介 绍

Introduce

人生如看景，不同的高度给予我们不同的视野和景观。站在低处，我们习惯于抬头寻找高处的风景；而登高望远，我们则可以收获凭栏远眺的绝佳景观；无限的可能和未知的挑战在此刻叩开心门。

Life is like a view, different heights give us different horizons and landscapes. Standing at a low place, we are accustomed to looking up to find the scenery at a high place; while climbing up to a high place, we can harvest the excellent view from the fence; unlimited possibilities and unknown challenges are knocking at the door of happiness at this moment.

零次方顺应新发展阶段，“既登高则望远”，妥善利用高楼层视野，以动静划分空间功能、以受众特征指引风格，打造出这处全新的办公空间。提取出“轻禅意”趣味元素，让干练、精英的使用者，能在手边有景、眼前是韵的环境中，从容而愉悦地工作。对空间尺度的调控，也展示出传统和当代设计的和谐共融。

In response to the new stage of development, Z.POWER has made good use of the view from the high floors, divided the functions of the space into dynamic and static, and guided the style with the characteristics of the audience to create this brand new office space. The interesting element of “light Zen” is extracted to enable the competent and elite users to work calmly and happily in an environment where there is a view at hand and a rhythm in front of their eyes. The control of the scale of the space also demonstrates a harmonious blend of traditional and contemporary design.

“倏忽温风至，因循小暑来”。木雕《小暑》，从雕刻艺术获得“新生”所绽放出的表现力，带着如同小暑时节的温度，作为空间入口的引导，为整体构建出“内藏乾坤”的趣味想象。

Lesser Heat

设计师何易明 |《小暑》

栅 栏

Alley

法国喜剧导演雅克·塔蒂在《玩乐时间》里描述了整齐划一的立方隔间，诉说了“隔间隔离了彼此，也隔离了我们自己”的困境。为了打破这种办公隔间困境，空间使用穿透性的木制栅栏创造出前台隔断。镂空的“编织”结构不仅为自然光创造通道，半开放的围合也创造出丰富的空间层次和视觉穿透感。

In Playtime, French comedy director Jacques Tati describes the neatly organized cubicle as a dilemma in which “cubicles isolate each other and ourselves”. To break down this cubicle dilemma, the space uses a penetrating wooden fence to create a front counter partition. The “weaving” structure not only creates a channel for natural light, but the semi-open enclosure also creates a rich sense of spatial hierarchy and visual penetration.

“时间永远分叉，通向无数的将来”。大门及通道仿木材自然碳化的形态，利用进门处的动线分割，引入时间维度，带入无限的、未知的场域想象，同时也完成了区域的合理分流。

“Time is forever bifurcated, leading to countless futures”. The main door and passageway imitate the natural carbonized form of wood, using the dynamic line of division at the entrance to introduce the dimension of time, bringing in the imagination of an infinite and unknown field, and at the same time completing the reasonable diversion of the area.

“编织”形态的围合将东方禅意融入空间，温润柔和的原木暖场，踏实的石材又让氛围沉淀。建筑退让于环境，奠定如同木心石腹般具有永恒神圣的空间基调。

The “weaving” form of the enclosure integrates oriental Zen into the space, while the warm and soft logs warm up the space, and the down-to-earth stone settles down the atmosphere. The architecture gives way to the environment, setting the tone of the space as an eternal sacred space with a heart of wood and a belly of stone.

此处的关注点是人与空间的相遇和交互，在动线的引导下，访客和使用者对空间的利用会唤醒整个场域，创造日常的惊喜。

The focus here is on the encounter and interaction between people and space. Guided by the kinetic lines, the utilization of space by visitors and users will awaken the whole field and create daily surprises.

设计师Niels Jorgen Haugesen

| 北欧琴椅

自 然

Nature

人类与自然环境有着本能的联系，亲户外的设计可以利用这种纽带，将其应用于工作空间中。设计师借自然的形态、材料和色彩，以及软、硬材料的相互作用来构建空间，满足观赏性和耐用性的同时，增加使用质感，创建一个真正有效激发灵感又有趣的工作场所——员工喜欢工作的地方。

Humans have an instinctive connection to the natural environment, and pro-outdoor design can capitalize on this bond by applying it to the workspace. Designers draw on natural forms, materials and colors, as well as the interplay of soft and hard materials to build spaces that satisfy ornamental and durability while increasing the texture of use, creating a workplace that is truly effective in inspiring and fun - a place where employees love to work.

自然场景的浓缩，佐以和煦的日光，富有人文气息的办公区自成一副疏解压力的天然“补药”。这种疗愈的幸福感看似克制，实则充沛，室内与自然相融相长，让诗意横生，创意流淌。

With the concentration of natural scenes and the warmth of daylight, the humanistic office area becomes a natural “tonic” to relieve stress. This healing sense of well-being seems to be restrained, but in fact, it is abundant, indoor and nature are in harmony, so that poetry is born and creativity flow.

生长一隅的草本植物，着笔在简约的原木色中，浸润在随时间变幻的阳光里……这种饱和的生命力充值朝气，光线尽头极具视觉延伸的书架，又勾勒出曲径通幽的室内氛围。无人无我观自在，有声有色禅意来，艺术与人文的交织已成定局，生活和自然的流动让此间更富生机。

Growing a corner of the herbaceous plants, pen in the simple color of the original wood, infiltrated in the sunshine with time change ...... this saturated vitality rechargeable vitality, light at the end of the very visual extension of the bookshelf, but also outlined the indoor ambience of the paths through the secluded. No one no I view from the self, sound and color Zen to, art and humanities intertwined has been set, life and the flow of nature to make this room more vibrant.

碰 撞

Bump

除了艺术、人文与自然的交织，空间还通过家具和布局将办公区与现代抽象艺术进行糅合，来控制疗愈感和趣味性的尺度。从材质、线条、形态等艺术的角度，进行传统与现代的排列、融合与探索。

In addition to the intertwining of art, humanity and nature, the space also blends the office area with modern abstract art through furniture and layout to control the scale of healing and fun. From the perspective of materials, lines, forms and other arts, the arrangement, fusion and exploration of tradition and modernity are carried out.

材料对于设计而言，从来都没有定式，空间创造性地将原木材质作为“皮肤”包裹住办公空间，利用它温润的质感，自然过渡至不同的功能区域。“尽情流淌”的木质皮肤，以曲、直的形态彼此贯通，随着光在其中的穿梭变化，谱出风与光的美好旋律。

Material is never fixed for design, the space creatively wraps the office space with logs as the “skin” and utilizes its warm texture to naturally transition to different functional areas. The “flowing” wooden skin is connected to each other in curved and straight forms, and as the light travels through it, it composes a beautiful melody of wind and light.

办公区附近设置的休闲吧，为完整的功能性公共空间增加一抹亲和力。社交气息的植入、虚实的对比、开放与私密的关系，成就这里极具创意的自由色调。人与空间、以及人与人的关系成为主角，扩大了休闲区所承载的功能，使互动变得紧密而有趣。

The lounge bar set up near the office area adds a touch of intimacy to the complete functional public space. The implantation of a social atmosphere, the contrast between reality and reality, and the relationship between openness and privacy result in a very creative and free tone here. The relationship between people and space, as well as between people and people, becomes the protagonist, expanding the functions carried by the lounge area and making the interaction close and interesting.

空间线条的铺陈，直与曲面的交错，引导动线的节奏感流转。或硬挺、或柔软的笔触，蘸取光影的颜料，将空间诗意挥洒一室。故意营造的摄影景深层次，打造出日常办公空间的高级感。

The lines of the space, the interlacing of straight and curved surfaces, guide the rhythmic flow of the line of motion. The hard or soft brushstrokes, dipped in the paint of light and shadow, poeticize the space in a room. The intentionally created depth of the photographic scene creates a sense of sophistication in the daily office space.

光 线

lighting

长时间禁锢在“钢筋丛林”中的人们，会产生如影随形的焦虑。因此，我们想要通过引导风和光，来打造一处疗愈心灵的净土。VIP室公共通道一侧采用通透的玻璃材质最大限度地收集自然光，带来平静的温暖感知。变化的自然光线模糊了空间的功能分区，光影的着色带来艺术馆的品质感，调动空间氛围。

People who are confined to the “steel jungle” for a long period of time will have anxiety that follows them around. Therefore, we want to create a pure land for healing the soul by guiding wind and light. the public passage of the VIP room is made of transparent glass to maximize the collection of natural light, bringing a sense of calm and warmth. The changing natural light blurs the functional zoning of the space, and the coloring of light and shadow brings the quality of an art gallery and mobilizes the atmosphere of the space.

开放式会客厅中布置来自荷兰的树脂发光茶几，不规则的彩色树脂方块布满表面，不发光时是自然凝结的瑰宝，稀有又极具装饰性，让人想起柯布西耶的朗香大教堂；发光时如漫天彩色的星光，如同电影星之彩中的科幻场景，绚烂又特别。

The open-plan living room is decorated with resin luminous coffee table from Holland, irregular colorful resin cubes cover the surface, when not luminous, it is a natural condensation of treasures, rare and highly decorative, reminiscent of Corbusiers Langchamp Cathedral; when luminous, it is like a diffuse sky of colorful stars, just like the sci-fi scene in the movie Color of the Stars, gorgeous and special. Space Ambience.

中古

彩色树脂发光茶几

Claudio Silvestrin

As Claudio Silvestrin, the father of minimalist architectural design, said: “Contemplative architecture and our inner selves - the most important thing is our soul”. The log material is the Zen soul of the space, and the emotional contrast with other materials tells the unique “blunt and sharp” spiritual attributes of the space, which is self-consistent with the zero-dimensional nature of the space, so that the real building exists in the transcendental sensory experience.

一把原产自法国的中古吸睛单椅，如同一位记录者，坚定的铁艺框架撑起透明椅面，不先声夺人，不喧宾夺主，记录着空间情绪的变化。

A mid-century eye-catching single chair originating from France is like a recorder, with a firm iron frame holding up the transparent chair surface, not pre-empting or overpowering, recording the changing mood of the space.

设计师Edmond Vernassa |

中古吸晴单椅

结构的木质肌理在影子里显得克制，在光线中显得热情，影之黑与光之白两个无极色，在木色“画布”上渲染得深深浅浅，共同创造出丰富的自然色调，并在不同功能区域彰显出不同的设计敏感性。

The wood texture of the structure appears restrained in the shadow and enthusiastic in the light. The two infinitesimal colors, black of shadow and white of light, are rendered in deep and light shades on the wood-colored “canvas”, creating rich natural tones together, and highlighting different design sensitivities in different functional areas.

透光茶水功能柜：岩作制造

空间的透视感是一道特色，由玻璃长桌和透光性实现。自然光线为音符，木质骨骼为谱，共同组成诗意、明媚的空间五线谱，奏响贯通室内外的疗愈温暖的美感。

A sense of perspective is a feature of the space, realized by the long glass table and the translucency of the light. Natural light is the musical note and wooden bones are the score, together forming a poetic and bright spatial pentatonic score, playing a healing and warm aesthetic through the interior and exterior.

Anacleto Spazzapan

On the other side of the table is a deconstructed medieval chair by Italian artist Anacleto Spazzapan. The linear structure of metal combined with different welding techniques and wood, like an easel and a vibrating musical note, combines neoclassicism and postmodernism.

设计师Anacleto Spazzapan |

中古

解构椅

Rodolfo Bonetto

Corner of the space, want to keep a low profile very technological sense of silver shell floor lamp, by the former jazz drummer of the Italian designer Rodolfo Bonetto production, his natural sense of rhythm to help the late design style, so that his lamp not only simple and generous appearance, but also has excellent use of space.

设计师

Rodolfo Bonetto |

180度旋转

银色外壳的

落地灯

目之所及，空间被温润木质“皮肤”和柔软和煦的光所包裹，它是平静的，合理的，耐久的，存在的，以及完整的，充满了温暖和感知的。色彩的统一与对比，表达出克制又生机勃勃的空间情绪。如同平静海面下的暗潮涌动，这也是希望用空间激发创新活力的路径。办公空间设计的不仅是工作环境，更是人与人之间的交互关系。我们期许从来访者、使用者、管理者等多个视角，拆解、转化、组合不同功能板块中人、空间、环境的相互关系，引起“共振”，褪去硬壳，回归到一种真实自然的工作状态，营造理想的办公生活。

As far as the eye can see, the space is wrapped in a warm wooden “skin” and soft, warm light, which is calm, rational, durable, present, and complete, full of warmth and perception. The unity and contrast of colors expresses a restrained and vibrant spatial mood. Like the undercurrents under the calm sea, this is the path of hope to stimulate innovation and vitality with the space. Office space design is not only about the working environment, but also about the interaction between people. We hope to dismantle, transform and combine the interrelationships of people, space and environment in different functional sections from the perspectives of visitors, users and managers, so as to cause “resonance”, remove the hard shell, return to a real and natural working state and create an ideal office life.

项目信息

Information

项目名称：

Z.POWER DESIGN Office

项目地址：

中国深圳

Project Location：Shenzhen, China

项目面积：

1500㎡

Project Area:

1500㎡

硬装设计：

王可畏、宋伟、唐国祥

Hard Decoration Design: Wang Kewei, Song Wei, Tang Guoxiang

软装设计：

蒙晖、王可畏、黄婷、王丹娜

Soft Design: Meng Hui, Wang Kewei, Huang Ting, Wang Dana

艺术陈设：

韩银银

Art Display: Han Yin Yin

作品编辑：

王可畏、郝伟、刘超凡、张天堂

Work Editor：Wang Kewei, Hao Wei, Li Chaofan, Zhang Tiantang

文章撰写：

谷衍传媒

Words: Gu Yan Media

工程团队：

严仕兴、贾玉鑫、穆艳泽

Engineering Team: Yan Shixing, Jia Yuxin, Mu Yanze

灯光顾问：

辰河灯光顾问

Tatsuhe Lighting Design

办公灯具：

维尔霓斯照明

Office Light Fixtures:

Vellnice

办公家具：

快来意

Office Furniture: Finest

固装单位：

岩作

Fixed Unit: Yan Zuo

摄影团队：

404NF STUDIO

404NF STUDIO

蒙晖 王可畏 宋伟

零次方空间设计（Z.POWER）创始人

深圳市零次方空间设计有限公司，简称零次方设计，是一间具有国际前瞻性的室内设计公司，公司目前已发展成为拥有70余人的核心团队，其中包括30余人研创深化团队，30余人的全案软装设计团队和其他设计人员等，主案团队成员均在国内知名设计机构从业十载有余。零次方专注于售楼处设计、样板房设计、商业办公设计、私人会所设计及豪宅设计的高端定制服务。

“Z”是代表无限可能，“ . ”是温度，小而耀眼，“POWER”是力量，是自我突破，不断生长的状态。逻辑、温度、创新是零次方的设计核心。零次方设计屡获国内外设计奖项，设计作品遍布全国各大城市，秉承“国际思维·东方美学”的设计理念，以创造客户价值为出发点，传递项目人文和品牌内涵。通过设计语言回归设生活美学的本质，赋予空间更具深度的多维认知和感悟。

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