The Designer 陆凯琳

Alin 曾任职于 HIC 翰创设计 /上海时基建筑设计/FCD 浮尘设计 /MUKA ARCHITECTS 木卡工作室，从早期的建筑设计经历中逐步接触到人居空间的设计。并逐步转变自己的职业方向，从建筑学的角度出发融合人居心理氛围感受，融合空间构成手法，以解决居住问题为目的，致力于营造不同感官集合的灵性居所。作品屡获业内外好评，《格》曾获 2021 芒果奖全国季军,《留》入选2021《ELLE DECORATION》中国室内设计大奖。

若将摄影的艺术性比照家的营造，对于美的追求与表达构建出二者近似的动人之处，而时间则游走于两个创作领域，担当起既同且异的变量——时而被镜头凝固，时而在结构的转合中流转，最终回落细节，皆能感知时光的恒久存在。

If the artistry of photography is compared with the construction of a family, the pursuit and expression of beauty create a similar moving place of the two, while time moves between the two creative fields, acting as both the same and different variables - sometimes frozen by the lens, sometimes in the transformation of the structure, and finally falling back to the details, we can perceive the eternal existence of time.

YUMALIN的最新作品——一对年轻摄影师夫妻的家，就恰到好处地建立起二人精神世界与现实生活的关联纽带。以松弛的自在感呈现居家的日常之美，塑造开放式格局，安放夫妻俩旅行途中不断丰富的旧物收藏与“野系”灵魂。这处任时间自由流转也肆意驻停的家，成为他们个性中的一个重要层面，是探索并安存于这个现实世界的起点与归属。

YUMALINs latest project, the home of a young photographer couple, provides a perfect connection between their spiritual world and their real life. It presents the daily beauty of the home with a relaxed sense of ease, shaping an open pattern, and placing the rich collection of old objects and the wild soul of the couple during their travels. This home, where time freely flows and stops freely, becomes an important aspect of their personality, a starting point and a home for exploring and settling in this real world.

去 野

一个打破传统格局的家

无论

旅行还是居家，获取世界万千洗涤的同时，归属感、松弛感总在耳旁回响。

对于松弛与自在的追求逐渐成为大家不可或缺的生活主题。

这个小家也无例外，在“野”性的精神内核指引下，打破传统家庭空间格局，蜕变为贴合夫妻二人生活习惯与审美主张的舒适居所。

Whether traveling or at home, access to the worlds thousands of washing at the same time, a sense of belonging, relaxation always reverberate in the ear. The pursuit of relaxation and freedom has gradually become an indispensable life theme for everyone. This small home is no exception, under the guidance of the spiritual core of wild, it breaks the traditional family space pattern and transforms into a comfortable residence that fits the living habits and aesthetic propositions of the husband and wife.

玄关以优雅的弧形空间造景，花器与木座构成明与暗的色彩对话，花枝在光的渲染下展现出更为立体的美感氛围，为归家的人抚去疲惫，送上静默却充满温情的疗愈力。

The entrance is landscaced in an elegant curved space. The flowers and wooden seats form a dialogue between bright and dark colors. The flowers and branches show a more three-dimensional aesthetic atmosphere under the rendering of light, soothing the tired people who return home and sending silent but warm healing power.

靠东面的书房与公区融合，东面的环景通过透明隔断一并纳入餐厅，与日共生，与景同存。为室内带来通透的生活体验之余，亦引入光影及季节变化的自然节律，让时间的流逝具像化为家中的设计元素。

The east study is integrated with the public area, and the east view is integrated into the dining room through a transparent partition, co-existing with the sun and the landscape. In addition to bringing a transparent life experience to the interior, it also introduces the natural rhythm of light and shadow and seasonal changes, so that the passage of time is symbolized as a design element in the home.

茶室兼做日后的次卧藏于移门之后，半遮半掩的隔断形式与书房互通，也会保证了作为卧室功能使用时的私密性需求。

The tea room is also the second bedroom hidden in the future after the sliding door, and the half-hidden partition form is interoperable with the study, which will also ensure the privacy needs when used as a bedroom function.

金箔屏风与斜入室内的光影共舞，材质天然的反射效果自成一派阴翳之美。光影游移，竹叶微动，淘来的旧楠木被制成尺寸合宜的茶台，品茗闲谈的惬意时光中又添些许岁月的低语。

The gold leaf screen dances with the light and shadow slanting into the room, and the natural reflection effect of the material is its own cloudy beauty. The light and shadow move, the bamboo leaves move, the old nanmu is made into a suitable size tea table, and the pleasant time of chatting and drinking adds a little bit of the whisper of the years.

随 性

开放中融合生活日常

随性而至的家，松弛感于自由与开放间流淌，凝聚之处，自成舒适日常。

客厅随空间走向，将布局转向家人、朋友及窗外的江景。

互动、亲密、陪伴围坐而成，壁龛取代电视，“炉火”烘暖彼此。

The home that comes with nature, the sense of relaxation flows between freedom and openness, and the condensed place becomes a comfortable daily life. The living room follows the direction of the space, turning the layout to family, friends and the river view outside the window. Interaction, intimacy, companionship around the table, niches instead of televisions, fires warming each other.

定义为“俱舍”的装饰画，以包罗、藏纳万物之理，为这处小场域带来自然质朴的材料与内涵纯粹的画面相结合的补充式表达。情与景相得益彰，境与意珠联璧合。

The decorative painting defined as Kusha, with the principle of encompassing and storing all things, brings the complementary expression of natural and simple materials and pure connotation of the picture to this small field. Love and scenery complement each other, environment and meaning perfect.

开放式的置物架，是设计师为夫妻二人预留的另一条生活线索。它们不仅构成了场景的留白，更在重新安排以及更新版本的动作中，诠释着生活的内涵。那些旅途中收获的心爱“战利品”，提醒他们更有意识地活在当下。

The open storage shelf is another life clue that the designer reserved for the couple. They not only constitute the blank space of the scene, but also interpret the connotation of life in the action of rearranging and updating the version. The beloved spoils of those journeys remind them to live more consciously in the moment.

卧室的自由洄游动线，增加出一处换衣空间。温润橡木与秩序感的线条相呼应，东面的阳光洒向橡木板赋予这个空间质感。床，面向远景，躺着便可以眺望远处的江河山景。

The free migration line of the bedroom adds a space for changing clothes. The warm oak responds to the lines with a sense of order, and the sunlight from the east pours into the oak panels to give the space texture. Bed, facing the long view, lying can look at the distant rivers and mountains.

回 归

素朴间感怀自然真意

摄影师的职业身份，为他们的生活带来独到的质感见地，要求质朴自然的归宿感。这一点与设计师的理念不谋而合。大量运用的天然橡木、石材、粘土，以及淘来的老木头。在无常变化中唯一不变的是时间，记录下瞬间场景的同时，留住此刻此景，化作墙上的一抹印迹。

The professional identity of photographers brings a unique sense of texture to their lives and requires a simple and natural sense of belonging. This coincides with the philosophy of the designer. Extensive use of natural oak, stone, clay, as well as scavenged old wood. The only constant in the impermanent change is time, recording the instant scene at the same time, retain the moment of this scene, into a mark on the wall.

没有做漆处理的地面，保留着天然的纹理与“粗糙”感。若仔细观察，还可寻找到一些诸如锯痕等的印记，这些手工推拉形成的起伏与痕迹，忠实地还原着树木的原始与自然，在细节处为生活铺陈素朴底色。

The unpainted floor retains its natural texture and rough feel. If you look carefully, you can also find some marks such as saw marks, these hand-pushed and pulled ups and marks, faithfully restore the original and natural trees, in the details of life for the plain background color.

木的天然质感串联起空间的转换。源自西双版纳的傣族古木保留了原始风化的质感，并经过时间与使用习惯的洗练，化身为定制的餐桌，点缀起家庭的美食时光。

The natural texture of the wood connects the transformation of the space. The Dai ancient wood from Xishuangbanna retains the texture of original weathering, and through time and use habits, it is transformed into a customized dining table, embellishing the familys food time.

厨房亦大面积使用留有岁月纹理的木质板材，去繁就简的整体表达，让四方食事更具质感。刻意强调的木楞，构建着独特的几何秩序美感，也为现代感满满的厨房空间增添几分拙朴意趣。

The kitchen also uses a large area of wood panels with age texture, to the complex and simple overall expression, so that the four sides of the food more texture. Deliberately emphasized wooden, to build a unique geometric order of beauty, but also to the modern sense of the full kitchen space to add a little simple interest.

同样天然色系的洞石，被用作木与木间的过渡，并在功能上补全生活所需。无论是客厅、餐厅的光影递进，还是卫生间墙面与地面的材质衔接，都让家在统一的自然美感表达下，呈现充满细节思考的感官照拂——试想夏日午后，赤脚自木地板走至洞石地面，舒适的温差与失真的“粗粝”唤醒慵懒的思绪……

The same natural color of the cave stone is used as a transition between wood and wood, and in the function of the complete life. Whether it is the progressive light and shadow in the living room and dining room, or the material connection between the wall and the floor in the bathroom, the home presents a sensory touch full of detailed thinking under the unified expression of natural beauty - imagine a summer afternoon, walking barefoot from the wooden floor to the cave stone floor, the comfortable temperature difference and the distorted rough wake up lazy thoughts...

时间藏于生活与日常，有着转瞬即逝的遗憾，也有慢品悠闲的自得。事实上，我们是在等待生命的开始。如果有人逼问，大部分的人都会承认自己是为了某种美好的将来而努力。

Time is hidden in life and daily life, there are fleeting regrets, there are slow products leisurely complacent. In fact, we are waiting for life to begin. If pressed, most people will admit that they are working for some kind of better future.

而回归家的营造，如同YUMALIN在该作品中传递的设计哲思：

溯源设计的出发点，在变化中寻求不变，去繁就简，给予时间以天然的留白，如同给予居住者的心灵寄托。

它可以是一本书、一个烛台……或是一次次待开启的新旅程，期待新的生命感知。

The construction of returning home is like the design philosophy conveyed by YUMALIN in this work: tracing the starting point of design, seeking the same in the change, going to the complex and simple, giving time to the natural white space, like giving the soul sustenance of residents. It could be a book, a candlestick... Or a new journey to be started, looking forward to a new perception of life.

项目平面图

项目名称| “野”系摄影师的心灵家园

项目地址| 浙江省宁波市

建筑面积| 100㎡

设计方| YUMALIN

设计时间| 2022

完成时间| 2023

主创及设计团队| 陆凯琳

品牌| Akari，PAYA，YIJI，JIWU

YUMALIN创立于上海，工作范围涉及小型建筑的改造，商业空间与住宅的室内设计、家具、艺术及周边领域。我们打破追求极致空间的观念，同时融入多元感知及生活方式、艺术探讨，强调对常识和理性的关注，YUMALIN既重视空间及环境本身，也被空间内的各处物品、材质、气味以及它们之间营造的不同氛围所吸引，从多维度感官出发，打造“在世间”的松弛感适度审美，通过不同维度的手法，顺势设计，从而呈现自然主义无风格的美学理念。

图片版权 | YUMALIN