“春者，万物之所出也

春山在望，

是春意盎然的山栖居所，

近在眼前，可望可即。

从荒山到春山

很难想象这片70亩的山林就处于宜兴的闹市中。八年前，荒放着散漫的香樟、竹子。如今林下茶园成行，樱树、李树、山楂、青梅、木香、鸢尾热烈地生长。

From barren mountain to spring mountain

It is hard to imagine that this 70-mu mountain forest is located in the busy city of Yixing. Eight years ago, there were scattered fragrant camphor and bamboo. Now there are tea gardens under the forest, and cherry trees, plum trees, hawthorns, green plums, woody incense, and irises are growing enthusiastically.

凡是自然的，都是缓慢的。

“主理人夫妇的餐厅在宜兴颇有作为，春生、夏长、秋收、冬藏是他们的食物之道，春山在望融合酒店、餐厅、展售等多种业态，他们对生活精微感受全在这里了。”设计师谢柯说。

What is natural is slow.

The couples restaurant in Yixing is quite successful, spring, summer, autumn harvest, winter collection is their way of food, Spring Mountain is a combination of hotels, restaurants, exhibition sales and other forms of business, they have a subtle feeling of life here. Designer Xie Ke said.

种植、修剪、浇水、施肥，土地给人馈赠是缓慢的，设计也让人慢下来，山风、光影、树木、在地风物，都在时间里等待与人的相遇。

Planting, pruning, watering, fertilizing, land giving gifts to people is slow, design also makes people slow down, mountain wind, light and shadow, trees, in the ground, are waiting for the encounter with people in time.

设计一种时间感

(建筑景观)

很多人说谢柯的气质总跟主流保持一些距离，他设计的新酒店看起来像老酒店，很容易把人带入一种回忆，或者过去的一些场景里面。

Many people say that Xie Kes temperament always keeps some distance from the mainstream, and the new hotels he designs look like old hotels, which can easily bring people into a memory or some scenes from the past.

建筑景观

这一点在主理人身上很同频，“他们透着那种气质，能把一家店经营得特别细致，像老旅馆一样，越久味道越足。”谢柯说这种气质很打动他，整个设计也都是质朴、自然、耐久的。

This point is very common in the owner, they have that kind of temperament, can run a shop in special detail, like an old hotel, the longer the taste more sufficient. Xie Ke said that this kind of temperament is very moved by him, and the whole design is also simple, natural and durable.

它像一个容器，不需要太满，主理人每日悉心地摆弄盆景、植物，他们的收藏和爱好也随时添置进来，5年，10年，甚至20年之后，持续地投入和呵护会让它更好。

It is like a container, does not need to be too full, the host every day to carefully play with bonsai, plants, their collection and hobbies are also added at any time, 5, 10, even 20 years later, continuous investment and care will make it better.

从白盒子到风景画

(公区大堂)

建筑景观

起初建筑是封闭的白盒子，接手之后，谢柯先大刀阔斧地重新梳理了空间骨架，这是他十分在意的“美人在骨”。

At first, the building was a closed white box, and after taking over, Xie Ke drastically re-combed the space skeleton, which was the beauty in the bone that he was very concerned about.

比如，食一餐的客人从香樟、竹林下的石板路进入，酒店客人走茶园侧的入口；门窗全部向自然打开，给予空间呼吸感；改变客房格局，让每一个房间都有自己的风景。

For example, guests for a meal enter through the flagstone road under the camphor and bamboo forests, and hotel guests take the entrance on the side of the tea garden; All doors and Windows open to nature, giving a sense of space breathing; Change the layout of the rooms so that each room has its own view.

建筑公区

山和树一年四季都在变，春天初开的花朵争艳，夏天是绿的浓郁与盛大，秋天是饱满的层林尽染。窗子刻意压低了景观的高度，由黑色木窗框把自然装裱成轴。

The mountains and trees change all the year round, the flowers bloom in spring, the summer is rich and grand green, and the autumn is full of layers of forest. The Windows deliberately lower the height of the landscape and are framed naturally by black wooden window frames.

大堂

主理人先生作为盆景爱好者，平日里制作了不少作品，设计师把他的爱好安放在酒店入口接待台的石桌上，传递主理人待客的心意。

As a bonsai enthusiast, Mr. Host has produced a lot of works in his daily life, and the designer has placed his hobby on the stone table of the hotel entrance reception desk to convey the hosts hospitality.

大堂

前台的插花从春山就地取材，浓淡皆宜，如花在野。因为宜兴的冬天是要下雪的，休息区有一个冬日火炉，温暖而妥帖。

The flower arrangement at the front desk is made of local materials from Spring Mountain, and the shade is suitable, such as flowers in the wild. Because the winter in Yixing is snowy, there is a winter stove in the rest area, which is warm and appropriate.

大堂

时间里的光

空间里的影

(公区走廊、餐厅)

公区

对油画系出身的谢柯来说，光是他的画笔。“去到一个地方，先分辨东西南北，知道早上的阳光从哪儿来，然后下午直到傍晚又去了哪儿。”这种存在于时间里的，流动不居的光，如何捕捉，如何感知，便造就了不同的空间深度与氛围。

For Xie Ke, who majored in oil painting, light is his brush. You go to a place and you know where the sun comes from in the morning and where it goes in the afternoon and into the evening. This kind of flowing light that exists in time, how it is captured and perceived, creates different spatial depths and atmospheres.

邀请七月合作社打造水景则更添一分灵动，岸崖边，缓缓清流。待到夜晚，水光与烛光摇曳。

Inviting the July Cooperative to create a water feature adds a touch of ingenuity, the edge of the cliff, the slow flow of clear water. At night, water and candlelight flickered.

公区

此前封闭的中庭在有了一排南向天窗之后，气氛就全打开了，一天之中，光线在空间里游走，在干净的白墙上投下光斑与魅影，光成了这里最好的作者。

The previously closed atrium is opened up by a row of south-facing skylights, and light moves through the space throughout the day, casting light spots and shadows on the clean white walls. Light is the best author here.

廊道

通往餐厅包房的廊道做了两层柱子，退让出一个空间，这里的光线复杂而有趣，恍然进入昔日建筑里的游廊。

The corridor leading to the private dining room is made of two columns, giving way to a space where the light is complex and interesting, and suddenly enters the veranda of the former building.

餐厅

餐厅整体暗调，黑色石板地面泛起一层微光，水波般荡漾开来，墙上也随时间的流动游弋着条形光斑。

The dining room is dark, the black SLATE floor has a layer of shimmer, ripples like water, and the wall also with the flow of time to swim streaks of light.

餐厅

进入包房，堆叠的雕塑、极简的绘画，纸灯、藤椅、纸屏，不动声色地融入这饶有趣味的空间场所。

Entering the private room, stacked sculptures, minimalist paintings, paper lamps, rattan chairs, and paper screens are quietly integrated into this interesting space.

餐厅

看见茶园的茶室

(茶室)

茶室

茶室有些文人山房的意味，谢柯说它的设计“后实前虚”。进入的方向连着酒店客房，有建筑之实。朝着茶田的正面，画面感极强，有绘画之虚。

The teahouse has some literati mountain room meaning, Xie Ke said that its design is after the real before the virtual. The direction of entry is connected to the hotel rooms and has architectural reality. Towards the front of the tea field, the sense of painting is very strong, and there is a virtual painting.

茶室

宜兴以紫砂闻名，长久泡养，壶与人一样日渐温润，于是茶室里这种时光的温润感就放得很足。

细看不少老物件，藤编、盆景石、陶瓶，一幅偶然所得的老匾额《春山》最是温情。太太每年春节写春联，今年她反复写下“春山在望”几个字，先生问，为什么总写这几个字？突然他一拍脑门，酒店名字有了，就叫“春山在望”。

Yixing is famous for purple sand, long-term soaking, the pot and people are getting warmer and warmer, so the teahouse in this time of warm feeling is put very much.

Look at a lot of old objects, rattan weaving, bonsai stone, pottery vase, an old plaque accidentally obtained Spring Mountain is the most warmth. The wife writes spring couplets every Spring Festival, this year she repeatedly wrote spring mountains in sight a few words, Mr. Asked, why always write these words? Suddenly he clapped his head, and the name of the hotel came out, and it was called Spring Mountain in Sight.

茶室

来到茶室外面的长台，可手持一壶春山自产的茶，观茶田，看花开，听蝉鸣，赤诚地面对自然天地。

Come to the long table outside the teahouse, you can hold a pot of Chunshan self-produced tea, view the tea field, see the flowers, listen to the cicadas, and sincerely face the natural world.

包浆的房间

(酒店客房)

客房

简单、质朴、耐久的材料，经得起岁月的洗礼，即便是新酒店，也因为材料本身的质感，给人一种 “包浆”的感觉。

Simple, simple, durable materials, can stand the baptism of time, even the new hotel, but also because of the texture of the material itself, giving people a pulp feeling.

每个房间都拥有独立院子，或是香樟环抱，或是竹林屏隐，或是引入天光。走到山里，信手拈来的松枝、竹叶、山楂，都可入花材。

Each room has its own courtyard, either surrounded by camphor trees, or hidden by bamboo trees, or introduced into the sky light. Go to the mountains, the pine branches, bamboo leaves, hawthorn, can enter the flower wood.

客房

更不用说那些漆器、陶罐、竹椅、屏风，初看起来朴拙，细细品味，都能咂摸出背后独特的味道，结合了历史传承，异域风情和在地风物的松散的感觉。

Not to mention the lacquerware, pottery POTS, bamboo chairs, and screens, which look simple at first glance, and upon closer taste, can be smacks of the unique flavor behind, combining historical heritage, exotic flavor and the loose feeling of local scenery.

客房

主理人收藏了不少水墨画，设计师特意选出一些小尺幅，用很特别的装裱方式，使之位于画面的一角，古典中又有了现代气息。

The director has collected a lot of ink paintings, the designer specially selected some small size, with a very special way of mounting, so that it is located in the corner of the picture, classical and modern atmosphere.

客房

这和谢柯对艺术的感受不无关系，他“过眼“了数不胜数的艺术品，梳理出自己独特的喜好和判断，空间里每一种材质也要”过眼“，给人真实的感受是什么，然后默默地传递这一感受。

This has nothing to do with Xie Kes feelings about art. He passes countless works of art to sort out his own unique preferences and judgments. Every material in the space should also passes to give people the real feeling, and then silently conveys this feeling.

建筑改造-室内-景观：尚壹扬设计

谢柯、支鸿鑫、徐筱、 张懿、钟清、姚绍强、杨红梅

陈设设计：尚壹扬设计

郑亚佳 张文娟 吴思雨 龙姣 张雨玲 何苗 窦晓雨

中庭景观：七月合作社

项目视频：DD 向蜀程

项目摄影：偏方摄影

谢柯/尚壹扬设计创始人