地处云南香格里拉，是由藏族民居房屋改造成民宿，项目占地5亩，室内面积约1800㎡， 甲方的要求是整体风格不要藏式，对于一个二次设计的项目，第一次去勘测现场的时，整体藏房已经拆得所剩无几，只保留了一部分的还没来得及拆。

The renovation of Tibetan homestays located in Shangri La, Yunnan is a secondary design project and also a challenging one. Covering an area of 5 acres, with an indoor area of approximately 1800 square meters, Party A was not very satisfied with the previous design and contacted me to continue reshaping the design. The first partys requirement is that the overall style should not be Tibetan. When we first went to the survey site, the entire storage room had already been demolished to the point where only a portion of it had been preserved before it could be demolished.

项目的户外景观是非常好的，面向石卡雪山，背靠是依拉神山，前面是纳帕海依拉草原。

The outdoor landscape of the project is very good, facing the Shika Snow Mountain and leaning against the Ila God Mountain. In front of it is the Napa Haiyila Grassland.

甲方的需求就是完工时间3-4个月，现有做好的结构和布局不做大改动，因为藏式风格太浓郁不够放松，所以风格上不要藏式。

The first partys requirement is to complete the project within 3-4 months. The existing structure and layout will not undergo major changes, with 16 rooms and a lobby. The indoor budget is around 2 million yuan, as the Tibetan style is too rich and not relaxed enough, so the style should not be Tibetan.

一个具有文化符号很强的在地项目却要抛开文化优势，那么设计应该去舍弃什么？应该拿起什么？

What should a local project with strong cultural symbols abandon when it comes to setting aside cultural advantages? What should I pick up?

文化产物的兴衰在时间的长河里面就是一个轮回，兴与衰取决于该阶段把持者的意图

不同阶段文化产物的意义也不径相同。

The rise and fall of cultural products in the long river of time is a cycle of ups and downs, depending on the intentions of the controllers at that stage The significance of cultural products at different stages also varies.

时间不是文化产物推进的唯一，还有燃烧。

Time is not the only cultural product that advances, and there is also combustion.

通过对现有结构的火灼，加速建筑结构的表层岁月，从而去寻找到一个适合当下状态。新加的结构形式就像一个可随时拆卸的部件不过多的叨扰到空间的主体，对过往文化的尊重，结合当代的家具和设施完成新生。

By burning the existing structure to accelerate the surface age of the building structure, we can find a suitable current state. The newly added structural form is like a detachable component that can be dismantled at any time, but it does not interfere with the main body of the space. The respect for past culture is combined with contemporary furniture and facilities to achieve rebirth.

燃烧不光是寻找，还有第二层意义就是封存。

Burning is not only about finding, but also about sealing up.

于是对该项目立意：重新梳理原有的建筑语言，融合当代的手法来做出一个全新松弛的安定的观景美学空间。

So the idea for the project was to reorganize the original architectural language and integrate contemporary techniques to create a completely relaxed and stable viewing aesthetic space.

因为当地气候以及时间和预算的关系，确保设计更好的融入现有建筑，材质以及工艺方面就在地寻找，当地的石料、夯土、木雕、木材和可以完成项目的本地工厂等等。

Due to the local climate and time and budget constraints, it is important to ensure that the design is better integrated into existing building materials and craftsmanship. We are looking for local stone, rammed earth, carved wood, and local factories that can complete the project.

原有的建筑是藏式建筑常用的云杉木料，颜色会很黄，为了做出质朴的空间就用炭烧得形式来对木料进行脱色加工。

The original building is a Tibetan style building, and the commonly used spruce wood has a very yellow color. In order to create a rustic space, charcoal is used to decolorize the wood.

软装选择了自然质朴带有一些符号化的家具来配合室内。

The soft decoration has chosen natural and rustic furniture with some symbolization to complement the interior.

我给项目取名叫在野院。

取自《易经》乾卦的爻辞九二：“见龙在田，利见大人”。

I named the project EVE REST POINT.

The line words from the Qian hexagram of the Book of Changes, Jiu Er Jian Long, meet the Lord in Tian Li.

和当地相辅相成，惠及乡邻，项目在享受当地文化滋养时，当地人可以此项目获得就

业机会和提升学习的地方。

Complementing and benefiting the local community, the project is a place where local people can obtain employment opportunities and enhance their learning while enjoying the nourishment of local culture.

当空间经过20-30年左右交还到本地藏民手中，自然的变化使得建筑表面的碳化慢慢剥开，露出原有的文化符号，就像破茧的蝴蝶，再次引来他新的生命。

After about 20-30 years of space being returned to the hands of local Tibetans, natural changes have caused the carbonization of the building surface to slowly peel off and reveal the original cultural symbols, like a cocoon breaking butterfly once again attracting his new life.

项目信息

Information

项目地址：

云南

· 香格里拉

Project Address: Shangri La, Yunnan

面积：

1800㎡

Area: 1800

设计机构：

岭众联合

Design Company：Elin Imperial Institute of Design

主案设计师：

彭洋洋

Chief Design：Peng yangyang

软陈空间设计师：

张盈

Decoration Designer：Zhang Ying

摄影师：

六文

Photography:Liuwen

彭洋洋

岭众联合主案设计师

岭众联合设计团队

Elin Imperial Institute of Design Team

岭众联合是由创始人

艺术总监田艾灵女士，在足够的作品沉淀力和全系统落地执行力的基础上；在拥有中西方专业院校的教育背景、鉴赏游历之眼界上；厚积薄发创立的更专业、更系统领域、面向全国高阶空间设计需求的品牌。

Lingzhong United is founded by Ms. Tian Ailing, the founder/artistic director, on the basis of sufficient work sedimentation and overall system execution; In terms of educational background and perspective of appreciation and travel with professional institutions in both China and the West; A brand that is more professional, systematic, and tailored to the needs of high-end space design nationwide, established through extensive accumulation and development.

商业空间以品牌背景、发展愿景、消费者画像为空间设计主题，构建品牌场域精神，助力委托方从空间设计上就跳出同质化竞争；私宅空间以专业分析为委托方精准把控内心的理想家园调性，以生活场景化去设计立意出发，做持久审美的探究、以内建筑思维的功能、动线架构理念去做真正为人所能顺畅使用，引起审美、情绪共鸣的家宅设计！用泛艺术化的当代设计表达手法，挖掘出跨文化的空间融合格调，创意就是去创造空间与人的记忆！

The commercial space is designed with the theme of brand background, development vision, and consumer portraits, building a brand field spirit to help the client break out of homogeneous competition in space design; The private residential space is designed with professional analysis as the client to accurately control the ideal home tone of the heart. Starting from the design concept of life scenes, it explores the lasting aesthetic, the functions of internal architectural thinking, and the concept of dynamic architecture to create a truly smooth use that can resonate with aesthetics and emotions! Using a pan artistic contemporary design expression technique to explore cross-cultural spatial fusion style, creativity is to create space and human memory!