Grizzo Arquitectos

Marcia是一个来自新一代年轻披萨制造商的项目，他们继承了家族传统，并提出了一项新的提案，重点关注食材的护理和那不勒斯风格的工艺，并在新口味上盖章。

Marcia is a project that comes from a new generation of young pizza makers who took charge the family tradition, with a renewed proposal focused on the care of ingredients and Neapolitan-style processes with the stamp on new flavors.

该店的形象遵循同样的前提，即从托斯卡纳的色调、纹理、磨损和图案中汲取意大利精神和温暖，但采用当地和当代材料、语言和资源。Marcia试图在一个平衡的环境中用细节来给人惊喜。这将使过去的温暖和新的新鲜感在Villa Urquiza社区的传统动态中相遇。

The image of the shop follows the same premise of taking the Italian spirit and warmth inspired by tones, textures, wear and tear, and patterns of Tuscany, but with local and contemporary materials, language, and resources. Marcia seeks to surprise with details inside a balanced environment. It leads to the meeting of the warmth of the past and the freshness of the new, within the traditional dynamics of Villa Urquiza neighborhood.

商店内部的单色沙色调色板和温暖的灯光起着至关重要的作用，因此图案和纹理成为主角，并与尊重建筑原始色调的外部形成对比。质感和照明的室内吸引了那些沿着街道人行道行走并充当门面的人的注意。

The monochrome sand-toned palette of the shop interior and the warm lighting play a fundamental role so that the patterns and textures become the protagonists and contrast with the exterior where the original tone of the building was respected. The textured and illuminated interior draws the attention of those who walk along the sidewalk of the neighborhood and acts as a facade.

在处理有限的预算时，在对构成车间的材料进行调查后，我们发现用于进行硬度测试的混凝土搅拌机中的样本存在工业废料。这些标本形成了主杆，由于其弯曲的形状，软化了编织，并实现了放牧照明的效果。同样的情况发生在酒吧底部的曲线和反曲线游戏中，那里使用了带有大理石油漆处理的旧殖民地瓷砖。

When dealing with a limited budget and after following an investigation of materials to make up the shop, we found an industrial waste of specimens from the concrete mixers that are used to carry out hardness tests. These specimens form the main bar that due to their curved shape, soften the weave and achieve a play of grazing lighting. The same occurs with the play of curves and counter-curves at the bottom of the bar, where old colonial tiles with a marbled paint treatment were used.

毫无疑问，该项目的主角是双层高的墙面覆盖层，覆盖着粘土烤箱。就好像这是一块手工雕刻的石头，项目的名字就刻在了这个元素上。得益于专业的劳动力，石材和天然颜料的工作脱颖而出，实现了吸引人触摸的多孔纹理。

The protagonist of the project is undoubtedly the double-height wall cladding that shelters the clay oven. As if it were a hand-carved stone, the name of the project was engraved on this element. Thanks to the specialized workforce, the work done with stones and natural pigments stands out, achieving a porous texture that seduces to the touch.

该项目的另一种基本材料是石灰华，这是一种来自圣胡安省的国家级石材。它以乡村的外壳形式用作吧台台面，突出了原材料的高贵。石灰华也出现在经过打磨的桌子和灯具中，他们发挥了其处理的多样性。

Another fundamental material in the project is travertine, a national stone from the province of San Juan. It was used in the form of a rustic crust as countertop of the bar, which highlights the nobility of the raw material. Travertine also appears in tables and lamps with a honed finish, and they play with the versatility of its treatment.

选定的植被看起来不饱和，并融入商店的每个区域，有助于保持新鲜感，并与墙上的阴影相得益彰，突出了用染色石膏手工制作的纹理。

The selected vegetation appears desaturated, and is integrated into each sector of the shop contributing to freshness and complementing with a play of shadows on the walls, highlighting the textures made manually with dyed plaster.

在使用无障碍材料和资源之后，长椅由香草石灰制成，用于街道的人行道。纤维水泥盆也以堆叠的方式用于卫生间，以形成水槽和桌子的底座。所有墙壁都具有相同的多孔结构

Following with the use of accessible materials and resources, the benches were made of vanilla calcareous used on the sidewalks of the neighborhood. Fiber cement pots were also used in the toilet in a stacked manner to form the sink and as a base for the tables. All with the same porous texture of the walls

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