CUN寸DESIGN

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http://www.cunchina.cn/

CUN寸DESIGN提出企业运营空间的名词概念，是国内首家结合艺术创意、科技办公、绿色办公等理念，完成企业办公效率最大化的空间设计团队，我们更是办公领域倡导趋势发展的先行者，每年都会发布对办公空间思考的最新趋势。

CUN CUN DESIGN put forward the concept of enterprise operating space. It is the first space DESIGN team in China to maximize the office efficiency by combining the concepts of artistic creativity, scientific and technological office and green office. We are also the pioneers in the field of office advocating the development of trends, and release the latest trends of thinking about office space every year.

在过去二十年的房地产快速发展中，住房作为一种商品被大量生产，逐渐偏离了满足用户需求的方向。此外，艺术概念和重复风格的涌入导致市场上的房屋身份模糊。

In the last two decades of rapid real estate development, housing has been mass-produced as a commodity, gradually veering away from meeting users needs. Moreover, the influx of artistic concepts and repetitive styles has led to a blurred identity in houses available in the market.

在这个公共区域，作为主要的客人和用餐空间，内部没有过度设计。相反，庭院景观与室内的融合建立了一个独特的领域，自然光线和生活场景融合在一起。这种相互作用定义了观看和被观看之间的主客体关系。

In this public area, serving as the primary guest and dining space, the interior is not overly designed. Instead, the integration of courtyard scenery with the interior establishes a unique domain where natural daylight and life scenes blend.This interplay defines the subject-object relationship between viewing and being viewed.

幸运的是，我们位于河广晨月的项目在市场动荡中脱颖而出，成为一个独特的高质量项目。它通过光的美学表达了对城市的关怀和对美学进步的深刻思考。建筑设计结合了许多引入自然光的动作，使其成为空间中明确的主角。

Fortunately, our project situated in Heguangchenyue stands as a unique and high-quality development amid the market upheaval. It expresses care for the city and profound thoughts on aesthetic advancement through the aesthetics of light. The architectural design incorporates numerous actions to introduce natural light, making it the unequivocal protagonist within the space.

光是建筑和空间中永恒的创意主题，是每个设计师都渴望解决的挑战。在这个案例的设计概念中，重点也是“光”，将光大量引入现有空间。除了简单地引入光线之外，崔树对光线的细致控制是显而易见的，最终以空间为媒介来掌握光线，并使用不同的光源来重塑不同的空间。

Light, an everlasting creative motif in architecture and space, poses a challenge that every designer aspires to tackle. In this cases design concept, the focus is also on light, with a substantial introduction of light into the existing space. Beyond simply introducing light, the meticulous control exercised by Cui Shu over the light is evident, ultimately using space as a medium to master light and employing different light sources to reshape distinct spaces.

顶层的主卧室空间，提供了最大的隐私，被艺术性地分隔，以适应一个小家庭单元的基本生活。虽然所有三层的流通空间的规模都是有意操纵的，但景观和光线的干预将走廊从被动的交通区域转变为具有不同远景的花园般的通道。这种设计使家居空间充满了中国古代绘画的精髓，生动地描绘了所有的日常活动，就像从画布上走出来一样。

The top-floor master bedroom space, offering the utmost privacy, has been strategically compartmentalized to accommodate the basic life of a small family unit. While the scale of circulation space across all three floors is intentionally manipulated, the intervention of scenery and light has transformed corridors from passive transit zones into garden-like passages with varying vistas.This design imbues the home space with the essence reminiscent of ancient Chinese paintings, vividly illustrating all daily activities as if they leap off the canvas.

崔树有意地将最初开放和连续的空间碎片化，通过按比例缩放的人行道将它们连接起来。这有效地隔离了不同的功能空间，以确保隐私，同时促进家庭成员之间多样化和引人入胜的空间关系。

Cui Shu has intentionally fragmented the initially open and continuous spaces, connecting them via walkways scaled to human proportions. This effectively segregates different functional spaces to ensure privacy while fostering diverse and engaging spatial relationships among family members.

与楼上家庭的日常生活不同，地下两层类似于房主内心自我的避难所。在空间流动的精心安排下，楼梯重新安置到该区域的中心。楼梯以其直接和平缓的上升，作为一个信号过渡和连接的大道，邀请人们冒险进入地下的精神天堂，同时提供一条回到沐浴在自然阳光下的现实的大道。

Unlike the daily routines of the family upstairs, the two underground floors resemble a sanctuary for the homeowners inner self. Following a meticulous arrangement of spatial flows, the staircase relocates to the heart of the area. With its straightforward and gentle ascent, the stairs act as an avenue signaling transition and connection, inviting one to venture into the subterranean spiritual haven while providing an avenue back to the reality bathed in natural sunlight.

崔树在地下巧妙地运用了复杂的建筑技术，在室内建筑中制作了一系列的“盒子”。这些盒子大小不一，交织在不同的高度，形成了一个丰富的私密空间。倾斜光线的相互作用，表现出了递进、渐变和延伸，再加上高天花板的中庭和各种条形窗户，散发出微妙的光线，唤起了神圣的时刻，类似于朗香教堂内的氛围。这是一个培养居民精神共鸣的空间。

Cui Shu has adeptly employed sophisticated architectural techniques underground, crafting a series of boxes within the interior architecture. These boxes, varying in size and interwoven across different elevations, engender a richly layered composition of intimate spaces. The interplay of inclined light, manifesting progressions, gradations, and extensions, coupled with the high-ceiling atrium and diverse strip windows diffusing subtle rays, evokes moments of sanctity akin to the ambiance found within Langxiang Church. Its a space nurturing spiritual resonance for its inhabitants.

崔树热切地致力于理解个体生动而鲜明的生活体验，以生活为中心的方式进行与时代同步的空间操作。凭借多年的专业知识和审美敏锐度，这一创作标志着“盒子”系列的首次尝试。未来的项目将通过一系列住宅探索进一步深入个性化的“家”概念。

Cui Shu ardently strives to comprehend the vivid and distinct life experiences of individuals, adopting a life-centric approach to spatial operations in sync with the contemporary era. Leveraging years of professional expertise and aesthetic acumen, this creation marks the inaugural endeavor within the box series. Future projects will further delve into the personalized concept of home through an array of residential explorations.

茶室将《影之颂》中的神秘感浓缩在一起，采用条形窗户，让中庭微弱的光线巧妙地渗透进来。鱼缸里金鱼的存在赋予了空间活力，几乎“制作”了一个梦幻般的远景。在这里，悠闲的生活与诗意的氛围融为一体。在院子里，从上面过滤下来的光线在墙上画上了斑驳的树影。玻璃砖半墙构成了一个模糊但有趣的窗口景观，为地下注入了一丝明亮和活力。

The teahouse encapsulates the mystique found in In Praise of Shadows, employing strip windows that allow faint light from the atrium to delicately seep through. The presence of goldfish within a fish tank imparts dynamism to the space, almost crafting a dreamlike vista. It is a space where leisurely living converges with poetic ambiance. In the courtyard, light filtering from above paints dappled shadows of trees on the walls. A glass brick half-wall frames an obscure yet intriguing window view, infusing the underground with a hint of luminance and vitality.

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