【楔子】

Wedge

“这个世界上没有什么生活方式是完全正确的，神山圣湖并不是重点，接受平凡的自我，但不放弃理想和信仰，热爱生活，我们都在路上。”——《冈仁波齐》2017年张扬执导。

No way of life in this world is completely correct, the sacred mountain and the sacred lake is not the point, accept the ordinary self, but do not give up ideals and beliefs, love life, we are all on the road. -- Kailash, directed by Yang Yang in 2017.

【两个项目，不同彼岸】

Two projects, different shore

在重庆，每个人都有属于自己内心当中的那个南山。

In Chongqing, everyone has their own inner south mountain.

一处小院，但它不止于场所，更多的是每段不同故事主角的冈仁波齐。

It can be a building, a small courtyard, but it is more than a place, more is the protagonist of each story of Kailash.

生命之于自然，或许没有高潮、反转，甚至任何意义，正如本案设计之于空间，有了一，也就有了目的，重复了上万次，无意识的连贯，不过是一次第一人称的朝圣之旅。

Life to nature may have no climax, reversal, or even any meaning, just as the design of this case has a purpose in space, with one, repeated tens of thousands of times, unconscious coherence, but a first-person pilgrimage.

两个住宅项目，为了便于区分我们姑且分别命名《大地》与《心灵》，原始地理结构相同，却有着两家屋主不同的自传。

The two residential projects, in order to facilitate the distinction, lets name The Earth and The Mind respectively, the original geographical structure is the same, but there are different biographies of the two owners.

两段的设计过程，挑空，切割，形体，色调等等，这些设计手法上的运用。

Two stages of the design process, lifting, cutting, shape, tone, etc., the use of these design techniques.

从一开始摒弃元素概念和固化设计语言，因为任何语言的表达都是用来对话沟通，从而直问内心的。

From the beginning, discard the element concept and solidified design language, because the expression of any language is used for dialogue and communication, so as to ask the heart.

设计师无意窥视隐私，却不得不探索屋主的从前未来以及当下的状态，这个过程我称作是设计里面的“问”。

The designer has no intention to peek into the privacy, but has to explore the past and future of the house owner and the current state, a process I call the question in design.

【设计里面的“问”】

The ask in design

项目《大地》，我们问“沉淀、掌控、敬畏自然、拥抱自然”，这就是追求确定性，追求规律的自然主义，所以我们用了距离来产生空间，引用内外无边界，抛弃纵向的挑空，极致地人与自然静默入迷。

The project Earth, we asked precipitation, control, reverence nature, embrace nature, which is the pursuit of certainty, the pursuit of the rule of naturalism, so we use distance to create space, reference the internal and external boundaries, abandon vertical air, the ultimate human and nature silent ecstasy.

项目《心灵》，我们问“未来、新锐、今古融合、探险跳脱”，这就是追求不确定性，追求创造的新现实主义，所以我们用纵向挑空，碰撞的、明亮的、流动的界面连接，聚焦清晰同时强调节奏感。

In the project Mind, we ask future, new, modern and ancient fusion, adventure jump, which is the pursuit of uncertainty, the pursuit of creation of new realism, so we use vertical vertical, collision, bright, flowing interface connection, focus clear and emphasize the sense of rhythm.

【设计之于空间】

Design for Space

分裂与融合的过程来自生命神奇的启示，把握股掌之中的确定性，乐于未知的不确定性，设计从来都是在他我之间取悦对抗。

The process of division and integration comes from the magical revelation of life, grasping the certainty in the palm of the hand, and being happy to the uncertainty of the unknown, design has always been pleasing and antagonizing between him and me.

如果非要用一幅意象来标签化两个项目，我们愿意称《大地》是杉本博司的海，而称呼《心灵》为克莱因蓝。

If we had to label the two projects with one image, we would like to call The Good Earth Hiroshi Sugimotos sea and The Mind Klein Blue.

Hiroshi Sugimoto is not taking pictures with a camera, he brings to photography the books we have read, the movies we have seen, the music we have listened to, the roads we have traveled, and the people we have loved.

而克莱因蓝用最纯净的方式唤醒最强烈的心灵感受力，我们在项目《心灵》当中引入艺术家张超的作品《彼岸》，克莱因的蓝便化作屋主自我的佛青。

Klein blue awakens the strongest spiritual feeling in the purest way. In the project Soul, we introduce the artist Zhang Chaos work The Other Shore, and Kleins blue becomes the Buddha green of the owners self.

同样的项目住宅不同的空间，我们带到设计当中的是屋主的个性经历，是每个不同的一。让水和空气在那里，有光的情况下，自发产生的生命现象，如有神灵一样。

The same project houses different Spaces, and what we bring to the design is the owners personality experience, which is a different one for each. Let the water and air be there, and in the case of light, spontaneously produce the phenomenon of life, as if there were gods.

艺术装置《彼岸》| 作者张超

【尾声】

Epilogue

不停用五感与外界建立联系，又会在交织的认知当中撇清与现实的关系。一切的参照和相对性，不过是由此及彼也同样由彼及此。所以，冲动的喜欢会一而再，而克制的欢喜才能再而三。由“一”生出欢喜，用“设计”勾勒彼岸。

Do not stop using the five senses to establish contact with the outside world, but also in the interwoven cognition to separate the relationship with reality. All reference and relativity are only from here to there and from there to here as well. Therefore, the impulsive love will be again, and the restrained joy can be again. From one to give birth to joy, with design outline the other shore.

项目信息

Information

项目名称：

《大地》与《心灵》

Project Name:

The Earth and the Mind

项目地址：

重庆南山

Project Location: Nanshan, Chongqing

完成时间：

2023年12月

Completion Time: 2023.12

设计机构：

源松营造

Design Company：YISO Space Design

创意执行/主案设计：

潘侨

Chief Design

特别鸣谢：

艺术家张超

Special Thanks: Artist Zhang Chao

参与设计：

陈瑞、万中山、李畅

Design Participation: Chen Rui, Wan Zhongshan, Li Chang

软装设计：

源松营造

Soft Design:

YISO Space Design

摄影：

阿永

Photography

：Ayong

文字：

SNOW DAXIAN

SNOW DAXIAN

潘侨

源松营造设计品牌创始人

2014年成立源松营造设计品牌，定位为“建筑、室内、软装、园林为一体的设计事务所”，旨在成为优秀室内设计师共同工作的设计平台，通过信息互动带动设计观念的不断进步，使团队保持先进的、国际化的视野与设计活力。历经十年，源松营造建立了完善的项目运作与管理系统，有效控制项目实施全过程的顺利进行，保障设计成果的还原实现，积极分担客户在项目管理方面的精力投入。源松营造致力于培养优秀的设计团队及专业技术人才，保持前瞻性与创新，赋能建筑设计、弘扬设计文化。

图片版权 Copyright ：源松营造