夏兆民 孙曼丽

设计背景/

Design background

Painting(Zaha Hadid).Image Courtesy of Zaha Hadid Architects

“过去我认定有无重力的物体存在，

In the past, I believed that there were objects without gravity, but now I believe that buildings are weightless and can float.

——Zaha Hadid

至上主义和构成主义最突出的特点就是其几何化和抽象化：即在动态的、抽象的几何构图中，运用冲突、穿插、叠合与错位的手法，创造出对比强烈、充满动感、极不稳定的视觉形象与构图效果。这是对“片段性空间”的否定， 作品永远都处于未完成状态，而非静态的已完成的状态，好似建筑在生长

he most prominent feature of supremacy and constructivism is their geometricization and abstraction: in dynamic and abstract geometric composition, the use of conflict, interpolation, overlap, and dislocation techniques creates a highly contrasting, dynamic, and unstable visual image and composition effect. This is a negation of piecemeal space. The work is always in an unfinished state, rather than a static completed state, as if the building were growing.

分析扎哈维特拉消防站建筑设计手法，就是由很多平面元素所组成的，而这些平面、线之间相互倾斜、折叠，以划分内部的各项功能需求，将那些具有戏剧性张力的概念图纸转变为真正的功能性空间，激发了更多人的想象力，也是这次办公室设计的灵感来源。

he analysis of the architectural design technique of Zahavitra Fire Station is composed of many planar elements, which tilt and fold each other to divide the various functional requirements inside, transforming the concept drawings with dramatic tension into true functional spaces, stimulating more peoples imagination, and also being the source of inspiration for this office design

大面积黑色作为想象的诗意空间是一种背景和呈现，在空间中黑色是虚体，象征着行为的无限可能，而灯光是视觉线索，也是与观众沟通的情感符号，利用斜面的体块将空间碎片化的灯光状态进行整合处理，让人与空间因为温度产生共鸣。

As a poetic space of imagination, large area of black is a kind of background and presentation. In the space, black is an empty body, symbolizing the infinite possibility of behavior, while light is a visual clue, also an emotional symbol to communicate with the audience. The slanted body is used to integrate the fragmentation light state of the space, making people and the space resonate with the temperature.

立面结构示意▲

在动态的、抽象的几何构图中，我们利用三角形元素碎片化的常态，将原先硬结构的形式打破，重新给予它新的生命力，这是一种冲突的手法。

而将常用的长桌与三角形体块利用穿插的方式进行整合，传达建筑的解构形态。

In the dynamic and abstract geometric composition, we use the normal state of fragmentation of triangular elements to break the original form of hard structure and give it new vitality, which is a conflict technique.

The commonly used long tables and triangular blocks are integrated in a staggered manner to convey the deconstructive form of the building.

大的体块，从斜面造型的角度看过去，像似一种面的自然分割

A large block that looks like a natural segmentation of a surface from the perspective of a sloping shape

面结构

示意

社交岛台是整个空间的核心，也是我们利用建筑形式的穿插，将不确定的岛台处置在一个游离的状态，让人与物可以更好的进行互动。通过RBG灯光将岛台与装置柜灯光进行连接，能够产生情感上的共鸣。

The social island platform is the core of the entire space, and we use architectural forms to intersperse and dispose of uncertain island platforms in a free state, allowing for better interaction between people and objects. Connecting the island platform with the installation cabinet lighting through RBG lighting can generate emotional resonance.

考虑到办公的舒适性及空间的利用率，我们设计了一个三米的长桌。斜面的立柱跟清水混凝土墙，让办公的状态处于一个极度放松的环境中，而不是传统意义上的“格子办公”，围合的动线也让空间可以产生更多的互动性。

Considering the comfort and space utilization of the office, we have designed a three meter long table. The sloping columns and fair faced concrete walls create an extremely relaxed environment for office work, rather than the traditional grid office. The enclosed moving lines also allow for more interactivity in the space.

进门处墙面极简的不锈钢LOGO字，也是我们对于空间的一种态度，抛弃传统意义上的灯箱广告，它就是我们所要表达的简约之形态。

而悬挑墙也可以很好的将光线从下方引入暗黑的过道空间，含蓄而内敛。

And the overhanging wall can also effectively introduce light from below into the dark corridor space, which is implicit and introverted.

▼平面图，Plan

项目信息/

Project information

设计团队：夏兆民 孙曼丽

建筑面积：

160

m²

主要材料：艺术漆、亚克力、工业地毯、仿清水砼

空间摄影：王浩建筑空间摄影

完工时间：2022年11月

CHEN XIA S

TUDIO

Design team: Xia Zhaomin, Sun Manli

Project location: Huaian, Jiangsu

Building area: 160m ²

Main materials: artistic paint, acrylic, industrial carpet, imitation clean water concrete

Completion time: November 2022

文字/图片：辰夏空间规划

图片调整编辑/排版：寸匠

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致力于有趣味性的城市空间生活美学

追求建筑与自然的平衡