空间的一半依赖于设计

另一半则源自于存在与精神

“Half of space depends on design the other half is derived from presence and spirit.”

——安藤忠雄（Tadao Ando）

我们的设计初衷便是通过侘寂之美，使人于空间中能感受自身与自然的连接，便以「质变」为主题，追求材料的本质表现，以容纳时光印记。将建筑原始构造带入内部设计，有意识地由外至内延伸线条与色彩，消解室内与户外的隔阂，使日夜更迭成为空间表情。

Our original design intention is to create a sense of connection between oneself and nature through the beauty of solitude in space, with the theme of qualitative change and the pursuit of the essential expression of materials to accommodate the imprints of time. Bringing the original structure of the building into the interior design, consciously extending lines and colors from the outside to the inside, dispelling the gap between indoor and outdoor, and making day and night changes into spatial expressions.

强调五感于空间表现，以自然做景感动视觉，质朴材料唤起触觉，多处使用桧木丰盈嗅觉，将真实以不同层次的感知传递给居住者。

Emphasizing the Five Senses in spatial expression, using natural scenery to move the visual experience, simple materials to evoke touch, and the use of cypress wood in multiple places to enrich the sense of smell, conveying reality to residents at different levels of perception.

以岁月历练接受不完美为生活格调，刻意用不上漆之木作、不均匀之涂料及不填缝之石材，凸显自然材料的真实官感，亦不避讳将随光线与温度产生质地变化，赋予空间有机的能力，随居住者一起包容无常的洗礼。

Accepting imperfection through years of experience as a way of life, deliberately using unpainted wood, uneven paint, and unfilled stone to highlight the true sense of natural materials, and not avoiding texture changes with light and temperature, endowing the space with organic ability, and embracing impermanence with the residents.

大量使用炭褐色调塑造沈静氛围，采局部性照明让位给空间呼吸，进而沈淀感知。同时掌握留白比例，呈现点线面的宽阔尺度，传递如置身宁静旷野之地的感受。

A large amount of charcoal brown tones are used to create a calm atmosphere, and local lighting is used to give way to spatial breathing, thereby enhancing the perception of sedimentation. At the same time, grasp the proportion of white space, present a wide scale of dots, lines, and planes, and convey the feeling of being in a peaceful wilderness.

借设计实现内在精神的沈淀，提升心境层次的转换。

By using design to achieve the accumulation of inner spirit and enhance the transformation of mood levels.

营造「大」和「小」的对比，产生沧海一束、浪里一道波的美学观，使人对周遭事物乃至生活怀抱谦卑。前者来自大框架，借连续性表面形成简练而宽阔量体；后者透过材料自然肌理和讲究工艺，展现细腻且富有层次变化的质感。

Creating a contrast between big and small creates an aesthetic view of the sea and waves, making people humble about the things around them and even life. The former comes from a large framework, forming a concise and broad volume through a continuous surface; The latter showcases a delicate and layered texture through natural texture and craftsmanship of materials.

欲借美学参透心灵，透过材料率真表现与空间质变能力，构成人与环境的交互作用，在木香、铁锈触感、逐渐变浅色的草编藤织之间，体会自然之生与淘汰，于不分里外的檐廊下感受四季更迭，学习顺应变老而为，响应业主从容步入余生的心境。

To penetrate the soul through aesthetics, through the frank expression of materials and the ability to change spatial quality, the interaction between humans and the environment is formed. Between the fragrance of wood, the touch of rust, and the gradually lightening of grass weaving and rattan weaving, one can experience the birth and elimination of nature, and feel the changes of the four seasons under the eaves corridor without dividing the inside and outside. Learning to adapt to aging and respond to the owners leisurely entry into the rest of their life.

LINFO

MR.CHE

项目坐标：中国 台北

项目年份：2023年

148.7㎡

项目类型：住宅设计

室内设计：东腾学 DESIGN

软装设计：莫亚空间设计

软装团队：吴亚臻

项目摄影：随寓工作室

AGENCY FOUNDER

東騰學，強調適地性設計，延伸建築本體的設計思維，同步連結在地情感與?

Dongtengxue emphasizes the design of adaptability to the place, extends the design thinking of the building itself, and synchronously connects the local emotion with the local emotion?

图片版权 Cpyright ：东腾学 DESIGN