是浩瀚的海景，它本身也是一处蕴含深厚文化底蕴的绿洲。

“我的祖母曾与Luigi Einaudi一同造访此地，”Maddalena Scarzella回忆道。这位著名的经济学家和前意大利总统共同创立了“Bocca di Magra之友协会”，旨在抵制该渔村旅游业的过度商业化，而是致力于打造一个拥有少数居民且文化气息浓郁的绿色圣地。他们时常在餐馆或医生的家中聚会，我的祖母、她的丈夫Hans Deichmann、Vittorio Sereni、Giovanni Pintori等文化界人士均位列其中。此外，协会的创始成员还包括著名作家Italo Calvino、出版家Valentino Bompiani以及文学家Elio Vittorini等杰出人物。

This house is situated in a picturesque area, with a vast sea view outside its windows, and it is also an oasis rich in cultural heritage.

My grandmother once visited this place with Luigi Einaudi, Maddalena Scarzella recalled. The renowned economist and former Italian President co-founded the Friends of Bocca di Magra Association, with the aim of resisting the excessive commercialization of tourism in this fishing village. Instead, they strived to create a culturally vibrant green sanctuary with a small population. They often gathered in restaurants or the homes of doctors, and cultural figures such as my grandmother, her husband Hans Deichmann, Vittorio Sereni, Giovanni Pintori, and many others were among them. Additionally, the founding members of the association included prominent figures such as the famous writer Italo Calvino, publisher Valentino Bompiani, and literary figure Elio Vittorini.

二楼起居室，柚木桌(Castiglioni六十年代设计)、Thonet椅与非洲元素。落地窗俯瞰海面及阿普阿尼阿尔卑斯山。摄影©De Pasquale Maffini

这个地方的魅力源于它所蕴含的能量，这种能量营造了一种既具社区感又充满独立性的氛围。故事始于Einaudi曾向Castiglioni提出设计一所房子的请求，但这一设想并未实现。然而，她对这个地方深深着迷，最终决定为自己和她的伴侣Hans Deichmann建造一所房子。Hans Deichmann是一位德国企业家和赞助人，他在二战期间利用自己的关系支持了意大利抵抗运动，成为了意大利抵抗运动中的关键人物。这一切发生在上世纪60年代初。

Luisa在1946年毕业于米兰理工学院，当时学院中的女学生寥寥无几，而由于战争的影响，男学生也并不多。她最初作为Albini的助理工作，但随后也与其好友一同开展独立工作。大约在她四十岁时，她与Hans坠入爱河，自那时起，她开始专注于为自己和朋友们设计房屋。尽管她从未明确表达过，但她后来对此表示过遗憾，因为她实际上对她的职业怀有深深的热爱。Deichmann资助了这座由多个建筑体组成的房产，其规模之大足以容纳朋友和有趣的当代人物。

The charm of this place stems from its inherent energy, which cultivates an atmosphere that embodies both a sense of community and independence.The story began when Einaudi approached Castiglioni with a request to design a house for her, but this vision did not materialize. However, she was so captivated by this location that she ultimately decided to build a house for herself and her partner, Hans Deichmann. Hans Deichmann, a German entrepreneur and sponsor, utilized his connections during World War II to support the Italian Resistance Movement, becoming a pivotal figure in its ranks. This occurred in the early 1960s.

Luisa graduated from the Milan Polytechnic in 1946, during which time female students were scarce, and due to the war, male students were also in short supply. She initially worked as an assistant to Albini but later ventured into independent projects alongside her peers. In her forties, she fell in love with Hans, and since then, she dedicated herself to designing houses for her close circle of friends and herself. Although she never explicitly expressed it, she later expressed regret, as she was profoundly passionate about her profession. Deichmann funded this property, a complex comprising multiple architectural structures, spacious enough to accommodate friends and intriguing contemporary figures. This narrative is intended for publication in a professional architectural journal.

Castiglioni精心建造了三座独立的房子，它们彼此相互呼应，形成了一个和谐的整体。

Castiglioni carefully constructed three separate houses that complement each other, forming a harmonious ensemble.

壁炉旁Marcel Breuer的Wassily扶手椅、Castiglioni的Luminator落地灯、1925年Kilim地毯。摄影©De Pasquale Maffini

Luisa Castiglioni最初设计了三个层次分明的立方体，完美融入了Montemarcello的山坡地形，这座建筑被称为“黄屋”。之后，她巧妙地将这个建筑群细分为独立的公寓，并在三棵树旁的高地上，以野兽派风格建造了一座“灰屋”。最后，她着手建造了一座“未竟”的附属建筑，其灵感来源于多年后参观伦敦斯特林图书馆时的所见所感。Castiglioni的空间设计至今仍散发着迷人的魅力：墙壁经过精心的透视切割设计，突出的窗户使自然与室内空间紧密相连；开放的空间布局，配以简约、多功能且优雅的家具，彰显出极致的设计感。建筑上方是茂密的森林，下方则是丰收的果蔬园，如今由当地一位女士精心照料。在森林中，Deichmann曾藏有一把椅子，那是他早晨读报的专属之地。一条长长的红色栏杆楼梯像一条红线，将各个部分巧妙地连接在一起。

Luisa Castiglioni initially designed three distinctively layered cubes that seamlessly integrated into the sloping terrain of Montemarcello, earning the moniker Yellow House. Later, she skillfully subdivided this architectural complex into individual apartments and erected a Grey House in the Cubist style on a highland beside three trees. Finally, she embarked on the construction of an unfinished annex, drawing inspiration from her observations and reflections during a visit to the Stirling Library in London years later. Castiglionis spatial design continues to emit a captivating charm: the walls undergo meticulous perspective cutting, and protruding windows foster a strong connection between nature and the interior space; the open spatial layout, complemented by minimal, versatile, and elegant furniture, exemplifies the ultimate design sensibility. A lush forest lies above the structures, while a bountiful fruit and vegetable garden, now tenderly cared for by a local lady, spreads below. Within the forest, Deichmann once concealed a chair, which served as his exclusive spot for morning newspaper reading. A long staircase with red railings, resembling a red thread, cleverly connects all the elements together.

我的祖母以极简实用为设计宗旨，创造出了既功能性又富有灵气的空间，确保每一寸空间都得到合理利用，没有添加任何冗余的元素。她独具匠心地设计了各式各样的窗户和门框，巧妙地融入了当时经济实惠的柚木等航海元素，以及一家本地公司出产的蓝色手工瓷砖，为空间增添了独特的魅力。然而，令人遗憾的是，那家制造瓷砖的公司如今已经关闭。

My grandmother adhered to the design principle of minimalism and functionality, creating spaces that are both functional and imbued with spirituality. She ensured that every inch of space was utilized to the fullest, without adding any redundant elements. Her ingenious design of various windows and door frames skillfully integrated nautical elements such as teakwood, which was economical at that time, as well as blue handmade ceramic tiles produced by a local company, adding unique charm to the space. However, regrettably, the ceramic tile company has now closed down.

我在这个被誉为“自由庇护所”的地方度过了童年的夏日时光，那里充满了欢声笑语和自由探索的气息。之后，我在米兰开始了自己的生活，但内心深处始终对那片自由的天地怀有深深的眷恋。在Sozzani基金会担任负责人近十年后，我意识到，无论是新生命的到来、全球疫情的冲击，还是我伴侣的坚定支持，都在告诉我，我的归宿其实是在那个“自由庇护所”。

I spent my childhood summers in this place, known as The Shelter of Freedom, where laughter and the spirit of exploration flourished. Later, I established my life in Milan, but my heart remained deeply attached to that land of freedom. After serving as the head of the Sozzani Foundation for nearly a decade, I realized that the arrival of a new life, the impact of the global pandemic, and the unwavering support of my partner all pointed to the fact that my true home lies in The Shelter of Freedom.

非洲元素搭配Gardella灯具，精选Society Limonta品牌Nite、Rem系列床单与枕套及Multi系列羊毛毯。摄影©De Pasquale Maffini

我们称那里为“Boccamonte”，目前我们正在对它进行细致的翻新，并与一位农艺师合作，种植新的花卉、蔬菜和果树，为这片土地注入新的生机与活力。我们真诚地欢迎那些能够欣赏并珍视这片土地独特韵味的人们前来，与我们共同守护这份自由的遗产，探索如何使其与时俱进，焕发新的光彩。

We refer to it as Boccamonte, and currently, we are undergoing a thorough renovation. We have collaborated with an agronomist to plant new flowers, vegetables, and fruit trees, injecting new vitality and energy into this land. We sincerely welcome those who can appreciate and cherish the unique charm of this place to join us in safeguarding this legacy of freedom and exploring ways to keep it up-to-date and shining with new glory.